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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 116 79 it is the complementary color RGB 109 139 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 116 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 116 79: RGB 151 116 74, RGB 168 134 93, RGB 185 152 112, RGB 202 170 131 and RGB 219 188 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 116 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 116 79: RGB 146 116 79, RGB 129 98 60, RGB 112 80 41, RGB 95 62 22 and RGB 78 44 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

Complementary color

CMYK 38 / 21 / 0 / 31

HEX #6D8BB0

RGB 109 139 176

HSL 213.13, 0.3%, 0.56%

LAB 56.93, -1.09, -22.83

 

CMYK 0 / 23 / 51 / 41

HEX #97744A

RGB 151 116 74

HSL 32.73, 0.34%, 0.44%

LAB 51.34, 8.34, 28.38

 

CMYK 0 / 20 / 45 / 34

HEX #A8865D

RGB 168 134 93

HSL 32.8, 0.3%, 0.51%

LAB 58.19, 7.45, 26.97

 

CMYK 0 / 18 / 39 / 27

HEX #B99870

RGB 185 152 112

HSL 32.88, 0.34%, 0.58%

LAB 64.92, 6.72, 25.67

 

CMYK 0 / 16 / 35 / 21

HEX #CAAA83

RGB 202 170 131

HSL 32.96, 0.4%, 0.65%

LAB 71.52, 6.1, 24.46

 

CMYK 0 / 14 / 32 / 14

HEX #DBBC96

RGB 219 188 150

HSL 33.04, 0.49%, 0.72%

LAB 78.01, 5.56, 23.34

 

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

CMYK 0 / 24 / 53 / 49

HEX #81623C

RGB 129 98 60

HSL 33.04, 0.37%, 0.37%

LAB 43.84, 7.6, 26.34

 

CMYK 0 / 29 / 63 / 56

HEX #705029

RGB 112 80 41

HSL 32.96, 0.46%, 0.3%

LAB 36.63, 8.78, 27.91

 

CMYK 0 / 35 / 77 / 63

HEX #5F3E16

RGB 95 62 22

HSL 32.88, 0.62%, 0.23%

LAB 29.25, 10.33, 29.47

 

CMYK 0 / 44 / 96 / 69

HEX #4E2C03

RGB 78 44 3

HSL 32.8, 0.93%, 0.16%

LAB 21.68, 12.35, 29.75

 

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

CMYK 0 / 13 / 46 / 43

HEX #917E4E

RGB 145 126 78

HSL 42.99, 0.3%, 0.44%

LAB 53.48, 0.42, 28.74

 

CMYK 0 / 5 / 46 / 43

HEX #918A4E

RGB 145 138 78

HSL 53.73, 0.3%, 0.44%

LAB 56.83, -6.27, 32.94

 

CMYK 2 / 0 / 46 / 43

HEX #8E914E

RGB 142 145 78

HSL 62.69, 0.3%, 0.44%

LAB 58.56, -11.35, 35.01

 

CMYK 10 / 0 / 46 / 43

HEX #83914E

RGB 131 145 78

HSL 72.54, 0.3%, 0.44%

LAB 57.68, -15.99, 33.73

 

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

CMYK 0 / 20 / 46 / 23

HEX #C59D6B

RGB 197 157 107

HSL 33.33, 0.44%, 0.6%

LAB 67.31, 8.39, 31.74

 

CMYK 0 / 21 / 46 / 3

HEX #F8C586

RGB 248 197 134

HSL 33.16, 0.89%, 0.75%

LAB 82.71, 10.45, 38.43

 

CMYK 0 / 20 / 45 / 83

HEX #2C2318

RGB 44 35 24

HSL 33, 0.29%, 0.13%

LAB 14.42, 2.27, 8.99

 

CMYK 0 / 21 / 46 / 63

HEX #5F4B33

RGB 95 75 51

HSL 32.73, 0.3%, 0.29%

LAB 33.36, 4.83, 17.49

 

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

CMYK 34 / 0 / 46 / 43

HEX #5F914E

RGB 95 145 78

HSL 104.78, 0.3%, 0.44%

LAB 55.31, -30.04, 30.27

 

CMYK 39 / 46 / 0 / 43

HEX #584E91

RGB 88 78 145

HSL 248.96, 0.3%, 0.44%

LAB 37.06, 21.16, -35.72

 

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

CMYK 46 / 0 / 21 / 43

HEX #4E9173

RGB 78 145 115

HSL 153.13, 0.3%, 0.44%

LAB 55.18, -28.68, 9.39

 

CMYK 21 / 46 / 0 / 43

HEX #734E91

RGB 115 78 145

HSL 273.13, 0.3%, 0.44%

LAB 39.81, 29.06, -31.19

 

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

CMYK 34 / 0 / 46 / 43

HEX #5F914E

RGB 95 145 78

HSL 104.78, 0.3%, 0.44%

LAB 55.31, -30.04, 30.27

 

CMYK 46 / 26 / 0 / 43

HEX #4E6C91

RGB 78 108 145

HSL 213.13, 0.3%, 0.44%

LAB 44.79, -0.39, -23.65

 

CMYK 11 / 46 / 0 / 43

HEX #814E91

RGB 129 78 145

HSL 285.67, 0.3%, 0.44%

LAB 41.47, 33.38, -28.47

 

CMYK 0 / 21 / 46 / 43

HEX #92744F

RGB 146 116 79

HSL 33.13, 0.3%, 0.44%

LAB 50.88, 6.67, 24.87

 

CMYK 46 / 0 / 44 / 43

HEX #4E9151

RGB 78 145 81

HSL 122.69, 0.3%, 0.44%

LAB 54.52, -35.24, 27.47

 

CMYK 46 / 26 / 0 / 43

HEX #4E6C91

RGB 78 108 145

HSL 213.13, 0.3%, 0.44%

LAB 44.79, -0.39, -23.65

 

CMYK 0 / 46 / 2 / 43

HEX #914E8E

RGB 145 78 142

HSL 302.69, 0.3%, 0.44%

LAB 43.39, 37.8, -23.51

 

Description

Color code: RGB 146 116 79 | qconv.com Color code: RGB 146 116 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 116 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 116 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 46 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 46% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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