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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 174 209 it is the complementary color RGB 106 81 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 174 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 174 209: RGB 154 174 204, RGB 171 192 223, RGB 188 210 242, RGB 205 228 255 and RGB 222 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 174 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 174 209: RGB 149 174 209, RGB 132 156 190, RGB 115 138 171, RGB 98 120 152 and RGB 81 102 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

Complementary color

CMYK 0 / 24 / 57 / 58

HEX #6A512E

RGB 106 81 46

HSL 35, 0.39%, 0.3%

LAB 36.26, 5.78, 24.43

 

CMYK 25 / 15 / 0 / 20

HEX #9AAECC

RGB 154 174 204

HSL 216, 0.33%, 0.7%

LAB 70.53, -0.27, -17.53

 

CMYK 23 / 14 / 0 / 13

HEX #ABC0DF

RGB 171 192 223

HSL 215.77, 0.45%, 0.77%

LAB 77.09, -0.44, -17.84

 

CMYK 22 / 13 / 0 / 5

HEX #BCD2F2

RGB 188 210 242

HSL 215.56, 0.68%, 0.84%

LAB 83.55, -0.6, -18.16

 

CMYK 20 / 11 / 0 / 0

HEX #CDE4FF

RGB 205 228 255

HSL 212.4, 1%, 0.9%

LAB 89.71, -2.05, -15.63

 

CMYK 13 / 4 / 0 / 0

HEX #DEF6FF

RGB 222 246 255

HSL 196.36, 1%, 0.94%

LAB 95.44, -6.04, -6.98

 

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

CMYK 31 / 18 / 0 / 25

HEX #849CBE

RGB 132 156 190

HSL 215.17, 0.31%, 0.63%

LAB 63.67, -0.36, -20.31

 

CMYK 33 / 19 / 0 / 33

HEX #738AAB

RGB 115 138 171

HSL 215.36, 0.25%, 0.56%

LAB 56.84, -0.12, -20.08

 

CMYK 36 / 21 / 0 / 40

HEX #627898

RGB 98 120 152

HSL 215.56, 0.22%, 0.49%

LAB 49.85, 0.17, -19.87

 

CMYK 39 / 23 / 0 / 48

HEX #516685

RGB 81 102 133

HSL 215.77, 0.24%, 0.42%

LAB 42.68, 0.51, -19.7

 

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

CMYK 29 / 22 / 0 / 18

HEX #94A3D0

RGB 148 163 208

HSL 225, 0.39%, 0.7%

LAB 67.31, 4.98, -24.67

 

CMYK 29 / 26 / 0 / 18

HEX #9499D0

RGB 148 153 208

HSL 235, 0.39%, 0.7%

LAB 64.67, 10.63, -28.73

 

CMYK 26 / 29 / 0 / 18

HEX #9994D0

RGB 153 148 208

HSL 245, 0.39%, 0.7%

LAB 63.76, 14.97, -30.1

 

CMYK 22 / 29 / 0 / 18

HEX #A394D0

RGB 163 148 208

HSL 255, 0.39%, 0.7%

LAB 64.58, 18.02, -28.77

 

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

CMYK 20 / 20 / 0 / 98

HEX #040405

RGB 4 4 5

HSL 240, 0.11%, 0.02%

LAB 1.12, 0.14, -0.38

 

CMYK 29 / 16 / 0 / 78

HEX #282F38

RGB 40 47 56

HSL 213.75, 0.17%, 0.19%

LAB 19.1, -0.52, -6.73

 

CMYK 29 / 17 / 0 / 58

HEX #4C596B

RGB 76 89 107

HSL 214.84, 0.17%, 0.36%

LAB 37.38, -0.44, -11.96

 

CMYK 28 / 16 / 0 / 38

HEX #71849E

RGB 113 132 158

HSL 214.67, 0.19%, 0.53%

LAB 54.53, -0.64, -16.13

 

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

CMYK 6 / 29 / 0 / 18

HEX #C394D0

RGB 195 148 208

HSL 287, 0.39%, 0.7%

LAB 67.53, 28.16, -23.99

 

CMYK 5 / 0 / 29 / 18

HEX #C5D094

RGB 197 208 148

HSL 71, 0.39%, 0.7%

LAB 81.36, -13.54, 28.62

 

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

CMYK 0 / 29 / 17 / 18

HEX #D094AD

RGB 208 148 173

HSL 335, 0.39%, 0.7%

LAB 67.73, 26.31, -4.02

 

CMYK 17 / 0 / 29 / 18

HEX #ADD094

RGB 173 208 148

HSL 95, 0.39%, 0.7%

LAB 79.69, -22.37, 26.08

 

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

CMYK 6 / 29 / 0 / 18

HEX #C394D0

RGB 195 148 208

HSL 287, 0.39%, 0.7%

LAB 67.53, 28.16, -23.99

 

CMYK 0 / 12 / 29 / 18

HEX #D0B794

RGB 208 183 148

HSL 35, 0.39%, 0.7%

LAB 75.71, 3.68, 21.1

 

CMYK 23 / 0 / 29 / 18

HEX #A1D094

RGB 161 208 148

HSL 107, 0.39%, 0.7%

LAB 78.94, -26.59, 24.94

 

CMYK 29 / 17 / 0 / 18

HEX #95AED1

RGB 149 174 209

HSL 215, 0.39%, 0.7%

LAB 70.36, -0.58, -20.56

 

CMYK 0 / 29 / 2 / 18

HEX #D094CB

RGB 208 148 203

HSL 305, 0.39%, 0.7%

LAB 68.68, 31.46, -19.33

 

CMYK 0 / 12 / 29 / 18

HEX #D0B794

RGB 208 183 148

HSL 35, 0.39%, 0.7%

LAB 75.71, 3.68, 21.1

 

CMYK 29 / 0 / 26 / 18

HEX #94D099

RGB 148 208 153

HSL 125, 0.39%, 0.7%

LAB 78.29, -30.12, 21.31

 

Description

Color code: RGB 149 174 209 | qconv.com Color code: RGB 149 174 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 174 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 174 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 17 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 17% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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