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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 17 79 it is the complementary color RGB 109 238 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 17 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 17 79: RGB 151 17 74, RGB 168 35 93, RGB 185 53 112, RGB 202 71 131 and RGB 219 89 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 17 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 17 79: RGB 146 17 79, RGB 129 0 60, RGB 112 0 41, RGB 95 0 22 and RGB 78 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

Complementary color

CMYK 54 / 0 / 26 / 7

HEX #6DEEB0

RGB 109 238 176

HSL 151.16, 0.79%, 0.68%

LAB 85.77, -49.8, 19.39

 

CMYK 0 / 89 / 51 / 41

HEX #97114A

RGB 151 17 74

HSL 334.48, 0.8%, 0.33%

LAB 32.86, 54.68, 3.47

 

CMYK 0 / 79 / 45 / 34

HEX #A8235D

RGB 168 35 93

HSL 333.83, 0.66%, 0.4%

LAB 38.41, 56.43, -0.35

 

CMYK 0 / 71 / 39 / 27

HEX #B93570

RGB 185 53 112

HSL 333.18, 0.55%, 0.47%

LAB 44.28, 57.12, -3.26

 

CMYK 0 / 65 / 35 / 21

HEX #CA4783

RGB 202 71 131

HSL 332.52, 0.55%, 0.54%

LAB 50.34, 57.15, -5.53

 

CMYK 0 / 59 / 32 / 14

HEX #DB5996

RGB 219 89 150

HSL 331.85, 0.64%, 0.6%

LAB 56.49, 56.81, -7.35

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 0 / 100 / 53 / 49

HEX #81003C

RGB 129 0 60

HSL 332.09, 1%, 0.25%

LAB 26.72, 50.89, 3.4

 

CMYK 0 / 100 / 63 / 56

HEX #700029

RGB 112 0 41

HSL 338.04, 1%, 0.22%

LAB 22.32, 45.23, 9.83

 

CMYK 0 / 100 / 77 / 63

HEX #5F0016

RGB 95 0 22

HSL 346.11, 1%, 0.19%

LAB 17.88, 39.61, 16.76

 

CMYK 0 / 100 / 96 / 69

HEX #4E0003

RGB 78 0 3

HSL 357.69, 1%, 0.15%

LAB 13.39, 34.07, 19.74

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 0 / 88 / 61 / 43

HEX #921139

RGB 146 17 57

HSL 341.4, 0.79%, 0.32%

LAB 31.36, 52.09, 12.46

 

CMYK 0 / 88 / 75 / 43

HEX #921124

RGB 146 17 36

HSL 351.16, 0.79%, 0.32%

LAB 30.97, 50.94, 25.71

 

CMYK 0 / 87 / 88 / 43

HEX #921311

RGB 146 19 17

HSL 0.93, 0.79%, 0.32%

LAB 30.92, 49.9, 36.82

 

CMYK 0 / 73 / 88 / 43

HEX #922811

RGB 146 40 17

HSL 10.7, 0.79%, 0.32%

LAB 33.28, 43.28, 38.79

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 0 / 88 / 46 / 23

HEX #C5176B

RGB 197 23 107

HSL 331.03, 0.79%, 0.43%

LAB 43.57, 67.74, -0.94

 

CMYK 0 / 88 / 46 / 3

HEX #F81D86

RGB 248 29 134

HSL 331.23, 0.94%, 0.54%

LAB 54.61, 80.82, -0.1

 

CMYK 0 / 89 / 45 / 83

HEX #2C0518

RGB 44 5 24

HSL 330.77, 0.8%, 0.1%

LAB 6.41, 21.66, -2.32

 

CMYK 0 / 88 / 46 / 63

HEX #5F0B33

RGB 95 11 51

HSL 331.43, 0.79%, 0.21%

LAB 19.68, 38.83, -1.5

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 0 / 25 / 88 / 43

HEX #926D11

RGB 146 109 17

HSL 42.79, 0.79%, 0.32%

LAB 48.37, 6.57, 51.19

 

CMYK 88 / 10 / 0 / 43

HEX #118392

RGB 17 131 146

HSL 186.98, 0.79%, 0.32%

LAB 50.01, -23.42, -16.39

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 46 / 0 / 88 / 43

HEX #4F9211

RGB 79 146 17

HSL 91.16, 0.79%, 0.32%

LAB 54.3, -41.48, 54.12

 

CMYK 88 / 46 / 0 / 43

HEX #114F92

RGB 17 79 146

HSL 211.16, 0.79%, 0.32%

LAB 33.53, 7.56, -42.18

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 0 / 25 / 88 / 43

HEX #926D11

RGB 146 109 17

HSL 42.79, 0.79%, 0.32%

LAB 48.37, 6.57, 51.19

 

CMYK 88 / 0 / 43 / 43

HEX #119253

RGB 17 146 83

HSL 150.7, 0.79%, 0.32%

LAB 53.28, -47.28, 24.47

 

CMYK 88 / 64 / 0 / 43

HEX #113592

RGB 17 53 146

HSL 223.26, 0.79%, 0.32%

LAB 25.98, 25.51, -54.43

 

CMYK 0 / 88 / 46 / 43

HEX #92114F

RGB 146 17 79

HSL 331.16, 0.79%, 0.32%

LAB 31.98, 53.84, -1.23

 

CMYK 2 / 0 / 88 / 43

HEX #8F9211

RGB 143 146 17

HSL 61.4, 0.79%, 0.32%

LAB 58.45, -15.28, 59.27

 

CMYK 88 / 0 / 43 / 43

HEX #119253

RGB 17 146 83

HSL 150.7, 0.79%, 0.32%

LAB 53.28, -47.28, 24.47

 

CMYK 87 / 88 / 0 / 43

HEX #131192

RGB 19 17 146

HSL 240.93, 0.79%, 0.32%

LAB 18.43, 46.82, -66.91

 

Description

Color code: RGB 146 17 79 | qconv.com Color code: RGB 146 17 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 17 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 17 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 46 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 46% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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