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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 113 215 it is the complementary color RGB 106 142 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 113 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 113 215: RGB 154 113 210, RGB 171 131 229, RGB 188 149 248, RGB 205 167 255 and RGB 222 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 113 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 113 215: RGB 149 113 215, RGB 132 95 196, RGB 115 77 177, RGB 98 59 158 and RGB 81 41 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

Complementary color

CMYK 25 / 0 / 72 / 44

HEX #6A8E28

RGB 106 142 40

HSL 81.18, 0.56%, 0.36%

LAB 54.62, -28.32, 47.74

 

CMYK 27 / 46 / 0 / 18

HEX #9A71D2

RGB 154 113 210

HSL 265.36, 0.52%, 0.63%

LAB 55.41, 35.85, -44.28

 

CMYK 25 / 43 / 0 / 10

HEX #AB83E5

RGB 171 131 229

HSL 264.49, 0.65%, 0.71%

LAB 62.12, 34.98, -44.23

 

CMYK 24 / 40 / 0 / 3

HEX #BC95F8

RGB 188 149 248

HSL 263.64, 0.88%, 0.78%

LAB 68.72, 34.16, -44.21

 

CMYK 20 / 35 / 0 / 0

HEX #CDA7FF

RGB 205 167 255

HSL 265.91, 1%, 0.83%

LAB 74.72, 30.72, -38.53

 

CMYK 13 / 27 / 0 / 0

HEX #DEB9FF

RGB 222 185 255

HSL 271.71, 1%, 0.86%

LAB 80.43, 26.05, -29.59

 

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

CMYK 33 / 52 / 0 / 23

HEX #845FC4

RGB 132 95 196

HSL 261.98, 0.46%, 0.57%

LAB 48.35, 36.75, -47.62

 

CMYK 35 / 56 / 0 / 31

HEX #734DB1

RGB 115 77 177

HSL 262.8, 0.39%, 0.5%

LAB 41.42, 37.82, -47.75

 

CMYK 38 / 63 / 0 / 38

HEX #623B9E

RGB 98 59 158

HSL 263.64, 0.46%, 0.43%

LAB 34.38, 38.94, -47.82

 

CMYK 42 / 71 / 0 / 45

HEX #51298B

RGB 81 41 139

HSL 264.49, 0.54%, 0.35%

LAB 27.3, 39.98, -47.76

 

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

CMYK 23 / 48 / 0 / 16

HEX #A46FD6

RGB 164 111 214

HSL 270.87, 0.56%, 0.64%

LAB 56.2, 40.66, -45.22

 

CMYK 15 / 48 / 0 / 16

HEX #B66FD6

RGB 182 111 214

HSL 281.36, 0.56%, 0.64%

LAB 58.2, 45.64, -41.94

 

CMYK 7 / 48 / 0 / 16

HEX #C76FD6

RGB 199 111 214

HSL 291.26, 0.56%, 0.64%

LAB 60.22, 50.41, -38.63

 

CMYK 0 / 48 / 1 / 16

HEX #D66FD4

RGB 214 111 212

HSL 301.17, 0.56%, 0.64%

LAB 62.01, 54.3, -34.56

 

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

CMYK 27 / 45 / 0 / 96

HEX #08060B

RGB 8 6 11

HSL 264, 0.29%, 0.03%

LAB 1.86, 1.22, -1.72

 

CMYK 31 / 47 / 0 / 76

HEX #2B213E

RGB 43 33 62

HSL 260.69, 0.31%, 0.19%

LAB 15.22, 12.32, -16.86

 

CMYK 31 / 48 / 0 / 56

HEX #4E3B71

RGB 78 59 113

HSL 261.11, 0.31%, 0.34%

LAB 29.26, 21.13, -28.3

 

CMYK 30 / 48 / 0 / 36

HEX #7256A4

RGB 114 86 164

HSL 261.54, 0.31%, 0.49%

LAB 42.63, 28.81, -38.12

 

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

CMYK 0 / 48 / 26 / 16

HEX #D66F9E

RGB 214 111 158

HSL 332.62, 0.56%, 0.64%

LAB 60.01, 45.78, -6.85

 

CMYK 46 / 0 / 48 / 16

HEX #74D66F

RGB 116 214 111

HSL 117.09, 0.56%, 0.64%

LAB 77.85, -49.17, 41.9

 

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

CMYK 0 / 31 / 48 / 16

HEX #D6936F

RGB 214 147 111

HSL 20.97, 0.56%, 0.64%

LAB 66.76, 21.19, 29.21

 

CMYK 48 / 0 / 31 / 16

HEX #6FD693

RGB 111 214 147

HSL 140.97, 0.56%, 0.64%

LAB 78.22, -44.78, 24.07

 

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

CMYK 0 / 48 / 26 / 16

HEX #D66F9E

RGB 214 111 158

HSL 332.62, 0.56%, 0.64%

LAB 60.01, 45.78, -6.85

 

CMYK 17 / 0 / 48 / 16

HEX #B2D66F

RGB 178 214 111

HSL 80.97, 0.56%, 0.64%

LAB 81.13, -28.17, 46.68

 

CMYK 48 / 0 / 21 / 16

HEX #6FD6A8

RGB 111 214 168

HSL 153.2, 0.56%, 0.64%

LAB 78.64, -40.64, 13.6

 

CMYK 31 / 47 / 0 / 16

HEX #9571D7

RGB 149 113 215

HSL 261.18, 0.56%, 0.64%

LAB 55.18, 35.74, -47.5

 

CMYK 0 / 48 / 41 / 16

HEX #D66F7F

RGB 214 111 127

HSL 350.68, 0.56%, 0.64%

LAB 59.16, 41.94, 9.84

 

CMYK 17 / 0 / 48 / 16

HEX #B2D66F

RGB 178 214 111

HSL 80.97, 0.56%, 0.64%

LAB 81.13, -28.17, 46.68

 

CMYK 48 / 0 / 7 / 16

HEX #6FD6C7

RGB 111 214 199

HSL 171.26, 0.56%, 0.64%

LAB 79.38, -33.62, -1.86

 

Description

Color code: RGB 149 113 215 | qconv.com Color code: RGB 149 113 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 113 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 113 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 47 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 47% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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