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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 128 216 it is the complementary color RGB 109 127 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 128 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 128 216: RGB 151 128 211, RGB 168 146 230, RGB 185 164 249, RGB 202 182 255 and RGB 219 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 128 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 128 216: RGB 146 128 216, RGB 129 110 197, RGB 112 92 178, RGB 95 74 159 and RGB 78 56 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

Complementary color

CMYK 14 / 0 / 69 / 50

HEX #6D7F27

RGB 109 127 39

HSL 72.27, 0.53%, 0.33%

LAB 50.19, -19.6, 43.69

 

CMYK 28 / 39 / 0 / 17

HEX #9780D3

RGB 151 128 211

HSL 256.63, 0.49%, 0.66%

LAB 58.72, 26.65, -39.66

 

CMYK 27 / 37 / 0 / 10

HEX #A892E6

RGB 168 146 230

HSL 255.71, 0.63%, 0.74%

LAB 65.43, 25.9, -39.61

 

CMYK 26 / 34 / 0 / 2

HEX #B9A4F9

RGB 185 164 249

HSL 254.82, 0.88%, 0.81%

LAB 72.03, 25.21, -39.6

 

CMYK 21 / 29 / 0 / 0

HEX #CAB6FF

RGB 202 182 255

HSL 256.44, 1%, 0.86%

LAB 78.01, 21.62, -33.45

 

CMYK 14 / 22 / 0 / 0

HEX #DBC8FF

RGB 219 200 255

HSL 260.73, 1%, 0.89%

LAB 83.75, 17.05, -24.54

 

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

CMYK 35 / 44 / 0 / 23

HEX #816EC5

RGB 129 110 197

HSL 253.1, 0.43%, 0.6%

LAB 51.67, 27.43, -42.95

 

CMYK 37 / 48 / 0 / 30

HEX #705CB2

RGB 112 92 178

HSL 253.95, 0.36%, 0.53%

LAB 44.68, 28.45, -43.14

 

CMYK 40 / 53 / 0 / 38

HEX #5F4A9F

RGB 95 74 159

HSL 254.82, 0.36%, 0.46%

LAB 37.54, 29.61, -43.36

 

CMYK 44 / 60 / 0 / 45

HEX #4E388C

RGB 78 56 140

HSL 255.71, 0.43%, 0.38%

LAB 30.26, 30.93, -43.6

 

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

CMYK 27 / 41 / 0 / 16

HEX #9E7ED7

RGB 158 126 215

HSL 261.57, 0.53%, 0.67%

LAB 59.06, 30.78, -41.31

 

CMYK 20 / 41 / 0 / 16

HEX #AD7ED7

RGB 173 126 215

HSL 271.69, 0.53%, 0.67%

LAB 60.53, 35.09, -38.91

 

CMYK 13 / 41 / 0 / 16

HEX #BC7ED7

RGB 188 126 215

HSL 281.8, 0.53%, 0.67%

LAB 62.1, 39.51, -36.34

 

CMYK 6 / 41 / 0 / 16

HEX #CB7ED7

RGB 203 126 215

HSL 291.91, 0.53%, 0.67%

LAB 63.77, 43.97, -33.61

 

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

CMYK 33 / 42 / 0 / 95

HEX #08070C

RGB 8 7 12

HSL 252, 0.26%, 0.04%

LAB 2.08, 0.97, -1.84

 

CMYK 32 / 41 / 0 / 75

HEX #2B253F

RGB 43 37 63

HSL 253.85, 0.26%, 0.2%

LAB 16.48, 9.77, -15.58

 

CMYK 32 / 40 / 0 / 55

HEX #4D4472

RGB 77 68 114

HSL 251.74, 0.25%, 0.36%

LAB 31.64, 15.27, -25.19

 

CMYK 32 / 41 / 0 / 35

HEX #7062A5

RGB 112 98 165

HSL 252.54, 0.27%, 0.52%

LAB 45.49, 21.23, -34.21

 

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

CMYK 0 / 41 / 17 / 16

HEX #D77EB3

RGB 215 126 179

HSL 324.27, 0.53%, 0.67%

LAB 63.85, 41.48, -13.09

 

CMYK 33 / 0 / 41 / 16

HEX #90D77E

RGB 144 215 126

HSL 107.87, 0.53%, 0.67%

LAB 79.63, -38.88, 37

 

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

CMYK 0 / 33 / 41 / 16

HEX #D7907E

RGB 215 144 126

HSL 12.13, 0.53%, 0.67%

LAB 66.44, 24.76, 20.55

 

CMYK 41 / 0 / 33 / 16

HEX #7ED790

RGB 126 215 144

HSL 132.13, 0.53%, 0.67%

LAB 79.07, -41.64, 26.89

 

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

CMYK 0 / 41 / 17 / 16

HEX #D77EB3

RGB 215 126 179

HSL 324.27, 0.53%, 0.67%

LAB 63.85, 41.48, -13.09

 

CMYK 8 / 0 / 41 / 16

HEX #C5D77E

RGB 197 215 126

HSL 72.13, 0.53%, 0.67%

LAB 82.9, -19.75, 41.83

 

CMYK 41 / 0 / 25 / 16

HEX #7ED7A1

RGB 126 215 161

HSL 143.6, 0.53%, 0.67%

LAB 79.39, -38.55, 18.44

 

CMYK 32 / 41 / 0 / 15

HEX #9280D8

RGB 146 128 216

HSL 252.27, 0.53%, 0.67%

LAB 58.52, 26.53, -42.81

 

CMYK 0 / 41 / 29 / 16

HEX #D77E99

RGB 215 126 153

HSL 341.8, 0.53%, 0.67%

LAB 63.07, 37.7, 0.54

 

CMYK 8 / 0 / 41 / 16

HEX #C5D77E

RGB 197 215 126

HSL 72.13, 0.53%, 0.67%

LAB 82.9, -19.75, 41.83

 

CMYK 41 / 0 / 13 / 16

HEX #7ED7BC

RGB 126 215 188

HSL 161.8, 0.53%, 0.67%

LAB 79.99, -32.98, 4.98

 

Description

Color code: RGB 146 128 216 | qconv.com Color code: RGB 146 128 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 128 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 128 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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