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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 139 130 it is the complementary color RGB 106 116 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 139 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 139 130: RGB 154 139 125, RGB 171 157 144, RGB 188 175 163, RGB 205 193 182 and RGB 222 211 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 139 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 139 130: RGB 149 139 130, RGB 132 121 111, RGB 115 103 92, RGB 98 85 73 and RGB 81 67 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

Complementary color

CMYK 15 / 7 / 0 / 51

HEX #6A747D

RGB 106 116 125

HSL 208.42, 0.08%, 0.45%

LAB 48.3, -1.73, -6.23

 

CMYK 0 / 10 / 19 / 40

HEX #9A8B7D

RGB 154 139 125

HSL 28.97, 0.13%, 0.55%

LAB 58.8, 3.23, 9.53

 

CMYK 0 / 8 / 16 / 33

HEX #AB9D90

RGB 171 157 144

HSL 28.89, 0.14%, 0.62%

LAB 65.58, 2.89, 8.64

 

CMYK 0 / 7 / 13 / 26

HEX #BCAFA3

RGB 188 175 163

HSL 28.8, 0.16%, 0.69%

LAB 72.23, 2.6, 7.82

 

CMYK 0 / 6 / 11 / 20

HEX #CDC1B6

RGB 205 193 182

HSL 28.7, 0.19%, 0.76%

LAB 78.75, 2.33, 7.03

 

CMYK 0 / 5 / 9 / 13

HEX #DED3C9

RGB 222 211 201

HSL 28.57, 0.24%, 0.83%

LAB 85.17, 2.09, 6.29

 

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

CMYK 0 / 8 / 16 / 48

HEX #84796F

RGB 132 121 111

HSL 28.57, 0.09%, 0.48%

LAB 51.53, 2.42, 7

 

CMYK 0 / 10 / 20 / 55

HEX #73675C

RGB 115 103 92

HSL 28.7, 0.11%, 0.41%

LAB 44.4, 2.77, 7.93

 

CMYK 0 / 13 / 26 / 62

HEX #625549

RGB 98 85 73

HSL 28.8, 0.15%, 0.34%

LAB 37.07, 3.2, 8.96

 

CMYK 0 / 17 / 33 / 68

HEX #514336

RGB 81 67 54

HSL 28.89, 0.2%, 0.26%

LAB 29.49, 3.75, 10.14

 

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

CMYK 0 / 5 / 12 / 42

HEX #958E83

RGB 149 142 131

HSL 36.67, 0.08%, 0.55%

LAB 59.32, 0.61, 6.78

 

CMYK 0 / 3 / 12 / 42

HEX #959183

RGB 149 145 131

HSL 46.67, 0.08%, 0.55%

LAB 60.14, -1.07, 7.95

 

CMYK 0 / 1 / 12 / 42

HEX #959483

RGB 149 148 131

HSL 56.67, 0.08%, 0.55%

LAB 60.96, -2.73, 9.12

 

CMYK 2 / 0 / 12 / 42

HEX #929583

RGB 146 149 131

HSL 70, 0.08%, 0.55%

LAB 61, -4.43, 9.14

 

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

CMYK 0 / 7 / 13 / 22

HEX #C8BBAE

RGB 200 187 174

HSL 30, 0.19%, 0.73%

LAB 76.6, 2.39, 8.22

 

CMYK 0 / 7 / 13 / 2

HEX #FBEADB

RGB 251 234 219

HSL 28.13, 0.8%, 0.92%

LAB 93.65, 3.33, 9.34

 

CMYK 0 / 6 / 13 / 82

HEX #2F2C29

RGB 47 44 41

HSL 30, 0.07%, 0.17%

LAB 18.21, 0.69, 2.43

 

CMYK 0 / 7 / 12 / 62

HEX #625B56

RGB 98 91 86

HSL 25, 0.07%, 0.36%

LAB 39.16, 1.84, 3.89

 

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

CMYK 8 / 0 / 12 / 42

HEX #899583

RGB 137 149 131

HSL 100, 0.08%, 0.55%

LAB 60.29, -7.81, 8.04

 

CMYK 11 / 12 / 0 / 42

HEX #848395

RGB 132 131 149

HSL 243.33, 0.08%, 0.55%

LAB 55.39, 4.13, -9.5

 

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

CMYK 12 / 0 / 7 / 42

HEX #83958B

RGB 131 149 139

HSL 146.67, 0.08%, 0.55%

LAB 60.05, -8.46, 3.1

 

CMYK 7 / 12 / 0 / 42

HEX #8B8395

RGB 139 131 149

HSL 266.67, 0.08%, 0.55%

LAB 55.98, 6.6, -8.55

 

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

CMYK 8 / 0 / 12 / 42

HEX #899583

RGB 137 149 131

HSL 100, 0.08%, 0.55%

LAB 60.29, -7.81, 8.04

 

CMYK 12 / 6 / 0 / 42

HEX #838C95

RGB 131 140 149

HSL 210, 0.08%, 0.55%

LAB 57.8, -1.36, -5.91

 

CMYK 4 / 12 / 0 / 42

HEX #8F8395

RGB 143 131 149

HSL 280, 0.08%, 0.55%

LAB 56.33, 8.03, -7.99

 

CMYK 0 / 7 / 13 / 42

HEX #958B82

RGB 149 139 130

HSL 28.42, 0.08%, 0.55%

LAB 58.48, 2.12, 6.14

 

CMYK 12 / 0 / 12 / 42

HEX #839583

RGB 131 149 131

HSL 120, 0.08%, 0.55%

LAB 59.85, -10.02, 7.35

 

CMYK 12 / 6 / 0 / 42

HEX #838C95

RGB 131 140 149

HSL 210, 0.08%, 0.55%

LAB 57.8, -1.36, -5.91

 

CMYK 1 / 12 / 0 / 42

HEX #948395

RGB 148 131 149

HSL 296.67, 0.08%, 0.55%

LAB 56.78, 9.84, -7.27

 

Description

Color code: RGB 149 139 130 | qconv.com Color code: RGB 149 139 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 139 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 139 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 13 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 13% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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