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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 124 113 it is the complementary color RGB 109 131 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 124 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 124 113: RGB 151 124 108, RGB 168 142 127, RGB 185 160 146, RGB 202 178 165 and RGB 219 196 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 124 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 124 113: RGB 146 124 113, RGB 129 106 94, RGB 112 88 75, RGB 95 70 56 and RGB 78 52 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

Complementary color

CMYK 23 / 8 / 0 / 44

HEX #6D838E

RGB 109 131 142

HSL 200, 0.13%, 0.49%

LAB 53.42, -5.33, -8.55

 

CMYK 0 / 18 / 28 / 41

HEX #977C6C

RGB 151 124 108

HSL 22.33, 0.17%, 0.51%

LAB 54.11, 7.92, 12.65

 

CMYK 0 / 15 / 24 / 34

HEX #A88E7F

RGB 168 142 127

HSL 21.95, 0.19%, 0.58%

LAB 60.96, 7.39, 11.62

 

CMYK 0 / 14 / 21 / 27

HEX #B9A092

RGB 185 160 146

HSL 21.54, 0.22%, 0.65%

LAB 67.67, 6.92, 10.68

 

CMYK 0 / 12 / 18 / 21

HEX #CAB2A5

RGB 202 178 165

HSL 21.08, 0.26%, 0.72%

LAB 74.26, 6.52, 9.79

 

CMYK 0 / 11 / 16 / 14

HEX #DBC4B8

RGB 219 196 184

HSL 20.57, 0.33%, 0.79%

LAB 80.74, 6.15, 8.97

 

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

CMYK 0 / 18 / 27 / 49

HEX #816A5E

RGB 129 106 94

HSL 20.57, 0.16%, 0.44%

LAB 46.69, 7.17, 10.16

 

CMYK 0 / 21 / 33 / 56

HEX #70584B

RGB 112 88 75

HSL 21.08, 0.2%, 0.37%

LAB 39.47, 7.8, 11.3

 

CMYK 0 / 26 / 41 / 63

HEX #5F4638

RGB 95 70 56

HSL 21.54, 0.26%, 0.3%

LAB 32.03, 8.6, 12.61

 

CMYK 0 / 33 / 53 / 69

HEX #4E3425

RGB 78 52 37

HSL 21.95, 0.36%, 0.23%

LAB 24.35, 9.64, 14.17

 

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

CMYK 0 / 11 / 23 / 43

HEX #928271

RGB 146 130 113

HSL 30.91, 0.13%, 0.51%

LAB 55.35, 3.22, 11.43

 

CMYK 0 / 8 / 23 / 43

HEX #928771

RGB 146 135 113

HSL 40, 0.13%, 0.51%

LAB 56.71, 0.39, 13.34

 

CMYK 0 / 4 / 23 / 43

HEX #928C71

RGB 146 140 113

HSL 49.09, 0.13%, 0.51%

LAB 58.09, -2.41, 15.25

 

CMYK 0 / 0 / 23 / 43

HEX #929271

RGB 146 146 113

HSL 60, 0.13%, 0.51%

LAB 59.76, -5.72, 17.55

 

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

CMYK 0 / 15 / 23 / 23

HEX #C5A798

RGB 197 167 152

HSL 20, 0.28%, 0.68%

LAB 70.72, 8.61, 11.82

 

CMYK 0 / 15 / 23 / 3

HEX #F8D3C0

RGB 248 211 192

HSL 20.36, 0.8%, 0.86%

LAB 87.17, 10.09, 14.2

 

CMYK 0 / 16 / 23 / 83

HEX #2C2522

RGB 44 37 34

HSL 18, 0.13%, 0.15%

LAB 15.35, 2.65, 3.2

 

CMYK 0 / 15 / 22 / 63

HEX #5F514A

RGB 95 81 74

HSL 20, 0.12%, 0.33%

LAB 35.62, 4.53, 6.26

 

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

CMYK 12 / 0 / 23 / 43

HEX #809271

RGB 128 146 113

HSL 92.73, 0.13%, 0.51%

LAB 58.36, -12.76, 15.39

 

CMYK 23 / 21 / 0 / 43

HEX #717392

RGB 113 115 146

HSL 236.36, 0.13%, 0.51%

LAB 49.31, 6.31, -17.08

 

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

CMYK 23 / 0 / 15 / 43

HEX #71927C

RGB 113 146 124

HSL 140, 0.13%, 0.51%

LAB 57.58, -16.21, 7.92

 

CMYK 15 / 23 / 0 / 43

HEX #7C7192

RGB 124 113 146

HSL 260, 0.13%, 0.51%

LAB 49.7, 11.22, -16.4

 

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

CMYK 12 / 0 / 23 / 43

HEX #809271

RGB 128 146 113

HSL 92.73, 0.13%, 0.51%

LAB 58.36, -12.76, 15.39

 

CMYK 23 / 8 / 0 / 43

HEX #718792

RGB 113 135 146

HSL 200, 0.13%, 0.51%

LAB 54.98, -5.32, -8.52

 

CMYK 10 / 23 / 0 / 43

HEX #837192

RGB 131 113 146

HSL 272.73, 0.13%, 0.51%

LAB 50.35, 13.65, -15.36

 

CMYK 0 / 15 / 23 / 43

HEX #927C71

RGB 146 124 113

HSL 20, 0.13%, 0.51%

LAB 53.73, 6.64, 9.14

 

CMYK 18 / 0 / 23 / 43

HEX #779271

RGB 119 146 113

HSL 109.09, 0.13%, 0.51%

LAB 57.72, -16.14, 14.42

 

CMYK 23 / 8 / 0 / 43

HEX #718792

RGB 113 135 146

HSL 200, 0.13%, 0.51%

LAB 54.98, -5.32, -8.52

 

CMYK 4 / 23 / 0 / 43

HEX #8C7192

RGB 140 113 146

HSL 289.09, 0.13%, 0.51%

LAB 51.22, 16.82, -13.95

 

Description

Color code: RGB 146 124 113 | qconv.com Color code: RGB 146 124 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 124 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 124 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 23 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 23% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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