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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 143 194 it is the complementary color RGB 109 112 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 143 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 143 194: RGB 151 143 189, RGB 168 161 208, RGB 185 179 227, RGB 202 197 246 and RGB 219 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 143 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 143 194: RGB 146 143 194, RGB 129 125 175, RGB 112 107 156, RGB 95 89 137 and RGB 78 71 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

Complementary color

CMYK 3 / 0 / 46 / 56

HEX #6D703D

RGB 109 112 61

HSL 63.53, 0.29%, 0.34%

LAB 45.87, -9.46, 27.87

 

CMYK 20 / 24 / 0 / 26

HEX #978FBD

RGB 151 143 189

HSL 250.43, 0.26%, 0.65%

LAB 61.57, 12.66, -22.84

 

CMYK 19 / 23 / 0 / 18

HEX #A8A1D0

RGB 168 161 208

HSL 248.94, 0.33%, 0.72%

LAB 68.29, 12.24, -23.04

 

CMYK 19 / 21 / 0 / 11

HEX #B9B3E3

RGB 185 179 227

HSL 247.5, 0.46%, 0.8%

LAB 74.89, 11.85, -23.26

 

CMYK 18 / 20 / 0 / 4

HEX #CAC5F6

RGB 202 197 246

HSL 246.12, 0.73%, 0.87%

LAB 81.37, 11.49, -23.49

 

CMYK 14 / 16 / 0 / 0

HEX #DBD7FF

RGB 219 215 255

HSL 246, 1%, 0.92%

LAB 87.43, 9.06, -18.97

 

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

CMYK 26 / 29 / 0 / 31

HEX #817DAF

RGB 129 125 175

HSL 244.8, 0.24%, 0.59%

LAB 54.48, 12.78, -25.91

 

CMYK 28 / 31 / 0 / 39

HEX #706B9C

RGB 112 107 156

HSL 246.12, 0.2%, 0.52%

LAB 47.44, 13.35, -25.85

 

CMYK 31 / 35 / 0 / 46

HEX #5F5989

RGB 95 89 137

HSL 247.5, 0.21%, 0.44%

LAB 40.22, 14.01, -25.85

 

CMYK 34 / 40 / 0 / 54

HEX #4E4776

RGB 78 71 118

HSL 248.94, 0.25%, 0.37%

LAB 32.78, 14.79, -25.91

 

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

CMYK 20 / 26 / 0 / 24

HEX #9A8FC1

RGB 154 143 193

HSL 253.2, 0.29%, 0.66%

LAB 61.97, 14.55, -24.45

 

CMYK 16 / 26 / 0 / 24

HEX #A28FC1

RGB 162 143 193

HSL 262.8, 0.29%, 0.66%

LAB 62.66, 17.11, -23.34

 

CMYK 12 / 26 / 0 / 24

HEX #AA8FC1

RGB 170 143 193

HSL 272.4, 0.29%, 0.66%

LAB 63.38, 19.71, -22.17

 

CMYK 7 / 26 / 0 / 24

HEX #B38FC1

RGB 179 143 193

HSL 283.2, 0.29%, 0.66%

LAB 64.22, 22.67, -20.8

 

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

CMYK 25 / 26 / 0 / 4

HEX #B8B5F5

RGB 184 181 245

HSL 242.81, 0.76%, 0.84%

LAB 75.97, 14.55, -31.35

 

CMYK 24 / 27 / 0 / 84

HEX #1F1E29

RGB 31 30 41

HSL 245.45, 0.15%, 0.14%

LAB 11.82, 3.49, -7.23

 

CMYK 25 / 26 / 0 / 64

HEX #45445C

RGB 69 68 92

HSL 242.5, 0.15%, 0.31%

LAB 29.84, 6.38, -14.04

 

CMYK 24 / 27 / 0 / 44

HEX #6C698F

RGB 108 105 143

HSL 244.74, 0.15%, 0.49%

LAB 46.01, 9.91, -20.4

 

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

CMYK 0 / 26 / 7 / 24

HEX #C18FB4

RGB 193 143 180

HSL 315.6, 0.29%, 0.66%

LAB 65.18, 24.94, -11.91

 

CMYK 17 / 0 / 26 / 24

HEX #A0C18F

RGB 160 193 143

HSL 99.6, 0.29%, 0.66%

LAB 74.57, -20.36, 21.62

 

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

CMYK 0 / 25 / 26 / 24

HEX #C1918F

RGB 193 145 143

HSL 2.4, 0.29%, 0.66%

LAB 64.62, 17.83, 8.12

 

CMYK 26 / 0 / 25 / 24

HEX #8FC191

RGB 143 193 145

HSL 122.4, 0.29%, 0.66%

LAB 73.56, -25.93, 19

 

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

CMYK 0 / 26 / 7 / 24

HEX #C18FB4

RGB 193 143 180

HSL 315.6, 0.29%, 0.66%

LAB 65.18, 24.94, -11.91

 

CMYK 2 / 0 / 26 / 24

HEX #BEC18F

RGB 190 193 143

HSL 63.6, 0.29%, 0.66%

LAB 76.72, -9.21, 24.9

 

CMYK 26 / 0 / 20 / 24

HEX #8FC19B

RGB 143 193 155

HSL 134.4, 0.29%, 0.66%

LAB 73.77, -24.13, 13.91

 

CMYK 25 / 26 / 0 / 24

HEX #928FC2

RGB 146 143 194

HSL 243.53, 0.29%, 0.66%

LAB 61.35, 12.29, -26.02

 

CMYK 0 / 26 / 15 / 24

HEX #C18FA5

RGB 193 143 165

HSL 333.6, 0.29%, 0.66%

LAB 64.72, 22.35, -4.14

 

CMYK 2 / 0 / 26 / 24

HEX #BEC18F

RGB 190 193 143

HSL 63.6, 0.29%, 0.66%

LAB 76.72, -9.21, 24.9

 

CMYK 26 / 0 / 12 / 24

HEX #8FC1AA

RGB 143 193 170

HSL 152.4, 0.29%, 0.66%

LAB 74.11, -21.2, 6.29

 

Description

Color code: RGB 146 143 194 | qconv.com Color code: RGB 146 143 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 143 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 143 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 26 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 26% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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