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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 249 226 it is the complementary color RGB 108 6 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 249 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 147 249 226: RGB 152 249 221, RGB 169 255 240, RGB 186 255 255, RGB 203 255 255 and RGB 220 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 249 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 147 249 226: RGB 147 249 226, RGB 130 231 207, RGB 113 213 188, RGB 96 195 169 and RGB 79 177 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

Complementary color

CMYK 0 / 94 / 73 / 58

HEX #6C061D

RGB 108 6 29

HSL 346.47, 0.89%, 0.22%

LAB 21.61, 42.07, 17.12

 

CMYK 39 / 0 / 11 / 2

HEX #98F9DD

RGB 152 249 221

HSL 162.68, 0.89%, 0.79%

LAB 91.53, -34.85, 4.45

 

CMYK 34 / 0 / 6 / 0

HEX #A9FFF0

RGB 169 255 240

HSL 169.53, 1%, 0.83%

LAB 94.42, -29.07, -1.08

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

CMYK 44 / 0 / 10 / 9

HEX #82E7CF

RGB 130 231 207

HSL 165.74, 0.68%, 0.71%

LAB 85.2, -35.17, 2.48

 

CMYK 47 / 0 / 12 / 16

HEX #71D5BC

RGB 113 213 188

HSL 165, 0.54%, 0.64%

LAB 78.89, -35.29, 3.31

 

CMYK 51 / 0 / 13 / 24

HEX #60C3A9

RGB 96 195 169

HSL 164.24, 0.45%, 0.57%

LAB 72.48, -35.38, 4.2

 

CMYK 55 / 0 / 15 / 31

HEX #4FB196

RGB 79 177 150

HSL 163.47, 0.39%, 0.5%

LAB 65.99, -35.4, 5.17

 

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

CMYK 40 / 0 / 2 / 3

HEX #94F8F2

RGB 148 248 242

HSL 176.4, 0.88%, 0.78%

LAB 91.61, -30.67, -6.34

 

CMYK 40 / 4 / 0 / 3

HEX #94EEF8

RGB 148 238 248

HSL 186, 0.88%, 0.78%

LAB 89.03, -24.43, -13.31

 

CMYK 40 / 10 / 0 / 3

HEX #94DEF8

RGB 148 222 248

HSL 195.6, 0.88%, 0.78%

LAB 84.65, -16.46, -19.9

 

CMYK 40 / 17 / 0 / 3

HEX #94CDF8

RGB 148 205 248

HSL 205.8, 0.88%, 0.78%

LAB 80.03, -7.66, -26.92

 

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

CMYK 40 / 0 / 9 / 82

HEX #1B2D29

RGB 27 45 41

HSL 166.67, 0.25%, 0.14%

LAB 16.84, -8.53, 0.23

 

CMYK 41 / 0 / 9 / 62

HEX #396057

RGB 57 96 87

HSL 166.15, 0.25%, 0.3%

LAB 37.71, -16.17, 0.79

 

CMYK 41 / 0 / 10 / 42

HEX #579385

RGB 87 147 133

HSL 166, 0.26%, 0.46%

LAB 56.67, -22.96, 1.29

 

CMYK 41 / 0 / 9 / 22

HEX #75C6B4

RGB 117 198 180

HSL 166.67, 0.42%, 0.62%

LAB 74.49, -29.04, 1.24

 

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

CMYK 40 / 39 / 0 / 3

HEX #9498F8

RGB 148 152 248

HSL 237.6, 0.88%, 0.78%

LAB 66.16, 21.76, -48.47

 

CMYK 0 / 25 / 40 / 3

HEX #F8B994

RGB 248 185 148

HSL 22.2, 0.88%, 0.78%

LAB 80.06, 18.18, 27.66

 

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

CMYK 9 / 40 / 0 / 3

HEX #E194F8

RGB 225 148 248

HSL 286.2, 0.88%, 0.78%

LAB 72.2, 45.32, -38.5

 

CMYK 0 / 9 / 40 / 3

HEX #F8E194

RGB 248 225 148

HSL 46.2, 0.88%, 0.78%

LAB 89.83, -2.55, 40.52

 

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

CMYK 40 / 39 / 0 / 3

HEX #9498F8

RGB 148 152 248

HSL 237.6, 0.88%, 0.78%

LAB 66.16, 21.76, -48.47

 

CMYK 0 / 40 / 31 / 3

HEX #F894AC

RGB 248 148 172

HSL 345.6, 0.88%, 0.78%

LAB 72.31, 40.4, 3.77

 

CMYK 0 / 1 / 40 / 3

HEX #F8F594

RGB 248 245 148

HSL 58.2, 0.88%, 0.78%

LAB 94.91, -12.53, 46.98

 

CMYK 41 / 0 / 9 / 2

HEX #93F9E2

RGB 147 249 226

HSL 166.47, 0.89%, 0.78%

LAB 91.44, -35.04, 1.7

 

CMYK 29 / 40 / 0 / 3

HEX #AF94F8

RGB 175 148 248

HSL 256.2, 0.88%, 0.78%

LAB 67.33, 31.13, -46.48

 

CMYK 0 / 40 / 31 / 3

HEX #F894AC

RGB 248 148 172

HSL 345.6, 0.88%, 0.78%

LAB 72.31, 40.4, 3.77

 

CMYK 10 / 0 / 40 / 3

HEX #DEF894

RGB 222 248 148

HSL 75.6, 0.88%, 0.78%

LAB 93.8, -23.81, 45.18

 

Description

Color code: RGB 147 249 226 | qconv.com Color code: RGB 147 249 226 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 249 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 249 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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