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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #371796 it is the complementary color #C8E869. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #371796. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #371796 shade: #3C1791, #4D29A4, #5E3BB7, #6F4DCA and #805FDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #371796. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #371796 shade: #371796, #260583, #150070, #04005D and #00004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #371796 shade: #371796, #591796, #7C1796, #96178E and #96176C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #371796 shade: #371796 and #171796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #371796 shade matches the following richer shades: #371796 and #3009A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #371796 shade: #371796, #3E2588, #45337A, #4C416C and #53505E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #371796 shade: #173B96, #171A96, #371796, #591796 and #7B1796

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #371796 shade: #1D0C4F, #2A1272, #371796, #441DBA and #5223DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #371796 shade: #371796, #96175D and #2A9617

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #371796 shade: #371796, #963717 and #179637

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #371796 shade: #371796, #96175D, #769617 and #179650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #371796 shade: #371796, #961737, #769617 and #179676

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

Complementary color

CMYK 14 / 0 / 55 / 9

HEX #C8E869

RGB 200 232 105

HSL 75.12, 0.73%, 0.66%

LAB 87.49, -28.86, 57.35

 

CMYK 59 / 84 / 0 / 43

HEX #3C1791

RGB 60 23 145

HSL 258.2, 0.73%, 0.33%

LAB 22.37, 46.98, -59.66

 

CMYK 53 / 75 / 0 / 36

HEX #4D29A4

RGB 77 41 164

HSL 257.56, 0.6%, 0.4%

LAB 29.02, 46.29, -60.29

 

CMYK 49 / 68 / 0 / 28

HEX #5E3BB7

RGB 94 59 183

HSL 256.94, 0.51%, 0.47%

LAB 35.84, 45.1, -60.41

 

CMYK 45 / 62 / 0 / 21

HEX #6F4DCA

RGB 111 77 202

HSL 256.32, 0.54%, 0.55%

LAB 42.69, 43.78, -60.31

 

CMYK 42 / 57 / 0 / 13

HEX #805FDD

RGB 128 95 221

HSL 255.71, 0.65%, 0.62%

LAB 49.49, 42.48, -60.12

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 71 / 96 / 0 / 49

HEX #260583

RGB 38 5 131

HSL 255.71, 0.93%, 0.27%

LAB 16.3, 47.49, -61

 

CMYK 81 / 100 / 0 / 56

HEX #150070

RGB 21 0 112

HSL 251.25, 1%, 0.22%

LAB 11.48, 43.58, -56.86

 

CMYK 96 / 100 / 0 / 64

HEX #04005D

RGB 4 0 93

HSL 242.58, 1%, 0.18%

LAB 7.37, 37.89, -51.15

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 41 / 85 / 0 / 41

HEX #591796

RGB 89 23 150

HSL 271.18, 0.73%, 0.34%

LAB 26.56, 52.06, -55.72

 

CMYK 17 / 85 / 0 / 41

HEX #7C1796

RGB 124 23 150

HSL 287.72, 0.73%, 0.34%

LAB 32.03, 57.79, -46.57

 

CMYK 0 / 85 / 5 / 41

HEX #96178E

RGB 150 23 142

HSL 303.78, 0.73%, 0.34%

LAB 36.08, 61.4, -34.92

 

CMYK 0 / 85 / 28 / 41

HEX #96176C

RGB 150 23 108

HSL 319.84, 0.73%, 0.34%

LAB 34.35, 56.66, -16.35

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 85 / 85 / 0 / 41

HEX #171796

RGB 23 23 150

HSL 240, 0.73%, 0.34%

LAB 20.03, 45.58, -66.71

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 71 / 95 / 0 / 36

HEX #3009A4

RGB 48 9 164

HSL 255.1, 0.9%, 0.34%

LAB 21.96, 55.66, -72.05

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 54 / 73 / 0 / 47

HEX #3E2588

RGB 62 37 136

HSL 255.15, 0.57%, 0.34%

LAB 24.08, 37.74, -51.23

 

CMYK 43 / 58 / 0 / 52

HEX #45337A

RGB 69 51 122

HSL 255.21, 0.41%, 0.34%

LAB 26.84, 26.41, -37.91

 

CMYK 30 / 40 / 0 / 58

HEX #4C416C

RGB 76 65 108

HSL 255.35, 0.25%, 0.34%

LAB 30.4, 15.2, -23.35

 

CMYK 12 / 15 / 0 / 63

HEX #53505E

RGB 83 80 94

HSL 252.86, 0.08%, 0.34%

LAB 34.77, 4.37, -7.72

 

CMYK 85 / 61 / 0 / 41

HEX #173B96

RGB 23 59 150

HSL 222.99, 0.73%, 0.34%

LAB 28.15, 23.43, -53.34

 

CMYK 85 / 83 / 0 / 41

HEX #171A96

RGB 23 26 150

HSL 238.58, 0.73%, 0.34%

LAB 20.53, 44.12, -65.89

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 41 / 85 / 0 / 41

HEX #591796

RGB 89 23 150

HSL 271.18, 0.73%, 0.34%

LAB 26.56, 52.06, -55.72

 

CMYK 18 / 85 / 0 / 41

HEX #7B1796

RGB 123 23 150

HSL 287.24, 0.73%, 0.34%

LAB 31.87, 57.61, -46.85

 

CMYK 63 / 85 / 0 / 69

HEX #1D0C4F

RGB 29 12 79

HSL 255.22, 0.74%, 0.18%

LAB 9.71, 28.35, -37.66

 

CMYK 63 / 84 / 0 / 55

HEX #2A1272

RGB 42 18 114

HSL 255, 0.73%, 0.26%

LAB 16.2, 38.08, -50.26

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 63 / 84 / 0 / 27

HEX #441DBA

RGB 68 29 186

HSL 254.9, 0.73%, 0.42%

LAB 28.52, 56.73, -74.32

 

CMYK 63 / 84 / 0 / 13

HEX #5223DD

RGB 82 35 221

HSL 255.16, 0.73%, 0.5%

LAB 34.43, 65.07, -84.92

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 0 / 85 / 38 / 41

HEX #96175D

RGB 150 23 93

HSL 326.93, 0.73%, 0.34%

LAB 33.75, 54.93, -7.65

 

CMYK 72 / 0 / 85 / 41

HEX #2A9617

RGB 42 150 23

HSL 111.02, 0.73%, 0.34%

LAB 54.41, -52.57, 52.28

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 0 / 63 / 85 / 41

HEX #963717

RGB 150 55 23

HSL 15.12, 0.73%, 0.34%

LAB 36.51, 38.32, 39.05

 

CMYK 85 / 0 / 63 / 41

HEX #179637

RGB 23 150 55

HSL 135.12, 0.73%, 0.34%

LAB 54.31, -52.59, 40.04

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 0 / 85 / 38 / 41

HEX #96175D

RGB 150 23 93

HSL 326.93, 0.73%, 0.34%

LAB 33.75, 54.93, -7.65

 

CMYK 21 / 0 / 85 / 41

HEX #769617

RGB 118 150 23

HSL 75.12, 0.73%, 0.34%

LAB 57.78, -28.07, 56.55

 

CMYK 85 / 0 / 47 / 41

HEX #179650

RGB 23 150 80

HSL 146.93, 0.73%, 0.34%

LAB 54.63, -48.77, 27.85

 

CMYK 63 / 85 / 0 / 41

HEX #371796

RGB 55 23 150

HSL 255.12, 0.73%, 0.34%

LAB 22.4, 47.87, -62.72

 

CMYK 0 / 85 / 63 / 41

HEX #961737

RGB 150 23 55

HSL 344.88, 0.73%, 0.34%

LAB 32.64, 51.69, 15.64

 

CMYK 21 / 0 / 85 / 41

HEX #769617

RGB 118 150 23

HSL 75.12, 0.73%, 0.34%

LAB 57.78, -28.07, 56.55

 

CMYK 85 / 0 / 21 / 41

HEX #179676

RGB 23 150 118

HSL 164.88, 0.73%, 0.34%

LAB 55.38, -40.34, 7.76

 

Description

Color code: HEX #371796 | qconv.com Color code: HEX #371796 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 23 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 23 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 85 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 85% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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