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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 193 132 it is the complementary color RGB 109 62 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 193 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 193 132: RGB 151 193 127, RGB 168 211 146, RGB 185 229 165, RGB 202 247 184 and RGB 219 255 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 193 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 193 132: RGB 146 193 132, RGB 129 175 113, RGB 112 157 94, RGB 95 139 75 and RGB 78 121 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

Complementary color

CMYK 11 / 50 / 0 / 52

HEX #6D3E7B

RGB 109 62 123

HSL 286.23, 0.33%, 0.36%

LAB 34.24, 31.47, -26.48

 

CMYK 22 / 0 / 34 / 24

HEX #97C17F

RGB 151 193 127

HSL 98.18, 0.35%, 0.63%

LAB 73.71, -26.04, 28.82

 

CMYK 20 / 0 / 31 / 17

HEX #A8D392

RGB 168 211 146

HSL 99.69, 0.42%, 0.7%

LAB 80.17, -25.91, 27.72

 

CMYK 19 / 0 / 28 / 10

HEX #B9E5A5

RGB 185 229 165

HSL 101.25, 0.55%, 0.77%

LAB 86.54, -25.78, 26.68

 

CMYK 18 / 0 / 26 / 3

HEX #CAF7B8

RGB 202 247 184

HSL 102.86, 0.8%, 0.85%

LAB 92.81, -25.65, 25.68

 

CMYK 14 / 0 / 20 / 0

HEX #DBFFCB

RGB 219 255 203

HSL 101.54, 1%, 0.9%

LAB 96.37, -20.76, 21.08

 

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

CMYK 26 / 0 / 35 / 31

HEX #81AF71

RGB 129 175 113

HSL 104.52, 0.28%, 0.56%

LAB 66.91, -27.24, 26.98

 

CMYK 29 / 0 / 40 / 38

HEX #709D5E

RGB 112 157 94

HSL 102.86, 0.25%, 0.49%

LAB 60.22, -27.42, 28.18

 

CMYK 32 / 0 / 46 / 45

HEX #5F8B4B

RGB 95 139 75

HSL 101.25, 0.3%, 0.42%

LAB 53.39, -27.57, 29.45

 

CMYK 36 / 0 / 54 / 53

HEX #4E7938

RGB 78 121 56

HSL 99.69, 0.37%, 0.35%

LAB 46.42, -27.67, 30.74

 

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

CMYK 30 / 0 / 32 / 24

HEX #88C184

RGB 136 193 132

HSL 116.07, 0.33%, 0.64%

LAB 72.92, -30.47, 24.98

 

CMYK 32 / 0 / 28 / 24

HEX #84C18A

RGB 132 193 138

HSL 125.9, 0.33%, 0.64%

LAB 72.81, -30.78, 21.61

 

CMYK 32 / 0 / 23 / 24

HEX #84C195

RGB 132 193 149

HSL 136.72, 0.33%, 0.64%

LAB 73.03, -28.79, 16.02

 

CMYK 32 / 0 / 18 / 24

HEX #84C19F

RGB 132 193 159

HSL 146.56, 0.33%, 0.64%

LAB 73.25, -26.86, 10.93

 

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

CMYK 24 / 0 / 32 / 4

HEX #B9F4A7

RGB 185 244 167

HSL 105.97, 0.78%, 0.81%

LAB 90.69, -32.55, 31.26

 

CMYK 25 / 0 / 33 / 84

HEX #1E281B

RGB 30 40 27

HSL 106.15, 0.19%, 0.13%

LAB 14.8, -7.58, 7.17

 

CMYK 24 / 0 / 32 / 64

HEX #455B3E

RGB 69 91 62

HSL 105.52, 0.19%, 0.3%

LAB 36.17, -14.63, 14.09

 

CMYK 25 / 0 / 32 / 44

HEX #6B8E61

RGB 107 142 97

HSL 106.67, 0.19%, 0.47%

LAB 55.42, -21.26, 20.14

 

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

CMYK 32 / 0 / 1 / 24

HEX #84C1BF

RGB 132 193 191

HSL 178.03, 0.33%, 0.64%

LAB 74.07, -19.91, -5.26

 

CMYK 0 / 32 / 11 / 24

HEX #C184AB

RGB 193 132 171

HSL 321.64, 0.33%, 0.64%

LAB 62.32, 29.43, -11.11

 

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

CMYK 32 / 24 / 0 / 24

HEX #8493C1

RGB 132 147 193

HSL 225.25, 0.33%, 0.64%

LAB 61.33, 5.51, -25.58

 

CMYK 0 / 32 / 24 / 24

HEX #C18493

RGB 193 132 147

HSL 345.25, 0.33%, 0.64%

LAB 61.61, 25.6, 1.51

 

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

CMYK 32 / 0 / 1 / 24

HEX #84C1BF

RGB 132 193 191

HSL 178.03, 0.33%, 0.64%

LAB 74.07, -19.91, -5.26

 

CMYK 7 / 32 / 0 / 24

HEX #B384C1

RGB 179 132 193

HSL 286.23, 0.33%, 0.64%

LAB 61.6, 28.84, -24.82

 

CMYK 0 / 32 / 31 / 24

HEX #C18486

RGB 193 132 134

HSL 358.03, 0.33%, 0.64%

LAB 61.27, 23.75, 8.46

 

CMYK 24 / 0 / 32 / 24

HEX #92C184

RGB 146 193 132

HSL 106.23, 0.33%, 0.64%

LAB 73.49, -27.05, 25.85

 

CMYK 32 / 8 / 0 / 24

HEX #84B1C1

RGB 132 177 193

HSL 195.74, 0.33%, 0.64%

LAB 69.61, -11.1, -12.99

 

CMYK 7 / 32 / 0 / 24

HEX #B384C1

RGB 179 132 193

HSL 286.23, 0.33%, 0.64%

LAB 61.6, 28.84, -24.82

 

CMYK 0 / 23 / 32 / 24

HEX #C19584

RGB 193 149 132

HSL 16.72, 0.33%, 0.64%

LAB 65.36, 14.1, 15.33

 

Description

Color code: RGB 146 193 132 | qconv.com Color code: RGB 146 193 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 193 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 193 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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