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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 168 196 it is the complementary color RGB 108 87 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 168 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 147 168 196: RGB 152 168 191, RGB 169 186 210, RGB 186 204 229, RGB 203 222 248 and RGB 220 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 168 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 147 168 196: RGB 147 168 196, RGB 130 150 177, RGB 113 132 158, RGB 96 114 139 and RGB 79 96 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

Complementary color

CMYK 0 / 19 / 45 / 58

HEX #6C573B

RGB 108 87 59

HSL 34.29, 0.29%, 0.33%

LAB 38.41, 4.48, 19.51

 

CMYK 20 / 12 / 0 / 25

HEX #98A8BF

RGB 152 168 191

HSL 215.38, 0.23%, 0.67%

LAB 68.35, -0.61, -13.66

 

CMYK 20 / 11 / 0 / 18

HEX #A9BAD2

RGB 169 186 210

HSL 215.12, 0.31%, 0.74%

LAB 74.95, -0.76, -14.03

 

CMYK 19 / 11 / 0 / 10

HEX #BACCE5

RGB 186 204 229

HSL 214.88, 0.45%, 0.81%

LAB 81.45, -0.9, -14.41

 

CMYK 18 / 10 / 0 / 3

HEX #CBDEF8

RGB 203 222 248

HSL 214.67, 0.76%, 0.88%

LAB 87.83, -1.03, -14.79

 

CMYK 14 / 6 / 0 / 0

HEX #DCF0FF

RGB 220 240 255

HSL 205.71, 1%, 0.93%

LAB 93.78, -3.62, -9.46

 

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

CMYK 27 / 15 / 0 / 31

HEX #8296B1

RGB 130 150 177

HSL 214.47, 0.23%, 0.6%

LAB 61.42, -0.84, -16.43

 

CMYK 28 / 16 / 0 / 38

HEX #71849E

RGB 113 132 158

HSL 214.67, 0.19%, 0.53%

LAB 54.53, -0.64, -16.13

 

CMYK 31 / 18 / 0 / 45

HEX #60728B

RGB 96 114 139

HSL 214.88, 0.18%, 0.46%

LAB 47.48, -0.43, -15.85

 

CMYK 34 / 20 / 0 / 53

HEX #4F6078

RGB 79 96 120

HSL 215.12, 0.21%, 0.39%

LAB 40.22, -0.17, -15.61

 

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

CMYK 25 / 18 / 0 / 24

HEX #929FC3

RGB 146 159 195

HSL 224.08, 0.29%, 0.67%

LAB 65.63, 3.44, -20.03

 

CMYK 25 / 23 / 0 / 24

HEX #9297C3

RGB 146 151 195

HSL 233.88, 0.29%, 0.67%

LAB 63.49, 7.96, -23.29

 

CMYK 24 / 25 / 0 / 24

HEX #9592C3

RGB 149 146 195

HSL 243.67, 0.29%, 0.67%

LAB 62.41, 11.74, -24.93

 

CMYK 19 / 25 / 0 / 24

HEX #9D92C3

RGB 157 146 195

HSL 253.47, 0.29%, 0.67%

LAB 63.07, 14.25, -23.87

 

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

CMYK 25 / 14 / 0 / 3

HEX #B9D4F7

RGB 185 212 247

HSL 213.87, 0.79%, 0.85%

LAB 84.03, -1.42, -20.11

 

CMYK 26 / 14 / 0 / 83

HEX #20252B

RGB 32 37 43

HSL 212.73, 0.15%, 0.15%

LAB 14.43, -0.56, -4.72

 

CMYK 24 / 14 / 0 / 63

HEX #47515E

RGB 71 81 94

HSL 213.91, 0.14%, 0.32%

LAB 34.05, -0.69, -8.9

 

CMYK 25 / 14 / 0 / 43

HEX #6D7C91

RGB 109 124 145

HSL 215, 0.14%, 0.5%

LAB 51.51, -0.57, -13.18

 

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

CMYK 6 / 25 / 0 / 24

HEX #B792C3

RGB 183 146 195

HSL 285.31, 0.29%, 0.67%

LAB 65.41, 22.72, -20.08

 

CMYK 4 / 0 / 25 / 24

HEX #BBC392

RGB 187 195 146

HSL 69.8, 0.29%, 0.67%

LAB 77.08, -10.96, 23.77

 

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

CMYK 0 / 25 / 14 / 24

HEX #C392A7

RGB 195 146 167

HSL 334.29, 0.29%, 0.67%

LAB 65.71, 21.75, -3.79

 

CMYK 14 / 0 / 25 / 24

HEX #A7C392

RGB 167 195 146

HSL 94.29, 0.29%, 0.67%

LAB 75.65, -18.36, 21.58

 

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

CMYK 6 / 25 / 0 / 24

HEX #B792C3

RGB 183 146 195

HSL 285.31, 0.29%, 0.67%

LAB 65.41, 22.72, -20.08

 

CMYK 0 / 11 / 25 / 24

HEX #C3AE92

RGB 195 174 146

HSL 34.29, 0.29%, 0.67%

LAB 72.19, 3.18, 17.15

 

CMYK 19 / 0 / 25 / 24

HEX #9DC392

RGB 157 195 146

HSL 106.53, 0.29%, 0.67%

LAB 75, -21.93, 20.57

 

CMYK 25 / 14 / 0 / 23

HEX #93A8C4

RGB 147 168 196

HSL 214.29, 0.29%, 0.67%

LAB 68.16, -1.01, -16.74

 

CMYK 0 / 25 / 2 / 24

HEX #C392BF

RGB 195 146 191

HSL 304.9, 0.29%, 0.67%

LAB 66.46, 25.98, -16.14

 

CMYK 0 / 11 / 25 / 24

HEX #C3AE92

RGB 195 174 146

HSL 34.29, 0.29%, 0.67%

LAB 72.19, 3.18, 17.15

 

CMYK 25 / 0 / 24 / 24

HEX #92C395

RGB 146 195 149

HSL 123.67, 0.29%, 0.67%

LAB 74.39, -25.2, 18.03

 

Description

Color code: RGB 147 168 196 | qconv.com Color code: RGB 147 168 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 168 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 168 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 14 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 14% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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