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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 82 100 it is the complementary color RGB 109 173 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 82 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 82 100: RGB 151 82 95, RGB 168 100 114, RGB 185 118 133, RGB 202 136 152 and RGB 219 154 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 82 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 82 100: RGB 146 82 100, RGB 129 64 81, RGB 112 46 62, RGB 95 28 43 and RGB 78 10 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

Complementary color

CMYK 37 / 0 / 10 / 32

HEX #6DAD9B

RGB 109 173 155

HSL 163.13, 0.28%, 0.55%

LAB 66.14, -24.69, 2.77

 

CMYK 0 / 46 / 37 / 41

HEX #97525F

RGB 151 82 95

HSL 348.7, 0.3%, 0.46%

LAB 43.42, 30.19, 5.3

 

CMYK 0 / 40 / 32 / 34

HEX #A86472

RGB 168 100 114

HSL 347.65, 0.28%, 0.53%

LAB 50.28, 29.21, 3.97

 

CMYK 0 / 36 / 28 / 27

HEX #B97685

RGB 185 118 133

HSL 346.57, 0.32%, 0.59%

LAB 57.04, 28.3, 2.83

 

CMYK 0 / 33 / 25 / 21

HEX #CA8898

RGB 202 136 152

HSL 345.45, 0.38%, 0.66%

LAB 63.7, 27.47, 1.83

 

CMYK 0 / 30 / 22 / 14

HEX #DB9AAB

RGB 219 154 171

HSL 344.31, 0.47%, 0.73%

LAB 70.25, 26.72, 0.93

 

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

CMYK 0 / 50 / 37 / 49

HEX #814051

RGB 129 64 81

HSL 344.31, 0.34%, 0.38%

LAB 35.85, 29.93, 2.74

 

CMYK 0 / 59 / 45 / 56

HEX #702E3E

RGB 112 46 62

HSL 345.45, 0.42%, 0.31%

LAB 28.76, 30.9, 4.54

 

CMYK 0 / 71 / 55 / 63

HEX #5F1C2B

RGB 95 28 43

HSL 346.57, 0.54%, 0.24%

LAB 21.72, 31.64, 7.03

 

CMYK 0 / 87 / 69 / 69

HEX #4E0A18

RGB 78 10 24

HSL 347.65, 0.77%, 0.17%

LAB 14.97, 31.51, 10.8

 

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

CMYK 0 / 44 / 38 / 43

HEX #92525A

RGB 146 82 90

HSL 352.5, 0.28%, 0.45%

LAB 42.59, 27.61, 7.09

 

CMYK 0 / 42 / 44 / 43

HEX #925552

RGB 146 85 82

HSL 2.81, 0.28%, 0.45%

LAB 43.09, 24.94, 12.68

 

CMYK 0 / 34 / 44 / 43

HEX #926052

RGB 146 96 82

HSL 13.13, 0.28%, 0.45%

LAB 45.75, 18.6, 16.33

 

CMYK 0 / 27 / 44 / 43

HEX #926B52

RGB 146 107 82

HSL 23.44, 0.28%, 0.45%

LAB 48.56, 12.21, 20.09

 

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

CMYK 0 / 44 / 31 / 23

HEX #C56F87

RGB 197 111 135

HSL 343.26, 0.43%, 0.6%

LAB 57.06, 36.79, 1.89

 

CMYK 0 / 44 / 31 / 3

HEX #F88BAA

RGB 248 139 170

HSL 342.94, 0.89%, 0.76%

LAB 70.4, 44.74, 2.12

 

CMYK 0 / 43 / 32 / 83

HEX #2C191E

RGB 44 25 30

HSL 344.21, 0.28%, 0.14%

LAB 11.45, 10.39, 0.48

 

CMYK 0 / 44 / 32 / 63

HEX #5F3541

RGB 95 53 65

HSL 342.86, 0.28%, 0.29%

LAB 27.74, 20.52, 0.73

 

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

CMYK 0 / 3 / 44 / 43

HEX #928D52

RGB 146 141 82

HSL 55.31, 0.28%, 0.45%

LAB 57.82, -7.05, 32.05

 

CMYK 44 / 14 / 0 / 43

HEX #527E92

RGB 82 126 146

HSL 198.75, 0.28%, 0.45%

LAB 50.44, -9.57, -15.55

 

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

CMYK 32 / 0 / 44 / 43

HEX #649252

RGB 100 146 82

HSL 103.13, 0.28%, 0.45%

LAB 55.96, -28.16, 29.01

 

CMYK 44 / 32 / 0 / 43

HEX #526492

RGB 82 100 146

HSL 223.13, 0.28%, 0.45%

LAB 42.74, 5.91, -27.41

 

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

CMYK 0 / 3 / 44 / 43

HEX #928D52

RGB 146 141 82

HSL 55.31, 0.28%, 0.45%

LAB 57.82, -7.05, 32.05

 

CMYK 44 / 0 / 12 / 43

HEX #529280

RGB 82 146 128

HSL 163.13, 0.28%, 0.45%

LAB 56, -25.05, 3.14

 

CMYK 44 / 40 / 0 / 43

HEX #525792

RGB 82 87 146

HSL 235.31, 0.28%, 0.45%

LAB 39.05, 14.1, -33.21

 

CMYK 0 / 44 / 32 / 43

HEX #925264

RGB 146 82 100

HSL 343.13, 0.28%, 0.45%

LAB 42.86, 28.94, 1.33

 

CMYK 10 / 0 / 44 / 43

HEX #849252

RGB 132 146 82

HSL 73.13, 0.28%, 0.45%

LAB 58.11, -15.63, 32.17

 

CMYK 44 / 0 / 12 / 43

HEX #529280

RGB 82 146 128

HSL 163.13, 0.28%, 0.45%

LAB 56, -25.05, 3.14

 

CMYK 34 / 44 / 0 / 43

HEX #605292

RGB 96 82 146

HSL 253.13, 0.28%, 0.45%

LAB 38.89, 21.2, -33.37

 

Description

Color code: RGB 146 82 100 | qconv.com Color code: RGB 146 82 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 82 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 82 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 32 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 32% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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