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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 100 195 it is the complementary color RGB 108 155 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 100 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 147 100 195: RGB 152 100 190, RGB 169 118 209, RGB 186 136 228, RGB 203 154 247 and RGB 220 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 100 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 147 100 195: RGB 147 100 195, RGB 130 82 176, RGB 113 64 157, RGB 96 46 138 and RGB 79 28 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

Complementary color

CMYK 30 / 0 / 61 / 39

HEX #6C9B3C

RGB 108 155 60

HSL 89.68, 0.44%, 0.42%

LAB 58.93, -32.08, 43.75

 

CMYK 20 / 47 / 0 / 25

HEX #9864BE

RGB 152 100 190

HSL 274.67, 0.41%, 0.57%

LAB 51.28, 37.89, -39.4

 

CMYK 19 / 44 / 0 / 18

HEX #A976D1

RGB 169 118 209

HSL 273.63, 0.5%, 0.64%

LAB 58.03, 37.04, -39.48

 

CMYK 18 / 40 / 0 / 11

HEX #BA88E4

RGB 186 136 228

HSL 272.61, 0.63%, 0.71%

LAB 64.68, 36.24, -39.56

 

CMYK 18 / 38 / 0 / 3

HEX #CB9AF7

RGB 203 154 247

HSL 271.61, 0.85%, 0.79%

LAB 71.23, 35.48, -39.64

 

CMYK 14 / 33 / 0 / 0

HEX #DCACFF

RGB 220 172 255

HSL 274.7, 1%, 0.84%

LAB 77.25, 32.45, -34.51

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 26 / 53 / 0 / 31

HEX #8252B0

RGB 130 82 176

HSL 270.64, 0.37%, 0.51%

LAB 44.11, 38.59, -42.76

 

CMYK 28 / 59 / 0 / 38

HEX #71409D

RGB 113 64 157

HSL 271.61, 0.42%, 0.43%

LAB 37.14, 39.53, -42.7

 

CMYK 30 / 67 / 0 / 46

HEX #602E8A

RGB 96 46 138

HSL 272.61, 0.5%, 0.36%

LAB 30.1, 40.36, -42.51

 

CMYK 34 / 76 / 0 / 53

HEX #4F1C77

RGB 79 28 119

HSL 273.63, 0.62%, 0.29%

LAB 23.08, 40.82, -42.02

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 17 / 49 / 0 / 24

HEX #A264C3

RGB 162 100 195

HSL 279.16, 0.44%, 0.58%

LAB 52.66, 41.85, -40.02

 

CMYK 9 / 49 / 0 / 24

HEX #B164C3

RGB 177 100 195

HSL 288.63, 0.44%, 0.58%

LAB 54.45, 46.11, -37.08

 

CMYK 1 / 49 / 0 / 24

HEX #C164C3

RGB 193 100 195

HSL 298.74, 0.44%, 0.58%

LAB 56.48, 50.69, -33.76

 

CMYK 0 / 49 / 8 / 24

HEX #C364B4

RGB 195 100 180

HSL 309.47, 0.44%, 0.58%

LAB 56.1, 48.63, -25.71

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 25 / 49 / 0 / 4

HEX #B97EF6

RGB 185 126 246

HSL 269.5, 0.87%, 0.73%

LAB 63.25, 45.49, -51.76

 

CMYK 24 / 48 / 0 / 84

HEX #20162A

RGB 32 22 42

HSL 270, 0.31%, 0.13%

LAB 9.39, 10.17, -11.71

 

CMYK 25 / 48 / 0 / 64

HEX #46305D

RGB 70 48 93

HSL 269.33, 0.32%, 0.28%

LAB 24.34, 20.19, -23.24

 

CMYK 24 / 49 / 0 / 44

HEX #6D4A90

RGB 109 74 144

HSL 270, 0.32%, 0.43%

LAB 38.13, 29.4, -33.27

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 0 / 49 / 33 / 24

HEX #C36482

RGB 195 100 130

HSL 341.05, 0.44%, 0.58%

LAB 54.37, 41.18, 0.87

 

CMYK 49 / 0 / 45 / 24

HEX #64C36C

RGB 100 195 108

HSL 125.05, 0.44%, 0.58%

LAB 71.43, -46.26, 35.19

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 0 / 25 / 49 / 24

HEX #C39264

RGB 195 146 100

HSL 29.05, 0.44%, 0.58%

LAB 64.23, 12.87, 31.49

 

CMYK 49 / 0 / 25 / 24

HEX #64C392

RGB 100 195 146

HSL 149.05, 0.44%, 0.58%

LAB 72.1, -39.48, 16.12

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 0 / 49 / 33 / 24

HEX #C36482

RGB 195 100 130

HSL 341.05, 0.44%, 0.58%

LAB 54.37, 41.18, 0.87

 

CMYK 24 / 0 / 49 / 24

HEX #95C364

RGB 149 195 100

HSL 89.05, 0.44%, 0.58%

LAB 73.77, -31.26, 42.62

 

CMYK 49 / 0 / 15 / 24

HEX #64C3A5

RGB 100 195 165

HSL 161.05, 0.44%, 0.58%

LAB 72.53, -35.36, 6.46

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 0 / 49 / 48 / 24

HEX #C36466

RGB 195 100 102

HSL 358.74, 0.44%, 0.58%

LAB 53.68, 38.03, 16.39

 

CMYK 24 / 0 / 49 / 24

HEX #95C364

RGB 149 195 100

HSL 89.05, 0.44%, 0.58%

LAB 73.77, -31.26, 42.62

 

CMYK 49 / 0 / 1 / 24

HEX #64C3C1

RGB 100 195 193

HSL 178.74, 0.44%, 0.58%

LAB 73.28, -28.51, -7.67

 

Description

Color code: RGB 147 100 195 | qconv.com Color code: RGB 147 100 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 100 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 100 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 49 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 49% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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