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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 36 196 it is the complementary color RGB 108 219 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 36 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 147 36 196: RGB 152 36 191, RGB 169 54 210, RGB 186 72 229, RGB 203 90 248 and RGB 220 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 36 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 147 36 196: RGB 147 36 196, RGB 130 18 177, RGB 113 0 158, RGB 96 0 139 and RGB 79 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

Complementary color

CMYK 51 / 0 / 73 / 14

HEX #6CDB3B

RGB 108 219 59

HSL 101.63, 0.69%, 0.55%

LAB 78.56, -58.64, 64.83

 

CMYK 20 / 81 / 0 / 25

HEX #9824BF

RGB 152 36 191

HSL 284.9, 0.68%, 0.45%

LAB 40.73, 66.96, -56.83

 

CMYK 20 / 74 / 0 / 18

HEX #A936D2

RGB 169 54 210

HSL 284.23, 0.63%, 0.52%

LAB 46.61, 67.93, -58.23

 

CMYK 19 / 69 / 0 / 10

HEX #BA48E5

RGB 186 72 229

HSL 283.57, 0.75%, 0.59%

LAB 52.65, 68.2, -59.19

 

CMYK 18 / 64 / 0 / 3

HEX #CB5AF8

RGB 203 90 248

HSL 282.91, 0.92%, 0.66%

LAB 58.78, 68.05, -59.87

 

CMYK 14 / 58 / 0 / 0

HEX #DC6CFF

RGB 220 108 255

HSL 285.71, 1%, 0.71%

LAB 64.29, 65.28, -54.81

 

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

CMYK 27 / 90 / 0 / 31

HEX #8212B1

RGB 130 18 177

HSL 282.26, 0.82%, 0.38%

LAB 34.71, 65.11, -58.5

 

CMYK 28 / 100 / 0 / 38

HEX #71009E

RGB 113 0 158

HSL 282.91, 1%, 0.31%

LAB 29.36, 61.98, -55.89

 

CMYK 31 / 100 / 0 / 45

HEX #60008B

RGB 96 0 139

HSL 281.44, 1%, 0.27%

LAB 24.8, 56.05, -51.74

 

CMYK 34 / 100 / 0 / 53

HEX #4F0078

RGB 79 0 120

HSL 279.5, 1%, 0.24%

LAB 20.12, 49.99, -47.5

 

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

CMYK 12 / 82 / 0 / 24

HEX #AA23C1

RGB 170 35 193

HSL 291.27, 0.69%, 0.45%

LAB 43.65, 70.77, -53.15

 

CMYK 0 / 82 / 1 / 24

HEX #C123BF

RGB 193 35 191

HSL 300.76, 0.69%, 0.45%

LAB 47.37, 74.69, -45.81

 

CMYK 0 / 82 / 15 / 24

HEX #C123A4

RGB 193 35 164

HSL 311.01, 0.69%, 0.45%

LAB 45.93, 70.79, -32.17

 

CMYK 0 / 82 / 28 / 24

HEX #C1238A

RGB 193 35 138

HSL 320.89, 0.69%, 0.45%

LAB 44.77, 67.5, -18.33

 

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

CMYK 25 / 82 / 0 / 3

HEX #B92DF7

RGB 185 45 247

HSL 281.58, 0.93%, 0.57%

LAB 50.58, 80.51, -72.67

 

CMYK 26 / 81 / 0 / 83

HEX #20082B

RGB 32 8 43

HSL 281.14, 0.69%, 0.1%

LAB 5.92, 19.26, -17.92

 

CMYK 24 / 82 / 0 / 63

HEX #47115E

RGB 71 17 94

HSL 282.08, 0.69%, 0.22%

LAB 18.14, 37.92, -33.8

 

CMYK 25 / 81 / 0 / 43

HEX #6D1B91

RGB 109 27 145

HSL 281.69, 0.69%, 0.34%

LAB 29.61, 52.89, -47.53

 

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

CMYK 0 / 82 / 72 / 24

HEX #C12336

RGB 193 35 54

HSL 352.78, 0.69%, 0.45%

LAB 42.47, 60.72, 30.47

 

CMYK 82 / 0 / 59 / 24

HEX #23C150

RGB 35 193 80

HSL 137.09, 0.69%, 0.45%

LAB 68.81, -62.27, 45.24

 

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

CMYK 0 / 26 / 82 / 24

HEX #C18F23

RGB 193 143 35

HSL 41.01, 0.69%, 0.45%

LAB 62.6, 9.49, 59.82

 

CMYK 82 / 0 / 26 / 24

HEX #23C18F

RGB 35 193 143

HSL 161.01, 0.69%, 0.45%

LAB 69.81, -50.71, 14.29

 

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

CMYK 0 / 82 / 72 / 24

HEX #C12336

RGB 193 35 54

HSL 352.78, 0.69%, 0.45%

LAB 42.47, 60.72, 30.47

 

CMYK 56 / 0 / 82 / 24

HEX #55C123

RGB 85 193 35

HSL 101.01, 0.69%, 0.45%

LAB 69.61, -56.88, 63.38

 

CMYK 82 / 0 / 9 / 24

HEX #23C1AF

RGB 35 193 175

HSL 173.16, 0.69%, 0.45%

LAB 70.59, -42.52, -2

 

CMYK 25 / 82 / 0 / 23

HEX #9324C4

RGB 147 36 196

HSL 281.63, 0.69%, 0.45%

LAB 40.33, 67.09, -60.45

 

CMYK 0 / 67 / 82 / 24

HEX #C14023

RGB 193 64 35

HSL 11.01, 0.69%, 0.45%

LAB 45.81, 50.19, 44.6

 

CMYK 56 / 0 / 82 / 24

HEX #55C123

RGB 85 193 35

HSL 101.01, 0.69%, 0.45%

LAB 69.61, -56.88, 63.38

 

CMYK 82 / 15 / 0 / 24

HEX #23A4C1

RGB 35 164 193

HSL 191.01, 0.69%, 0.45%

LAB 62.3, -23.28, -24.42

 

Description

Color code: RGB 147 36 196 | qconv.com Color code: RGB 147 36 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 36 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 36 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 82 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 82% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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