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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 199 148 it is the complementary color RGB 110 56 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 199 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 145 199 148: RGB 150 199 143, RGB 167 217 162, RGB 184 235 181, RGB 201 253 200 and RGB 218 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 199 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 145 199 148: RGB 145 199 148, RGB 128 181 129, RGB 111 163 110, RGB 94 145 91 and RGB 77 127 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

Complementary color

CMYK 0 / 49 / 3 / 57

HEX #6E386B

RGB 110 56 107

HSL 303.33, 0.33%, 0.33%

LAB 32.27, 31.85, -19.49

 

CMYK 25 / 0 / 28 / 22

HEX #96C78F

RGB 150 199 143

HSL 112.5, 0.33%, 0.67%

LAB 75.65, -26.82, 22.99

 

CMYK 23 / 0 / 25 / 15

HEX #A7D9A2

RGB 167 217 162

HSL 114.55, 0.42%, 0.74%

LAB 82.08, -26.62, 21.97

 

CMYK 22 / 0 / 23 / 8

HEX #B8EBB5

RGB 184 235 181

HSL 116.67, 0.57%, 0.82%

LAB 88.42, -26.44, 21

 

CMYK 21 / 0 / 21 / 1

HEX #C9FDC8

RGB 201 253 200

HSL 118.87, 0.93%, 0.89%

LAB 94.67, -26.27, 20.08

 

CMYK 15 / 0 / 14 / 0

HEX #DAFFDB

RGB 218 255 219

HSL 121.62, 1%, 0.93%

LAB 96.63, -18.45, 13.27

 

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

CMYK 29 / 0 / 29 / 29

HEX #80B581

RGB 128 181 129

HSL 121.13, 0.26%, 0.61%

LAB 68.91, -27.9, 21.07

 

CMYK 32 / 0 / 33 / 36

HEX #6FA36E

RGB 111 163 110

HSL 118.87, 0.22%, 0.54%

LAB 62.25, -28.15, 22.2

 

CMYK 35 / 0 / 37 / 43

HEX #5E915B

RGB 94 145 91

HSL 116.67, 0.23%, 0.46%

LAB 55.47, -28.4, 23.4

 

CMYK 39 / 0 / 43 / 50

HEX #4D7F48

RGB 77 127 72

HSL 114.55, 0.28%, 0.39%

LAB 48.54, -28.63, 24.7

 

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

CMYK 28 / 0 / 22 / 22

HEX #8FC69B

RGB 143 198 155

HSL 133.09, 0.33%, 0.67%

LAB 75.2, -26.58, 15.91

 

CMYK 28 / 0 / 17 / 22

HEX #8FC6A4

RGB 143 198 164

HSL 142.91, 0.33%, 0.67%

LAB 75.39, -24.88, 11.36

 

CMYK 28 / 0 / 13 / 22

HEX #8FC6AD

RGB 143 198 173

HSL 152.73, 0.33%, 0.67%

LAB 75.6, -23.09, 6.81

 

CMYK 28 / 0 / 8 / 22

HEX #8FC6B6

RGB 143 198 182

HSL 162.55, 0.33%, 0.67%

LAB 75.83, -21.22, 2.27

 

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

CMYK 27 / 0 / 26 / 2

HEX #B6FABA

RGB 182 250 186

HSL 123.53, 0.87%, 0.85%

LAB 92.51, -33.31, 24.07

 

CMYK 26 / 0 / 26 / 82

HEX #222E22

RGB 34 46 34

HSL 120, 0.15%, 0.16%

LAB 17.5, -8.12, 6.1

 

CMYK 27 / 0 / 26 / 62

HEX #476148

RGB 71 97 72

HSL 122.31, 0.15%, 0.33%

LAB 38.48, -15.29, 11.19

 

CMYK 27 / 0 / 26 / 42

HEX #6C946E

RGB 108 148 110

HSL 123, 0.16%, 0.5%

LAB 57.55, -21.7, 15.76

 

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

CMYK 28 / 7 / 0 / 22

HEX #8FB8C6

RGB 143 184 198

HSL 195.27, 0.33%, 0.67%

LAB 72.36, -10.4, -11.55

 

CMYK 0 / 28 / 18 / 22

HEX #C68FA2

RGB 198 143 162

HSL 339.27, 0.33%, 0.67%

LAB 65.17, 23.68, -1.73

 

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

CMYK 27 / 28 / 0 / 22

HEX #918FC6

RGB 145 143 198

HSL 242.18, 0.33%, 0.67%

LAB 61.43, 12.96, -28.15

 

CMYK 0 / 27 / 28 / 22

HEX #C6918F

RGB 198 145 143

HSL 2.18, 0.33%, 0.67%

LAB 65.15, 19.75, 8.95

 

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

CMYK 28 / 7 / 0 / 22

HEX #8FB8C6

RGB 143 184 198

HSL 195.27, 0.33%, 0.67%

LAB 72.36, -10.4, -11.55

 

CMYK 0 / 28 / 2 / 22

HEX #C68FC3

RGB 198 143 195

HSL 303.27, 0.33%, 0.67%

LAB 66.21, 29.39, -18.73

 

CMYK 0 / 21 / 28 / 22

HEX #C69C8F

RGB 198 156 143

HSL 14.18, 0.33%, 0.67%

LAB 67.85, 13.7, 12.77

 

CMYK 27 / 0 / 26 / 22

HEX #91C794

RGB 145 199 148

HSL 123.33, 0.33%, 0.67%

LAB 75.45, -27.66, 20.02

 

CMYK 28 / 15 / 0 / 22

HEX #8FA8C6

RGB 143 168 198

HSL 212.73, 0.33%, 0.67%

LAB 67.96, -1.75, -18.17

 

CMYK 0 / 28 / 2 / 22

HEX #C68FC3

RGB 198 143 195

HSL 303.27, 0.33%, 0.67%

LAB 66.21, 29.39, -18.73

 

CMYK 0 / 13 / 28 / 22

HEX #C6AD8F

RGB 198 173 143

HSL 32.73, 0.33%, 0.67%

LAB 72.15, 4.46, 18.76

 

Description

Color code: RGB 145 199 148 | qconv.com Color code: RGB 145 199 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 199 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 199 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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