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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 74 196 it is the complementary color RGB 108 181 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 74 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 147 74 196: RGB 152 74 191, RGB 169 92 210, RGB 186 110 229, RGB 203 128 248 and RGB 220 146 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 74 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 147 74 196: RGB 147 74 196, RGB 130 56 177, RGB 113 38 158, RGB 96 20 139 and RGB 79 2 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

Complementary color

CMYK 40 / 0 / 67 / 29

HEX #6CB53B

RGB 108 181 59

HSL 95.9, 0.51%, 0.47%

LAB 66.94, -43.69, 52.9

 

CMYK 20 / 61 / 0 / 25

HEX #984ABF

RGB 152 74 191

HSL 280, 0.48%, 0.52%

LAB 46.09, 51.88, -48.21

 

CMYK 20 / 56 / 0 / 18

HEX #A95CD2

RGB 169 92 210

HSL 279.15, 0.57%, 0.59%

LAB 52.67, 51.21, -48.53

 

CMYK 19 / 52 / 0 / 10

HEX #BA6EE5

RGB 186 110 229

HSL 278.32, 0.7%, 0.66%

LAB 59.2, 50.44, -48.74

 

CMYK 18 / 48 / 0 / 3

HEX #CB80F8

RGB 203 128 248

HSL 277.5, 0.9%, 0.74%

LAB 65.68, 49.64, -48.9

 

CMYK 14 / 43 / 0 / 0

HEX #DC92FF

RGB 220 146 255

HSL 280.73, 1%, 0.79%

LAB 71.55, 46.35, -43.36

 

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

CMYK 27 / 68 / 0 / 31

HEX #8238B1

RGB 130 56 177

HSL 276.69, 0.52%, 0.46%

LAB 39.15, 52.33, -51.29

 

CMYK 28 / 76 / 0 / 38

HEX #71269E

RGB 113 38 158

HSL 277.5, 0.61%, 0.38%

LAB 32.63, 52.41, -50.57

 

CMYK 31 / 86 / 0 / 45

HEX #60148B

RGB 96 20 139

HSL 278.32, 0.75%, 0.31%

LAB 26.31, 51.58, -49.28

 

CMYK 34 / 98 / 0 / 53

HEX #4F0278

RGB 79 2 120

HSL 279.15, 0.97%, 0.24%

LAB 20.29, 49.47, -47.22

 

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

CMYK 16 / 62 / 0 / 23

HEX #A54AC4

RGB 165 74 196

HSL 284.75, 0.51%, 0.53%

LAB 48.11, 56.07, -47.78

 

CMYK 5 / 62 / 0 / 23

HEX #BA4AC4

RGB 186 74 196

HSL 295.08, 0.51%, 0.53%

LAB 51.06, 61.16, -42.91

 

CMYK 0 / 62 / 5 / 23

HEX #C44ABA

RGB 196 74 186

HSL 304.92, 0.51%, 0.53%

LAB 52.04, 61.93, -35.49

 

CMYK 0 / 62 / 16 / 23

HEX #C44AA5

RGB 196 74 165

HSL 315.25, 0.51%, 0.53%

LAB 51.09, 58.66, -24.69

 

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

CMYK 25 / 62 / 0 / 3

HEX #B95DF7

RGB 185 93 247

HSL 275.84, 0.91%, 0.67%

LAB 56.94, 62.52, -62.39

 

CMYK 26 / 63 / 0 / 83

HEX #20102B

RGB 32 16 43

HSL 275.56, 0.46%, 0.12%

LAB 7.7, 14.83, -15.11

 

CMYK 24 / 63 / 0 / 63

HEX #47235E

RGB 71 35 94

HSL 276.61, 0.46%, 0.25%

LAB 21.39, 28.88, -28.57

 

CMYK 25 / 62 / 0 / 43

HEX #6D3791

RGB 109 55 145

HSL 276, 0.45%, 0.39%

LAB 34.04, 40.48, -40.39

 

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

CMYK 0 / 62 / 49 / 23

HEX #C44A64

RGB 196 74 100

HSL 347.21, 0.51%, 0.53%

LAB 48.95, 50.8, 11.05

 

CMYK 62 / 0 / 51 / 23

HEX #4AC460

RGB 74 196 96

HSL 130.82, 0.51%, 0.53%

LAB 70.72, -54.82, 40.1

 

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

CMYK 0 / 26 / 62 / 23

HEX #C4914A

RGB 196 145 74

HSL 34.92, 0.51%, 0.53%

LAB 63.74, 11.68, 44.48

 

CMYK 62 / 0 / 26 / 23

HEX #4AC491

RGB 74 196 145

HSL 154.92, 0.51%, 0.53%

LAB 71.54, -45.93, 15.75

 

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

CMYK 0 / 62 / 49 / 23

HEX #C44A64

RGB 196 74 100

HSL 347.21, 0.51%, 0.53%

LAB 48.95, 50.8, 11.05

 

CMYK 37 / 0 / 62 / 23

HEX #7CC44A

RGB 124 196 74

HSL 95.41, 0.51%, 0.53%

LAB 72.4, -43.32, 52.74

 

CMYK 62 / 0 / 14 / 23

HEX #4AC4A9

RGB 74 196 169

HSL 166.72, 0.51%, 0.53%

LAB 72.09, -40.33, 3.55

 

CMYK 25 / 62 / 0 / 23

HEX #934AC4

RGB 147 74 196

HSL 275.9, 0.51%, 0.53%

LAB 45.75, 51.8, -51.69

 

CMYK 0 / 57 / 62 / 23

HEX #C4544A

RGB 196 84 74

HSL 4.92, 0.51%, 0.53%

LAB 50.18, 44.11, 28.19

 

CMYK 37 / 0 / 62 / 23

HEX #7CC44A

RGB 124 196 74

HSL 95.41, 0.51%, 0.53%

LAB 72.4, -43.32, 52.74

 

CMYK 62 / 5 / 0 / 23

HEX #4ABAC4

RGB 74 186 196

HSL 184.92, 0.51%, 0.53%

LAB 69.87, -28.37, -14.5

 

Description

Color code: RGB 147 74 196 | qconv.com Color code: RGB 147 74 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 74 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 74 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 62 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 62% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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