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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 126 173 it is the complementary color RGB 106 129 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 126 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 126 173: RGB 154 126 168, RGB 171 144 187, RGB 188 162 206, RGB 205 180 225 and RGB 222 198 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 126 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 126 173: RGB 149 126 173, RGB 132 108 154, RGB 115 90 135, RGB 98 72 116 and RGB 81 54 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

Complementary color

CMYK 18 / 0 / 36 / 49

HEX #6A8152

RGB 106 129 82

HSL 89.36, 0.22%, 0.41%

LAB 51.12, -17.23, 22.82

 

CMYK 8 / 25 / 0 / 34

HEX #9A7EA8

RGB 154 126 168

HSL 280, 0.19%, 0.58%

LAB 56.7, 18.75, -18.28

 

CMYK 9 / 23 / 0 / 27

HEX #AB90BB

RGB 171 144 187

HSL 277.67, 0.24%, 0.65%

LAB 63.5, 18.2, -18.6

 

CMYK 9 / 21 / 0 / 19

HEX #BCA2CE

RGB 188 162 206

HSL 275.45, 0.31%, 0.72%

LAB 70.17, 17.71, -18.92

 

CMYK 9 / 20 / 0 / 12

HEX #CDB4E1

RGB 205 180 225

HSL 273.33, 0.43%, 0.79%

LAB 76.71, 17.25, -19.24

 

CMYK 9 / 19 / 0 / 4

HEX #DEC6F4

RGB 222 198 244

HSL 271.3, 0.68%, 0.87%

LAB 83.15, 16.83, -19.57

 

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

CMYK 14 / 30 / 0 / 40

HEX #846C9A

RGB 132 108 154

HSL 271.3, 0.19%, 0.51%

LAB 49.45, 18.76, -21.42

 

CMYK 15 / 33 / 0 / 47

HEX #735A87

RGB 115 90 135

HSL 273.33, 0.2%, 0.44%

LAB 42.32, 19.43, -21.23

 

CMYK 16 / 38 / 0 / 55

HEX #624874

RGB 98 72 116

HSL 275.45, 0.23%, 0.37%

LAB 34.99, 20.19, -21.05

 

CMYK 16 / 44 / 0 / 62

HEX #513661

RGB 81 54 97

HSL 277.67, 0.28%, 0.3%

LAB 27.44, 21.05, -20.89

 

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

CMYK 9 / 27 / 0 / 32

HEX #9D7FAD

RGB 157 127 173

HSL 279.13, 0.22%, 0.59%

LAB 57.43, 20.25, -20.02

 

CMYK 5 / 27 / 0 / 32

HEX #A57FAD

RGB 165 127 173

HSL 289.57, 0.22%, 0.59%

LAB 58.22, 22.95, -18.74

 

CMYK 1 / 27 / 0 / 32

HEX #AC7FAD

RGB 172 127 173

HSL 298.7, 0.22%, 0.59%

LAB 58.94, 25.33, -17.57

 

CMYK 0 / 27 / 4 / 32

HEX #AD7FA6

RGB 173 127 166

HSL 309.13, 0.22%, 0.59%

LAB 58.8, 24.34, -13.77

 

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

CMYK 14 / 27 / 0 / 12

HEX #C1A3E0

RGB 193 163 224

HSL 269.51, 0.5%, 0.76%

LAB 71.5, 22.53, -26.75

 

CMYK 15 / 25 / 0 / 92

HEX #110F14

RGB 17 15 20

HSL 264, 0.14%, 0.07%

LAB 4.62, 1.73, -2.52

 

CMYK 14 / 27 / 0 / 72

HEX #3D3447

RGB 61 52 71

HSL 268.42, 0.15%, 0.24%

LAB 23.35, 8.42, -10.28

 

CMYK 14 / 27 / 0 / 52

HEX #69597A

RGB 105 89 122

HSL 269.09, 0.16%, 0.41%

LAB 40.5, 13.5, -16.21

 

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

CMYK 0 / 27 / 18 / 32

HEX #AD7F8E

RGB 173 127 142

HSL 340.43, 0.22%, 0.59%

LAB 58.05, 20.12, -1.07

 

CMYK 27 / 0 / 24 / 32

HEX #7FAD83

RGB 127 173 131

HSL 125.22, 0.22%, 0.59%

LAB 66.55, -23.94, 16.73

 

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

CMYK 0 / 14 / 27 / 32

HEX #AD957F

RGB 173 149 127

HSL 28.7, 0.22%, 0.59%

LAB 63.27, 5.47, 14.92

 

CMYK 27 / 0 / 14 / 32

HEX #7FAD95

RGB 127 173 149

HSL 148.7, 0.22%, 0.59%

LAB 66.95, -20.48, 7.39

 

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

CMYK 0 / 27 / 18 / 32

HEX #AD7F8E

RGB 173 127 142

HSL 340.43, 0.22%, 0.59%

LAB 58.05, 20.12, -1.07

 

CMYK 13 / 0 / 27 / 32

HEX #97AD7F

RGB 151 173 127

HSL 88.7, 0.22%, 0.59%

LAB 68.02, -16, 21.18

 

CMYK 27 / 0 / 9 / 32

HEX #7FAD9E

RGB 127 173 158

HSL 160.43, 0.22%, 0.59%

LAB 67.18, -18.59, 2.73

 

CMYK 14 / 27 / 0 / 32

HEX #957EAD

RGB 149 126 173

HSL 269.36, 0.22%, 0.59%

LAB 56.42, 18.16, -21.64

 

CMYK 0 / 27 / 26 / 32

HEX #AD7F80

RGB 173 127 128

HSL 358.7, 0.22%, 0.59%

LAB 57.68, 17.95, 6.46

 

CMYK 13 / 0 / 27 / 32

HEX #97AD7F

RGB 151 173 127

HSL 88.7, 0.22%, 0.59%

LAB 68.02, -16, 21.18

 

CMYK 27 / 0 / 1 / 32

HEX #7FADAC

RGB 127 173 172

HSL 178.7, 0.22%, 0.59%

LAB 67.56, -15.47, -4.47

 

Description

Color code: RGB 149 126 173 | qconv.com Color code: RGB 149 126 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 126 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 126 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 27 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 27% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

52% - Vitor Imóveis - Imob...
Link: http://vitorimoveis-sc.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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