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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 109 49 it is the complementary color RGB 106 146 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 109 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 109 49: RGB 154 109 44, RGB 171 127 63, RGB 188 145 82, RGB 205 163 101 and RGB 222 181 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 109 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 109 49: RGB 149 109 49, RGB 132 91 30, RGB 115 73 11, RGB 98 55 0 and RGB 81 37 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

Complementary color

CMYK 49 / 29 / 0 / 19

HEX #6A92CE

RGB 106 146 206

HSL 216, 0.51%, 0.61%

LAB 59.96, 2.74, -35.14

 

CMYK 0 / 29 / 71 / 40

HEX #9A6D2C

RGB 154 109 44

HSL 35.45, 0.56%, 0.39%

LAB 49.48, 11.37, 42.05

 

CMYK 0 / 26 / 63 / 33

HEX #AB7F3F

RGB 171 127 63

HSL 35.56, 0.46%, 0.46%

LAB 56.28, 9.99, 40.72

 

CMYK 0 / 23 / 56 / 26

HEX #BC9152

RGB 188 145 82

HSL 35.66, 0.44%, 0.53%

LAB 62.97, 8.84, 39.3

 

CMYK 0 / 20 / 51 / 20

HEX #CDA365

RGB 205 163 101

HSL 35.77, 0.51%, 0.6%

LAB 69.55, 7.88, 37.91

 

CMYK 0 / 18 / 46 / 13

HEX #DEB578

RGB 222 181 120

HSL 35.88, 0.61%, 0.67%

LAB 76.03, 7.06, 36.58

 

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

CMYK 0 / 31 / 77 / 48

HEX #845B1E

RGB 132 91 30

HSL 35.88, 0.63%, 0.32%

LAB 41.97, 10.94, 40.04

 

CMYK 0 / 37 / 90 / 55

HEX #73490B

RGB 115 73 11

HSL 35.77, 0.83%, 0.25%

LAB 34.87, 12.88, 40.38

 

CMYK 0 / 44 / 100 / 62

HEX #623700

RGB 98 55 0

HSL 33.67, 1%, 0.19%

LAB 27.65, 15.29, 37.79

 

CMYK 0 / 54 / 100 / 68

HEX #512500

RGB 81 37 0

HSL 27.41, 1%, 0.16%

LAB 20.33, 18.11, 29.63

 

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

CMYK 0 / 16 / 68 / 41

HEX #967E30

RGB 150 126 48

HSL 45.88, 0.52%, 0.39%

LAB 53.62, 0.12, 44.42

 

CMYK 0 / 5 / 68 / 41

HEX #968F30

RGB 150 143 48

HSL 55.88, 0.52%, 0.39%

LAB 58.36, -9.24, 49.36

 

CMYK 7 / 0 / 68 / 41

HEX #8C9630

RGB 140 150 48

HSL 65.88, 0.52%, 0.39%

LAB 59.53, -17.37, 50.29

 

CMYK 18 / 0 / 68 / 41

HEX #7B9630

RGB 123 150 48

HSL 75.88, 0.52%, 0.39%

LAB 58.26, -24.65, 48.58

 

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

CMYK 0 / 27 / 67 / 22

HEX #C89242

RGB 200 146 66

HSL 35.82, 0.55%, 0.52%

LAB 64.35, 12.34, 49.15

 

CMYK 0 / 27 / 67 / 2

HEX #FBB853

RGB 251 184 83

HSL 36.07, 0.95%, 0.65%

LAB 79.28, 14.59, 59.18

 

CMYK 0 / 28 / 68 / 82

HEX #2F220F

RGB 47 34 15

HSL 35.63, 0.52%, 0.12%

LAB 14.3, 3.4, 14.66

 

CMYK 0 / 27 / 67 / 62

HEX #624820

RGB 98 72 32

HSL 36.36, 0.51%, 0.25%

LAB 32.56, 6.24, 27.79

 

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

CMYK 54 / 0 / 68 / 41

HEX #459630

RGB 69 150 48

HSL 107.65, 0.52%, 0.39%

LAB 55.37, -44.24, 44.65

 

CMYK 54 / 68 / 0 / 41

HEX #453096

RGB 69 48 150

HSL 252.35, 0.52%, 0.39%

LAB 28.33, 36.96, -52.92

 

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

CMYK 68 / 0 / 27 / 41

HEX #30966D

RGB 48 150 109

HSL 155.88, 0.52%, 0.39%

LAB 55.63, -39.24, 13.27

 

CMYK 27 / 68 / 0 / 41

HEX #6D3096

RGB 109 48 150

HSL 275.88, 0.52%, 0.39%

LAB 33.06, 45.26, -45.02

 

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

CMYK 54 / 0 / 68 / 41

HEX #459630

RGB 69 150 48

HSL 107.65, 0.52%, 0.39%

LAB 55.37, -44.24, 44.65

 

CMYK 68 / 41 / 0 / 41

HEX #305996

RGB 48 89 150

HSL 215.88, 0.52%, 0.39%

LAB 37.8, 6.46, -37.73

 

CMYK 14 / 68 / 0 / 41

HEX #813096

RGB 129 48 150

HSL 287.65, 0.52%, 0.39%

LAB 35.95, 49.92, -40.23

 

CMYK 0 / 27 / 67 / 42

HEX #956D31

RGB 149 109 49

HSL 36, 0.51%, 0.39%

LAB 48.94, 9.4, 38.85

 

CMYK 68 / 0 / 61 / 41

HEX #30963A

RGB 48 150 58

HSL 125.88, 0.52%, 0.39%

LAB 54.81, -48.34, 39.33

 

CMYK 68 / 41 / 0 / 41

HEX #305996

RGB 48 89 150

HSL 215.88, 0.52%, 0.39%

LAB 37.8, 6.46, -37.73

 

CMYK 0 / 68 / 7 / 41

HEX #96308C

RGB 150 48 140

HSL 305.88, 0.52%, 0.39%

LAB 38.71, 53.26, -29.54

 

Description

Color code: RGB 149 109 49 | qconv.com Color code: RGB 149 109 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 109 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 109 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 67 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 67% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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