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Color name
RGB 149 23 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 23 142 it is the complementary color RGB 106 232 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 23 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 23 142 shade: RGB 154 23 137, RGB 171 41 156, RGB 188 59 175, RGB 205 77 194 and RGB 222 95 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 23 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 23 142 shade: RGB 149 23 142, RGB 132 5 123, RGB 115 0 104, RGB 98 0 85 and RGB 81 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 23 142 shade: RGB 150 23 143, RGB 150 23 109, RGB 150 23 75, RGB 150 23 41 and RGB 150 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 23 142 shade: RGB 150 23 143, RGB 123 23 150, RGB 89 23 150, RGB 55 23 150 and RGB 23 23 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 23 142 shade matches the following richer shades: RGB 150 23 143 and RGB 164 9 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 23 142 shade: RGB 150 23 143, RGB 136 37 130, RGB 122 51 118, RGB 108 65 106 and RGB 94 80 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 23 142 shade: RGB 89 23 150, RGB 123 23 150, RGB 150 23 144, RGB 150 23 110 and RGB 150 23 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 23 142 shade: RGB 79 12 75, RGB 114 18 109, RGB 150 23 143, RGB 186 29 177 and RGB 221 35 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 23 142 shade: RGB 149 23 142, RGB 150 55 23 and RGB 23 150 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 23 142 shade: RGB 149 23 142, RGB 144 150 23 and RGB 23 144 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 23 142 shade: RGB 149 23 142, RGB 150 55 23, RGB 23 150 30 and RGB 23 118 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 23 142 shade: RGB 149 23 142, RGB 150 93 23, RGB 23 150 30 and RGB 23 80 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 5 / 42

HEX #95178E

RGB 149 23 142

HSL 303.33, 0.73%, 0.34%

LAB 35.9, 61.2, -35.22

 

Complementary color

CMYK 54 / 0 / 51 / 9

HEX #6AE871

RGB 106 232 113

HSL 123.33, 0.73%, 0.66%

LAB 82.9, -58.65, 47.08

 

CMYK 0 / 85 / 11 / 40

HEX #9A1789

RGB 154 23 137

HSL 307.79, 0.74%, 0.35%

LAB 36.53, 61.47, -31.07

 

CMYK 0 / 76 / 9 / 33

HEX #AB299C

RGB 171 41 156

HSL 306.92, 0.61%, 0.42%

LAB 42.22, 63.25, -33.48

 

CMYK 0 / 69 / 7 / 26

HEX #BC3BAF

RGB 188 59 175

HSL 306.05, 0.52%, 0.48%

LAB 48.15, 64.07, -35.26

 

CMYK 0 / 62 / 5 / 20

HEX #CD4DC2

RGB 205 77 194

HSL 305.16, 0.56%, 0.55%

LAB 54.22, 64.27, -36.59

 

CMYK 0 / 57 / 4 / 13

HEX #DE5FD5

RGB 222 95 213

HSL 304.25, 0.66%, 0.62%

LAB 60.35, 64.1, -37.63

 

CMYK 0 / 85 / 5 / 42

HEX #95178E

RGB 149 23 142

HSL 303.33, 0.73%, 0.34%

LAB 35.9, 61.2, -35.22

 

CMYK 0 / 96 / 7 / 48

HEX #84057B

RGB 132 5 123

HSL 304.25, 0.93%, 0.27%

LAB 30.51, 58.11, -32.14

 

CMYK 0 / 100 / 10 / 55

HEX #730068

RGB 115 0 104

HSL 305.74, 1%, 0.23%

LAB 25.7, 52.88, -27.81

 

CMYK 0 / 100 / 13 / 62

HEX #620055

RGB 98 0 85

HSL 307.96, 1%, 0.19%

LAB 21.03, 46.7, -22.86

 

CMYK 0 / 100 / 19 / 68

HEX #510042

RGB 81 0 66

HSL 311.11, 1%, 0.16%

LAB 16.22, 40.34, -17.64

 

CMYK 0 / 85 / 5 / 41

HEX #96178F

RGB 150 23 143

HSL 303.31, 0.73%, 0.34%

LAB 36.14, 61.56, -35.44

 

CMYK 0 / 85 / 27 / 41

HEX #96176D

RGB 150 23 109

HSL 319.37, 0.73%, 0.34%

LAB 34.4, 56.78, -16.92

 

CMYK 0 / 85 / 50 / 41

HEX #96174B

RGB 150 23 75

HSL 335.43, 0.73%, 0.34%

LAB 33.15, 53.19, 3.2

 

CMYK 0 / 85 / 73 / 41

HEX #961729

RGB 150 23 41

HSL 351.5, 0.73%, 0.34%

LAB 32.38, 50.92, 24.4

 

CMYK 0 / 85 / 85 / 41

HEX #961717

RGB 150 23 23

HSL 0, 0.73%, 0.34%

LAB 32.17, 50.26, 35.04

 

CMYK 0 / 85 / 5 / 41

HEX #96178F

RGB 150 23 143

HSL 303.31, 0.73%, 0.34%

LAB 36.14, 61.56, -35.44

 

CMYK 18 / 85 / 0 / 41

HEX #7B1796

RGB 123 23 150

HSL 287.24, 0.73%, 0.34%

LAB 31.87, 57.61, -46.85

 

CMYK 41 / 85 / 0 / 41

HEX #591796

RGB 89 23 150

HSL 271.18, 0.73%, 0.34%

LAB 26.56, 52.06, -55.72

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 85 / 85 / 0 / 41

HEX #171796

RGB 23 23 150

HSL 240, 0.73%, 0.34%

LAB 20.03, 45.58, -66.71

 

CMYK 0 / 85 / 5 / 41

HEX #96178F

RGB 150 23 143

HSL 303.31, 0.73%, 0.34%

LAB 36.14, 61.56, -35.44

 

CMYK 0 / 95 / 5 / 36

HEX #A4099B

RGB 164 9 155

HSL 303.48, 0.9%, 0.34%

LAB 38.65, 68.27, -38.62

 

CMYK 0 / 85 / 5 / 41

HEX #96178F

RGB 150 23 143

HSL 303.31, 0.73%, 0.34%

LAB 36.14, 61.56, -35.44

 

CMYK 0 / 73 / 4 / 47

HEX #882582

RGB 136 37 130

HSL 303.64, 0.57%, 0.34%

LAB 34.33, 52.31, -30.43

 

CMYK 0 / 58 / 3 / 52

HEX #7A3376

RGB 122 51 118

HSL 303.38, 0.41%, 0.34%

LAB 33.59, 40.38, -24.24

 

CMYK 0 / 40 / 2 / 58

HEX #6C416A

RGB 108 65 106

HSL 302.79, 0.25%, 0.34%

LAB 34, 25.72, -16.2

 

CMYK 0 / 15 / 1 / 63

HEX #5E505D

RGB 94 80 93

HSL 304.29, 0.08%, 0.34%

LAB 35.81, 8.42, -5.43

 

CMYK 41 / 85 / 0 / 41

HEX #591796

RGB 89 23 150

HSL 271.18, 0.73%, 0.34%

LAB 26.56, 52.06, -55.72

 

CMYK 18 / 85 / 0 / 41

HEX #7B1796

RGB 123 23 150

HSL 287.24, 0.73%, 0.34%

LAB 31.87, 57.61, -46.85

 

CMYK 0 / 85 / 4 / 41

HEX #961790

RGB 150 23 144

HSL 302.83, 0.73%, 0.34%

LAB 36.2, 61.71, -35.97

 

CMYK 0 / 85 / 27 / 41

HEX #96176E

RGB 150 23 110

HSL 318.9, 0.73%, 0.34%

LAB 34.44, 56.91, -17.49

 

CMYK 0 / 85 / 49 / 41

HEX #96174C

RGB 150 23 76

HSL 334.96, 0.73%, 0.34%

LAB 33.18, 53.27, 2.58

 

CMYK 0 / 85 / 5 / 69

HEX #4F0C4B

RGB 79 12 75

HSL 303.58, 0.74%, 0.18%

LAB 17.61, 37.67, -21.71

 

CMYK 0 / 84 / 4 / 55

HEX #72126D

RGB 114 18 109

HSL 303.13, 0.73%, 0.26%

LAB 27.06, 49.79, -28.9

 

CMYK 0 / 85 / 5 / 41

HEX #96178F

RGB 150 23 143

HSL 303.31, 0.73%, 0.34%

LAB 36.14, 61.56, -35.44

 

CMYK 0 / 84 / 5 / 27

HEX #BA1DB1

RGB 186 29 177

HSL 303.44, 0.73%, 0.42%

LAB 44.93, 72.52, -41.55

 

CMYK 0 / 84 / 5 / 13

HEX #DD23D2

RGB 221 35 210

HSL 303.55, 0.73%, 0.5%

LAB 53.2, 82.73, -47.22

 

CMYK 0 / 85 / 5 / 42

HEX #95178E

RGB 149 23 142

HSL 303.33, 0.73%, 0.34%

LAB 35.9, 61.2, -35.22

 

CMYK 0 / 63 / 85 / 41

HEX #963717

RGB 150 55 23

HSL 15.12, 0.73%, 0.34%

LAB 36.51, 38.32, 39.05

 

CMYK 85 / 0 / 29 / 41

HEX #17966A

RGB 23 150 106

HSL 159.21, 0.73%, 0.34%

LAB 55.11, -43.32, 14.17

 

CMYK 0 / 85 / 5 / 42

HEX #95178E

RGB 149 23 142

HSL 303.33, 0.73%, 0.34%

LAB 35.9, 61.2, -35.22

 

CMYK 4 / 0 / 85 / 41

HEX #909617

RGB 144 150 23

HSL 62.83, 0.73%, 0.34%

LAB 59.71, -16.75, 58.97

 

CMYK 85 / 4 / 0 / 41

HEX #179096

RGB 23 144 150

HSL 182.83, 0.73%, 0.34%

LAB 54.38, -28.24, -12.09

 

CMYK 0 / 85 / 5 / 42

HEX #95178E

RGB 149 23 142

HSL 303.33, 0.73%, 0.34%

LAB 35.9, 61.2, -35.22

 

CMYK 0 / 63 / 85 / 41

HEX #963717

RGB 150 55 23

HSL 15.12, 0.73%, 0.34%

LAB 36.51, 38.32, 39.05

 

CMYK 85 / 0 / 80 / 41

HEX #17961E

RGB 23 150 30

HSL 123.31, 0.73%, 0.34%

LAB 54.12, -54.99, 49.83

 

CMYK 85 / 21 / 0 / 41

HEX #177696

RGB 23 118 150

HSL 195.12, 0.73%, 0.34%

LAB 46.1, -14.51, -24.74

 

CMYK 0 / 85 / 5 / 42

HEX #95178E

RGB 149 23 142

HSL 303.33, 0.73%, 0.34%

LAB 35.9, 61.2, -35.22

 

CMYK 0 / 38 / 85 / 41

HEX #965D17

RGB 150 93 23

HSL 33.07, 0.73%, 0.34%

LAB 44.77, 17.83, 46.39

 

CMYK 85 / 0 / 80 / 41

HEX #17961E

RGB 23 150 30

HSL 123.31, 0.73%, 0.34%

LAB 54.12, -54.99, 49.83

 

CMYK 85 / 47 / 0 / 41

HEX #175096

RGB 23 80 150

HSL 213.07, 0.73%, 0.34%

LAB 34.23, 9.04, -43.48

 

Description

Color code: RGB 149 23 142 | qconv.com Color code: RGB 149 23 142 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 23 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 23 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 5 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 5% 42% C M Y K

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Provide designers and agencies with accurate color values.

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