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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 133 76 it is the complementary color RGB 107 122 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 133 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 148 133 76: RGB 153 133 71, RGB 170 151 90, RGB 187 169 109, RGB 204 187 128 and RGB 221 205 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 133 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 148 133 76: RGB 148 133 76, RGB 131 115 57, RGB 114 97 38, RGB 97 79 19 and RGB 80 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

Complementary color

CMYK 40 / 32 / 0 / 30

HEX #6B7AB3

RGB 107 122 179

HSL 227.5, 0.32%, 0.56%

LAB 52.17, 9.18, -31.93

 

CMYK 0 / 13 / 54 / 40

HEX #998547

RGB 153 133 71

HSL 45.37, 0.37%, 0.44%

LAB 56.09, -0.69, 35.9

 

CMYK 0 / 11 / 47 / 33

HEX #AA975A

RGB 170 151 90

HSL 45.75, 0.32%, 0.51%

LAB 62.86, -1.42, 34.58

 

CMYK 0 / 10 / 42 / 27

HEX #BBA96D

RGB 187 169 109

HSL 46.15, 0.36%, 0.58%

LAB 69.5, -2.01, 33.3

 

CMYK 0 / 8 / 37 / 20

HEX #CCBB80

RGB 204 187 128

HSL 46.58, 0.43%, 0.65%

LAB 76.03, -2.51, 32.09

 

CMYK 0 / 7 / 33 / 13

HEX #DDCD93

RGB 221 205 147

HSL 47.03, 0.52%, 0.72%

LAB 82.45, -2.93, 30.94

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 0 / 12 / 56 / 49

HEX #837339

RGB 131 115 57

HSL 47.03, 0.39%, 0.37%

LAB 48.74, -1.65, 33.97

 

CMYK 0 / 15 / 67 / 55

HEX #726126

RGB 114 97 38

HSL 46.58, 0.5%, 0.3%

LAB 41.64, -0.68, 35.23

 

CMYK 0 / 19 / 80 / 62

HEX #614F13

RGB 97 79 19

HSL 46.15, 0.67%, 0.23%

LAB 34.36, 0.63, 36.04

 

CMYK 0 / 24 / 100 / 69

HEX #503D00

RGB 80 61 0

HSL 45.75, 1%, 0.16%

LAB 26.86, 2.33, 36.13

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 0 / 3 / 49 / 42

HEX #94904C

RGB 148 144 76

HSL 56.67, 0.32%, 0.44%

LAB 58.76, -8.44, 36.41

 

CMYK 6 / 0 / 49 / 42

HEX #8B944C

RGB 139 148 76

HSL 67.5, 0.32%, 0.44%

LAB 59.15, -14.43, 36.71

 

CMYK 14 / 0 / 49 / 42

HEX #7F944C

RGB 127 148 76

HSL 77.5, 0.32%, 0.44%

LAB 58.24, -19.43, 35.39

 

CMYK 22 / 0 / 49 / 42

HEX #73944C

RGB 115 148 76

HSL 87.5, 0.32%, 0.44%

LAB 57.41, -24.26, 34.19

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 0 / 10 / 49 / 22

HEX #C7B366

RGB 199 179 102

HSL 47.63, 0.46%, 0.59%

LAB 73.12, -3.07, 41.68

 

CMYK 0 / 10 / 49 / 2

HEX #FAE180

RGB 250 225 128

HSL 47.7, 0.92%, 0.74%

LAB 89.74, -3.69, 50.25

 

CMYK 0 / 11 / 48 / 82

HEX #2E2918

RGB 46 41 24

HSL 46.36, 0.31%, 0.14%

LAB 16.66, -0.84, 11.99

 

CMYK 0 / 10 / 48 / 62

HEX #615732

RGB 97 87 50

HSL 47.23, 0.32%, 0.29%

LAB 37.09, -1.68, 22.91

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 48 / 0 / 49 / 42

HEX #4D944C

RGB 77 148 76

HSL 119.17, 0.32%, 0.44%

LAB 55.36, -37.65, 31.19

 

CMYK 30 / 49 / 0 / 42

HEX #674C94

RGB 103 76 148

HSL 262.5, 0.32%, 0.44%

LAB 38.18, 27.48, -35.66

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 49 / 0 / 11 / 42

HEX #4C9484

RGB 76 148 132

HSL 166.67, 0.32%, 0.44%

LAB 56.47, -26.65, 1.5

 

CMYK 11 / 49 / 0 / 42

HEX #844C94

RGB 132 76 148

HSL 286.67, 0.32%, 0.44%

LAB 41.55, 36.08, -30.12

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 48 / 0 / 49 / 42

HEX #4D944C

RGB 77 148 76

HSL 119.17, 0.32%, 0.44%

LAB 55.36, -37.65, 31.19

 

CMYK 49 / 39 / 0 / 42

HEX #4C5B94

RGB 76 91 148

HSL 227.5, 0.32%, 0.44%

LAB 39.84, 10.59, -33.18

 

CMYK 1 / 49 / 0 / 42

HEX #924C94

RGB 146 76 148

HSL 298.33, 0.32%, 0.44%

LAB 43.39, 40.34, -27.12

 

CMYK 0 / 10 / 49 / 42

HEX #94854C

RGB 148 133 76

HSL 47.5, 0.32%, 0.44%

LAB 55.68, -2.4, 32.64

 

CMYK 49 / 0 / 35 / 42

HEX #4C9460

RGB 76 148 96

HSL 136.67, 0.32%, 0.44%

LAB 55.65, -34.58, 20.72

 

CMYK 49 / 39 / 0 / 42

HEX #4C5B94

RGB 76 91 148

HSL 227.5, 0.32%, 0.44%

LAB 39.84, 10.59, -33.18

 

CMYK 0 / 49 / 14 / 42

HEX #944C7F

RGB 148 76 127

HSL 317.5, 0.32%, 0.44%

LAB 42.76, 37.16, -15.35

 

Description

Color code: RGB 148 133 76 | qconv.com Color code: RGB 148 133 76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 133 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 133 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 49 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 49% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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