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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 96 163 it is the complementary color RGB 107 159 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 96 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 148 96 163: RGB 153 96 158, RGB 170 114 177, RGB 187 132 196, RGB 204 150 215 and RGB 221 168 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 96 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 148 96 163: RGB 148 96 163, RGB 131 78 144, RGB 114 60 125, RGB 97 42 106 and RGB 80 24 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

Complementary color

CMYK 33 / 0 / 42 / 38

HEX #6B9F5C

RGB 107 159 92

HSL 106.57, 0.27%, 0.49%

LAB 60.51, -30.46, 29.57

 

CMYK 3 / 39 / 0 / 38

HEX #99609E

RGB 153 96 158

HSL 295.16, 0.24%, 0.5%

LAB 49.02, 33.54, -24.26

 

CMYK 4 / 36 / 0 / 31

HEX #AA72B1

RGB 170 114 177

HSL 293.33, 0.29%, 0.57%

LAB 55.84, 32.77, -24.64

 

CMYK 5 / 33 / 0 / 23

HEX #BB84C4

RGB 187 132 196

HSL 291.56, 0.35%, 0.64%

LAB 62.55, 32.03, -24.98

 

CMYK 5 / 30 / 0 / 16

HEX #CC96D7

RGB 204 150 215

HSL 289.85, 0.45%, 0.72%

LAB 69.15, 31.34, -25.3

 

CMYK 6 / 28 / 0 / 8

HEX #DDA8EA

RGB 221 168 234

HSL 288.18, 0.61%, 0.79%

LAB 75.65, 30.69, -25.61

 

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

CMYK 9 / 46 / 0 / 44

HEX #834E90

RGB 131 78 144

HSL 288.18, 0.3%, 0.44%

LAB 41.67, 33.79, -27.53

 

CMYK 9 / 52 / 0 / 51

HEX #723C7D

RGB 114 60 125

HSL 289.85, 0.35%, 0.36%

LAB 34.58, 34.6, -27.15

 

CMYK 8 / 60 / 0 / 58

HEX #612A6A

RGB 97 42 106

HSL 291.56, 0.43%, 0.29%

LAB 27.4, 35.28, -26.61

 

CMYK 8 / 72 / 0 / 66

HEX #501857

RGB 80 24 87

HSL 293.33, 0.57%, 0.22%

LAB 20.23, 35.52, -25.68

 

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

CMYK 2 / 41 / 0 / 36

HEX #9F60A3

RGB 159 96 163

HSL 296.42, 0.27%, 0.51%

LAB 49.96, 36.46, -25.69

 

CMYK 0 / 41 / 4 / 36

HEX #A3609D

RGB 163 96 157

HSL 305.37, 0.27%, 0.51%

LAB 50.2, 36.6, -21.75

 

CMYK 0 / 41 / 11 / 36

HEX #A36091

RGB 163 96 145

HSL 316.12, 0.27%, 0.51%

LAB 49.73, 34.43, -15.37

 

CMYK 0 / 41 / 18 / 36

HEX #A36086

RGB 163 96 134

HSL 325.97, 0.27%, 0.51%

LAB 49.34, 32.57, -9.42

 

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

CMYK 9 / 41 / 0 / 16

HEX #C27ED6

RGB 194 126 214

HSL 286.36, 0.52%, 0.67%

LAB 62.71, 41.09, -34.77

 

CMYK 10 / 40 / 0 / 96

HEX #09060A

RGB 9 6 10

HSL 285, 0.25%, 0.03%

LAB 1.9, 1.34, -1.24

 

CMYK 10 / 41 / 0 / 76

HEX #37243D

RGB 55 36 61

HSL 285.6, 0.26%, 0.19%

LAB 17.51, 14.42, -12.48

 

CMYK 9 / 41 / 0 / 56

HEX #664270

RGB 102 66 112

HSL 286.96, 0.26%, 0.35%

LAB 33.75, 24.32, -20.43

 

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

CMYK 0 / 41 / 40 / 36

HEX #A36062

RGB 163 96 98

HSL 358.21, 0.27%, 0.51%

LAB 48.3, 27.44, 10.62

 

CMYK 41 / 0 / 26 / 36

HEX #60A379

RGB 96 163 121

HSL 142.39, 0.27%, 0.51%

LAB 61.71, -30.9, 15.27

 

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

CMYK 0 / 9 / 41 / 36

HEX #A39460

RGB 163 148 96

HSL 46.57, 0.27%, 0.51%

LAB 61.49, -2.09, 29.5

 

CMYK 41 / 0 / 9 / 36

HEX #60A394

RGB 96 163 148

HSL 166.57, 0.27%, 0.51%

LAB 62.35, -24.96, 1.11

 

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

CMYK 0 / 41 / 40 / 36

HEX #A36062

RGB 163 96 98

HSL 358.21, 0.27%, 0.51%

LAB 48.3, 27.44, 10.62

 

CMYK 31 / 0 / 41 / 36

HEX #70A360

RGB 112 163 96

HSL 105.67, 0.27%, 0.51%

LAB 62.07, -30.02, 29.51

 

CMYK 41 / 0 / 1 / 36

HEX #60A3A1

RGB 96 163 161

HSL 178.21, 0.27%, 0.51%

LAB 62.72, -21.74, -5.66

 

CMYK 9 / 41 / 0 / 36

HEX #9460A3

RGB 148 96 163

HSL 286.57, 0.27%, 0.51%

LAB 48.64, 32.97, -27.83

 

CMYK 0 / 30 / 41 / 36

HEX #A37260

RGB 163 114 96

HSL 16.12, 0.27%, 0.51%

LAB 52.58, 17.02, 17.71

 

CMYK 31 / 0 / 41 / 36

HEX #70A360

RGB 112 163 96

HSL 105.67, 0.27%, 0.51%

LAB 62.07, -30.02, 29.51

 

CMYK 41 / 11 / 0 / 36

HEX #6091A3

RGB 96 145 163

HSL 196.12, 0.27%, 0.51%

LAB 57.45, -11.64, -14.69

 

Description

Color code: RGB 148 96 163 | qconv.com Color code: RGB 148 96 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 96 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 96 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 41 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 41% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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