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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 137 113 it is the complementary color RGB 109 118 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 137 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 137 113: RGB 151 137 108, RGB 168 155 127, RGB 185 173 146, RGB 202 191 165 and RGB 219 209 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 137 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 137 113: RGB 146 137 113, RGB 129 119 94, RGB 112 101 75, RGB 95 83 56 and RGB 78 65 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

Complementary color

CMYK 23 / 17 / 0 / 44

HEX #6D768E

RGB 109 118 142

HSL 223.64, 0.13%, 0.49%

LAB 49.69, 2.2, -14.17

 

CMYK 0 / 9 / 28 / 41

HEX #97896C

RGB 151 137 108

HSL 40.47, 0.17%, 0.51%

LAB 57.61, 0.55, 17.49

 

CMYK 0 / 8 / 24 / 34

HEX #A89B7F

RGB 168 155 127

HSL 40.98, 0.19%, 0.58%

LAB 64.4, 0.18, 16.43

 

CMYK 0 / 6 / 21 / 27

HEX #B9AD92

RGB 185 173 146

HSL 41.54, 0.22%, 0.65%

LAB 71.06, -0.13, 15.44

 

CMYK 0 / 5 / 18 / 21

HEX #CABFA5

RGB 202 191 165

HSL 42.16, 0.26%, 0.72%

LAB 77.6, -0.41, 14.51

 

CMYK 0 / 5 / 16 / 14

HEX #DBD1B8

RGB 219 209 184

HSL 42.86, 0.33%, 0.79%

LAB 84.03, -0.66, 13.64

 

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

CMYK 0 / 8 / 27 / 49

HEX #81775E

RGB 129 119 94

HSL 42.86, 0.16%, 0.44%

LAB 50.3, -0.4, 15.17

 

CMYK 0 / 10 / 33 / 56

HEX #70654B

RGB 112 101 75

HSL 42.16, 0.2%, 0.37%

LAB 43.15, 0.02, 16.34

 

CMYK 0 / 13 / 41 / 63

HEX #5F5338

RGB 95 83 56

HSL 41.54, 0.26%, 0.3%

LAB 35.8, 0.55, 17.64

 

CMYK 0 / 17 / 53 / 69

HEX #4E4125

RGB 78 65 37

HSL 40.98, 0.36%, 0.23%

LAB 28.2, 1.28, 19.1

 

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

CMYK 0 / 3 / 23 / 43

HEX #928E71

RGB 146 142 113

HSL 52.73, 0.13%, 0.51%

LAB 58.65, -3.52, 16.02

 

CMYK 1 / 0 / 23 / 43

HEX #909271

RGB 144 146 113

HSL 63.64, 0.13%, 0.51%

LAB 59.6, -6.52, 17.3

 

CMYK 5 / 0 / 23 / 43

HEX #8B9271

RGB 139 146 113

HSL 72.73, 0.13%, 0.51%

LAB 59.19, -8.5, 16.68

 

CMYK 9 / 0 / 23 / 43

HEX #859271

RGB 133 146 113

HSL 83.64, 0.13%, 0.51%

LAB 58.73, -10.84, 15.97

 

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

CMYK 0 / 6 / 23 / 23

HEX #C5B998

RGB 197 185 152

HSL 44, 0.28%, 0.68%

LAB 75.35, -1.06, 18.3

 

CMYK 0 / 6 / 23 / 3

HEX #F8E9C0

RGB 248 233 192

HSL 43.93, 0.8%, 0.86%

LAB 92.59, -1.23, 21.79

 

CMYK 0 / 7 / 23 / 83

HEX #2C2922

RGB 44 41 34

HSL 42, 0.13%, 0.15%

LAB 16.68, -0.13, 5.09

 

CMYK 0 / 6 / 22 / 63

HEX #5F594A

RGB 95 89 74

HSL 42.86, 0.12%, 0.33%

LAB 37.97, -0.37, 9.57

 

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

CMYK 21 / 0 / 23 / 43

HEX #749271

RGB 116 146 113

HSL 114.55, 0.13%, 0.51%

LAB 57.52, -17.25, 14.11

 

CMYK 15 / 23 / 0 / 43

HEX #7C7192

RGB 124 113 146

HSL 260, 0.13%, 0.51%

LAB 49.7, 11.22, -16.4

 

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

CMYK 23 / 0 / 6 / 43

HEX #719289

RGB 113 146 137

HSL 163.64, 0.13%, 0.51%

LAB 57.92, -13.47, 0.99

 

CMYK 6 / 23 / 0 / 43

HEX #897192

RGB 137 113 146

HSL 283.64, 0.13%, 0.51%

LAB 50.92, 15.76, -14.42

 

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

CMYK 21 / 0 / 23 / 43

HEX #749271

RGB 116 146 113

HSL 114.55, 0.13%, 0.51%

LAB 57.52, -17.25, 14.11

 

CMYK 23 / 16 / 0 / 43

HEX #717B92

RGB 113 123 146

HSL 221.82, 0.13%, 0.51%

LAB 51.56, 1.58, -13.67

 

CMYK 2 / 23 / 0 / 43

HEX #8F7192

RGB 143 113 146

HSL 294.55, 0.13%, 0.51%

LAB 51.53, 17.89, -13.46

 

CMYK 0 / 6 / 23 / 43

HEX #928971

RGB 146 137 113

HSL 43.64, 0.13%, 0.51%

LAB 57.26, -0.73, 14.1

 

CMYK 23 / 0 / 18 / 43

HEX #719278

RGB 113 146 120

HSL 132.73, 0.13%, 0.51%

LAB 57.49, -17, 10.06

 

CMYK 23 / 16 / 0 / 43

HEX #717B92

RGB 113 123 146

HSL 221.82, 0.13%, 0.51%

LAB 51.56, 1.58, -13.67

 

CMYK 0 / 23 / 5 / 43

HEX #92718B

RGB 146 113 139

HSL 312.73, 0.13%, 0.51%

LAB 51.59, 17.58, -9.21

 

Description

Color code: RGB 146 137 113 | qconv.com Color code: RGB 146 137 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 137 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 137 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 23 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 23% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - THINKWARE
Link: http://www.thinkware.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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