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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 62 66 it is the complementary color RGB 110 193 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 62 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 145 62 66: RGB 150 62 61, RGB 167 80 80, RGB 184 98 99, RGB 201 116 118 and RGB 218 134 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 62 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 145 62 66: RGB 145 62 66, RGB 128 44 47, RGB 111 26 28, RGB 94 8 9 and RGB 77 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

Complementary color

CMYK 43 / 0 / 2 / 24

HEX #6EC1BD

RGB 110 193 189

HSL 177.11, 0.4%, 0.59%

LAB 72.98, -26.21, -5.9

 

CMYK 0 / 59 / 59 / 41

HEX #963E3D

RGB 150 62 61

HSL 0.67, 0.42%, 0.41%

LAB 38.32, 36.93, 19.28

 

CMYK 0 / 52 / 52 / 35

HEX #A75050

RGB 167 80 80

HSL 0, 0.35%, 0.48%

LAB 44.99, 35.77, 16.99

 

CMYK 0 / 47 / 46 / 28

HEX #B86263

RGB 184 98 99

HSL 359.3, 0.38%, 0.55%

LAB 51.64, 34.62, 15.1

 

CMYK 0 / 42 / 41 / 21

HEX #C97476

RGB 201 116 118

HSL 358.59, 0.44%, 0.62%

LAB 58.24, 33.54, 13.51

 

CMYK 0 / 39 / 37 / 15

HEX #DA8689

RGB 218 134 137

HSL 357.86, 0.53%, 0.69%

LAB 64.77, 32.54, 12.12

 

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

CMYK 0 / 66 / 63 / 50

HEX #802C2F

RGB 128 44 47

HSL 357.86, 0.49%, 0.34%

LAB 30.87, 36.48, 17.71

 

CMYK 0 / 77 / 75 / 56

HEX #6F1A1C

RGB 111 26 28

HSL 358.59, 0.62%, 0.27%

LAB 24.33, 37.09, 21.23

 

CMYK 0 / 91 / 90 / 63

HEX #5E0809

RGB 94 8 9

HSL 359.3, 0.84%, 0.2%

LAB 18.25, 36.59, 24.24

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

CMYK 0 / 51 / 58 / 43

HEX #92483E

RGB 146 72 62

HSL 7.14, 0.4%, 0.41%

LAB 39.74, 30.2, 20.39

 

CMYK 0 / 41 / 58 / 43

HEX #92563E

RGB 146 86 62

HSL 17.14, 0.4%, 0.41%

LAB 42.94, 22.34, 24.49

 

CMYK 0 / 32 / 58 / 43

HEX #92643E

RGB 146 100 62

HSL 27.14, 0.4%, 0.41%

LAB 46.41, 14.25, 28.83

 

CMYK 0 / 22 / 58 / 43

HEX #92723E

RGB 146 114 62

HSL 37.14, 0.4%, 0.41%

LAB 50.09, 6.15, 33.3

 

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

CMYK 0 / 57 / 55 / 23

HEX #C45459

RGB 196 84 89

HSL 357.32, 0.49%, 0.55%

LAB 50.45, 45.23, 19.71

 

CMYK 0 / 57 / 55 / 3

HEX #F76A70

RGB 247 106 112

HSL 357.45, 0.9%, 0.69%

LAB 62.72, 54.49, 24.13

 

CMYK 0 / 58 / 53 / 83

HEX #2B1214

RGB 43 18 20

HSL 355.2, 0.41%, 0.12%

LAB 8.96, 13.15, 4.25

 

CMYK 0 / 57 / 54 / 63

HEX #5E282B

RGB 94 40 43

HSL 356.67, 0.4%, 0.26%

LAB 23.91, 24.96, 10.02

 

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

CMYK 9 / 0 / 58 / 43

HEX #85923E

RGB 133 146 62

HSL 69.29, 0.4%, 0.41%

LAB 57.93, -17.27, 42.14

 

CMYK 58 / 32 / 0 / 43

HEX #3E6492

RGB 62 100 146

HSL 212.86, 0.4%, 0.41%

LAB 41.55, 0.87, -29.35

 

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

CMYK 55 / 0 / 58 / 43

HEX #42923E

RGB 66 146 62

HSL 117.14, 0.4%, 0.41%

LAB 54.09, -41.93, 36.7

 

CMYK 58 / 55 / 0 / 43

HEX #3E4292

RGB 62 66 146

HSL 237.14, 0.4%, 0.41%

LAB 31.8, 22.91, -44.87

 

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

CMYK 9 / 0 / 58 / 43

HEX #85923E

RGB 133 146 62

HSL 69.29, 0.4%, 0.41%

LAB 57.93, -17.27, 42.14

 

CMYK 58 / 0 / 3 / 43

HEX #3E928E

RGB 62 146 142

HSL 177.14, 0.4%, 0.41%

LAB 55.62, -26.17, -5.54

 

CMYK 49 / 58 / 0 / 43

HEX #4B3E92

RGB 75 62 146

HSL 249.29, 0.4%, 0.41%

LAB 31.84, 28.33, -44.74

 

CMYK 0 / 57 / 54 / 43

HEX #913E42

RGB 145 62 66

HSL 357.11, 0.4%, 0.41%

LAB 37.59, 35.47, 15.04

 

CMYK 26 / 0 / 58 / 43

HEX #6C923E

RGB 108 146 62

HSL 87.14, 0.4%, 0.41%

LAB 56.18, -27.59, 39.67

 

CMYK 58 / 0 / 3 / 43

HEX #3E928E

RGB 62 146 142

HSL 177.14, 0.4%, 0.41%

LAB 55.62, -26.17, -5.54

 

CMYK 32 / 58 / 0 / 43

HEX #643E92

RGB 100 62 146

HSL 267.14, 0.4%, 0.41%

LAB 34.46, 34.5, -40.4

 

Description

Color code: RGB 145 62 66 | qconv.com Color code: RGB 145 62 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 62 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 62 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 54 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 54% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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