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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 41 123 it is the complementary color RGB 109 214 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 41 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 41 123: RGB 151 41 118, RGB 168 59 137, RGB 185 77 156, RGB 202 95 175 and RGB 219 113 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 41 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 41 123: RGB 146 41 123, RGB 129 23 104, RGB 112 5 85, RGB 95 0 66 and RGB 78 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

Complementary color

CMYK 49 / 0 / 38 / 16

HEX #6DD684

RGB 109 214 132

HSL 133.14, 0.56%, 0.63%

LAB 77.88, -47.93, 31.37

 

CMYK 0 / 73 / 22 / 41

HEX #972976

RGB 151 41 118

HSL 318, 0.57%, 0.38%

LAB 36.88, 52.82, -18.76

 

CMYK 0 / 65 / 18 / 34

HEX #A83B89

RGB 168 59 137

HSL 317.06, 0.48%, 0.45%

LAB 43.15, 53.09, -20.57

 

CMYK 0 / 58 / 16 / 27

HEX #B94D9C

RGB 185 77 156

HSL 316.11, 0.44%, 0.51%

LAB 49.52, 52.87, -21.94

 

CMYK 0 / 53 / 13 / 21

HEX #CA5FAF

RGB 202 95 175

HSL 315.14, 0.5%, 0.58%

LAB 55.92, 52.38, -23.01

 

CMYK 0 / 48 / 11 / 14

HEX #DB71C2

RGB 219 113 194

HSL 314.15, 0.6%, 0.65%

LAB 62.31, 51.74, -23.89

 

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

CMYK 0 / 82 / 19 / 49

HEX #811768

RGB 129 23 104

HSL 314.15, 0.7%, 0.3%

LAB 30.11, 51.11, -20.69

 

CMYK 0 / 96 / 24 / 56

HEX #700555

RGB 112 5 85

HSL 315.14, 0.91%, 0.23%

LAB 24.35, 48.58, -17.44

 

CMYK 0 / 100 / 31 / 63

HEX #5F0042

RGB 95 0 66

HSL 318.32, 1%, 0.19%

LAB 19.33, 43.44, -12.56

 

CMYK 0 / 100 / 40 / 69

HEX #4E002F

RGB 78 0 47

HSL 323.85, 1%, 0.15%

LAB 14.54, 37.13, -6.72

 

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

CMYK 0 / 72 / 28 / 42

HEX #93296A

RGB 147 41 106

HSL 323.21, 0.56%, 0.37%

LAB 35.65, 50.1, -13.14

 

CMYK 0 / 72 / 39 / 42

HEX #932959

RGB 147 41 89

HSL 332.83, 0.56%, 0.37%

LAB 35.02, 48.02, -3.22

 

CMYK 0 / 72 / 52 / 42

HEX #932947

RGB 147 41 71

HSL 343.02, 0.56%, 0.37%

LAB 34.49, 46.21, 7.63

 

CMYK 0 / 72 / 64 / 42

HEX #932935

RGB 147 41 53

HSL 353.21, 0.56%, 0.37%

LAB 34.08, 44.82, 18.71

 

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

CMYK 0 / 72 / 16 / 23

HEX #C537A6

RGB 197 55 166

HSL 313.1, 0.56%, 0.49%

LAB 48.71, 66.29, -28.98

 

CMYK 0 / 72 / 16 / 3

HEX #F846D1

RGB 248 70 209

HSL 313.15, 0.93%, 0.62%

LAB 60.73, 79.28, -34.49

 

CMYK 0 / 73 / 16 / 83

HEX #2C0C25

RGB 44 12 37

HSL 313.13, 0.57%, 0.11%

LAB 8.41, 20.31, -9.34

 

CMYK 0 / 72 / 16 / 63

HEX #5F1B50

RGB 95 27 80

HSL 313.24, 0.56%, 0.24%

LAB 22.99, 37.05, -16.47

 

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

CMYK 0 / 42 / 72 / 42

HEX #935529

RGB 147 85 41

HSL 24.91, 0.56%, 0.37%

LAB 42.55, 21.85, 35.86

 

CMYK 72 / 0 / 14 / 42

HEX #29937F

RGB 41 147 127

HSL 168.68, 0.56%, 0.37%

LAB 54.94, -34.5, 2.01

 

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

CMYK 16 / 0 / 72 / 42

HEX #7C9329

RGB 124 147 41

HSL 73.02, 0.56%, 0.37%

LAB 57.38, -23.19, 50.52

 

CMYK 72 / 16 / 0 / 42

HEX #297C93

RGB 41 124 147

HSL 193.02, 0.56%, 0.37%

LAB 48.25, -16.79, -19.62

 

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

CMYK 0 / 42 / 72 / 42

HEX #935529

RGB 147 85 41

HSL 24.91, 0.56%, 0.37%

LAB 42.55, 21.85, 35.86

 

CMYK 72 / 0 / 56 / 42

HEX #299340

RGB 41 147 64

HSL 133.02, 0.56%, 0.37%

LAB 53.72, -47.78, 35.08

 

CMYK 72 / 30 / 0 / 42

HEX #296793

RGB 41 103 147

HSL 204.91, 0.56%, 0.37%

LAB 41.66, -4.62, -29.85

 

CMYK 0 / 72 / 16 / 43

HEX #92297B

RGB 146 41 123

HSL 313.14, 0.56%, 0.37%

LAB 36.23, 52.23, -22.97

 

CMYK 0 / 20 / 72 / 42

HEX #937529

RGB 147 117 41

HSL 43.02, 0.56%, 0.37%

LAB 50.79, 3.42, 44.54

 

CMYK 72 / 0 / 56 / 42

HEX #299340

RGB 41 147 64

HSL 133.02, 0.56%, 0.37%

LAB 53.72, -47.78, 35.08

 

CMYK 72 / 52 / 0 / 42

HEX #294793

RGB 41 71 147

HSL 223.02, 0.56%, 0.37%

LAB 32, 16.13, -45.22

 

Description

Color code: RGB 146 41 123 | qconv.com Color code: RGB 146 41 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 41 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 41 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 16 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 16% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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