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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 134 120 it is the complementary color RGB 109 121 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 134 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 134 120: RGB 151 134 115, RGB 168 152 134, RGB 185 170 153, RGB 202 188 172 and RGB 219 206 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 134 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 134 120: RGB 146 134 120, RGB 129 116 101, RGB 112 98 82, RGB 95 80 63 and RGB 78 62 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

Complementary color

CMYK 19 / 10 / 0 / 47

HEX #6D7987

RGB 109 121 135

HSL 212.31, 0.11%, 0.48%

LAB 50.31, -1.26, -9.13

 

CMYK 0 / 11 / 24 / 41

HEX #978673

RGB 151 134 115

HSL 31.67, 0.15%, 0.52%

LAB 56.95, 3.28, 12.58

 

CMYK 0 / 10 / 20 / 34

HEX #A89886

RGB 168 152 134

HSL 31.76, 0.16%, 0.59%

LAB 63.76, 2.9, 11.61

 

CMYK 0 / 8 / 17 / 27

HEX #B9AA99

RGB 185 170 153

HSL 31.88, 0.19%, 0.66%

LAB 70.43, 2.56, 10.71

 

CMYK 0 / 7 / 15 / 21

HEX #CABCAC

RGB 202 188 172

HSL 32, 0.22%, 0.73%

LAB 76.98, 2.27, 9.87

 

CMYK 0 / 6 / 13 / 14

HEX #DBCEBF

RGB 219 206 191

HSL 32.14, 0.28%, 0.8%

LAB 83.42, 2, 9.07

 

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

CMYK 0 / 10 / 22 / 49

HEX #817465

RGB 129 116 101

HSL 32.14, 0.12%, 0.45%

LAB 49.61, 2.43, 10.12

 

CMYK 0 / 13 / 27 / 56

HEX #706252

RGB 112 98 82

HSL 32, 0.15%, 0.38%

LAB 42.44, 2.85, 11.17

 

CMYK 0 / 16 / 34 / 63

HEX #5F503F

RGB 95 80 63

HSL 31.88, 0.2%, 0.31%

LAB 35.06, 3.37, 12.35

 

CMYK 0 / 21 / 44 / 69

HEX #4E3E2C

RGB 78 62 44

HSL 31.76, 0.28%, 0.24%

LAB 27.43, 4.07, 13.7

 

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

CMYK 0 / 6 / 18 / 43

HEX #928977

RGB 146 137 119

HSL 40, 0.11%, 0.52%

LAB 57.4, 0.22, 10.87

 

CMYK 0 / 3 / 18 / 43

HEX #928E77

RGB 146 142 119

HSL 51.11, 0.11%, 0.52%

LAB 58.78, -2.57, 12.8

 

CMYK 1 / 0 / 18 / 43

HEX #919277

RGB 145 146 119

HSL 62.22, 0.11%, 0.52%

LAB 59.81, -5.18, 14.23

 

CMYK 4 / 0 / 18 / 43

HEX #8C9277

RGB 140 146 119

HSL 73.33, 0.11%, 0.52%

LAB 59.4, -7.13, 13.6

 

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

CMYK 0 / 8 / 18 / 23

HEX #C5B5A2

RGB 197 181 162

HSL 32.57, 0.23%, 0.7%

LAB 74.53, 2.57, 11.74

 

CMYK 0 / 8 / 18 / 3

HEX #F8E4CC

RGB 248 228 204

HSL 32.73, 0.76%, 0.89%

LAB 91.6, 3.04, 14.18

 

CMYK 0 / 9 / 18 / 83

HEX #2C2824

RGB 44 40 36

HSL 30, 0.1%, 0.16%

LAB 16.41, 0.97, 3.29

 

CMYK 0 / 8 / 18 / 63

HEX #5F574E

RGB 95 87 78

HSL 31.76, 0.1%, 0.34%

LAB 37.48, 1.55, 6.4

 

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

CMYK 14 / 0 / 18 / 43

HEX #7E9277

RGB 126 146 119

HSL 104.44, 0.11%, 0.52%

LAB 58.34, -12.47, 11.96

 

CMYK 16 / 18 / 0 / 43

HEX #7A7792

RGB 122 119 146

HSL 246.67, 0.11%, 0.52%

LAB 51.16, 6.98, -14.2

 

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

CMYK 18 / 0 / 9 / 43

HEX #779285

RGB 119 146 133

HSL 151.11, 0.11%, 0.52%

LAB 58.2, -12.28, 3.73

 

CMYK 9 / 18 / 0 / 43

HEX #857792

RGB 133 119 146

HSL 271.11, 0.11%, 0.52%

LAB 52.12, 10.81, -12.65

 

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

CMYK 14 / 0 / 18 / 43

HEX #7E9277

RGB 126 146 119

HSL 104.44, 0.11%, 0.52%

LAB 58.34, -12.47, 11.96

 

CMYK 18 / 10 / 0 / 43

HEX #778392

RGB 119 131 146

HSL 213.33, 0.11%, 0.52%

LAB 54.27, -1.04, -9.54

 

CMYK 5 / 18 / 0 / 43

HEX #8A7792

RGB 138 119 146

HSL 282.22, 0.11%, 0.52%

LAB 52.59, 12.59, -11.9

 

CMYK 0 / 8 / 18 / 43

HEX #928678

RGB 146 134 120

HSL 32.31, 0.11%, 0.52%

LAB 56.6, 2.07, 9.17

 

CMYK 18 / 0 / 18 / 43

HEX #779278

RGB 119 146 120

HSL 122.22, 0.11%, 0.52%

LAB 57.88, -14.86, 10.67

 

CMYK 18 / 10 / 0 / 43

HEX #778392

RGB 119 131 146

HSL 213.33, 0.11%, 0.52%

LAB 54.27, -1.04, -9.54

 

CMYK 0 / 18 / 1 / 43

HEX #927791

RGB 146 119 145

HSL 302.22, 0.11%, 0.52%

LAB 53.33, 15.26, -10.13

 

Description

Color code: RGB 146 134 120 | qconv.com Color code: RGB 146 134 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 134 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 134 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 18 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 18% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Home - The Bucketlis...
Link: http://bucketlistbombshells.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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