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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 198 59 it is the complementary color RGB 110 57 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 198 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 145 198 59: RGB 150 198 54, RGB 167 216 73, RGB 184 234 92, RGB 201 252 111 and RGB 218 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 198 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 145 198 59: RGB 145 198 59, RGB 128 180 40, RGB 111 162 21, RGB 94 144 2 and RGB 77 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

Complementary color

CMYK 44 / 71 / 0 / 23

HEX #6E39C4

RGB 110 57 196

HSL 262.88, 0.55%, 0.5%

LAB 38.25, 52.55, -64.05

 

CMYK 24 / 0 / 73 / 22

HEX #96C636

RGB 150 198 54

HSL 80, 0.57%, 0.49%

LAB 74.28, -36.16, 63

 

CMYK 23 / 0 / 66 / 15

HEX #A7D849

RGB 167 216 73

HSL 80.56, 0.65%, 0.57%

LAB 80.63, -36.6, 62.71

 

CMYK 21 / 0 / 61 / 8

HEX #B8EA5C

RGB 184 234 92

HSL 81.13, 0.77%, 0.64%

LAB 86.9, -36.92, 62.04

 

CMYK 20 / 0 / 56 / 1

HEX #C9FC6F

RGB 201 252 111

HSL 81.7, 0.96%, 0.71%

LAB 93.1, -37.15, 61.16

 

CMYK 15 / 0 / 49 / 0

HEX #DAFF82

RGB 218 255 130

HSL 77.76, 1%, 0.75%

LAB 95.18, -30.48, 55.35

 

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

CMYK 29 / 0 / 78 / 29

HEX #80B428

RGB 128 180 40

HSL 82.29, 0.64%, 0.43%

LAB 67.56, -37.26, 60.75

 

CMYK 31 / 0 / 87 / 36

HEX #6FA215

RGB 111 162 21

HSL 81.7, 0.77%, 0.36%

LAB 61.02, -36.54, 59.65

 

CMYK 35 / 0 / 99 / 44

HEX #5E9002

RGB 94 144 2

HSL 81.13, 0.97%, 0.29%

LAB 54.38, -35.57, 57.16

 

CMYK 39 / 0 / 100 / 51

HEX #4D7E00

RGB 77 126 0

HSL 83.33, 1%, 0.25%

LAB 47.62, -34.16, 51.88

 

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

CMYK 38 / 0 / 71 / 23

HEX #7AC539

RGB 122 197 57

HSL 92.14, 0.55%, 0.5%

LAB 72.47, -45.78, 59.62

 

CMYK 50 / 0 / 71 / 23

HEX #63C539

RGB 99 197 57

HSL 102, 0.55%, 0.5%

LAB 71.47, -53.09, 58.28

 

CMYK 61 / 0 / 71 / 23

HEX #4CC539

RGB 76 197 57

HSL 111.86, 0.55%, 0.5%

LAB 70.71, -59.1, 57.25

 

CMYK 71 / 0 / 69 / 23

HEX #39C53E

RGB 57 197 62

HSL 122.14, 0.55%, 0.5%

LAB 70.28, -62.49, 54.74

 

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

CMYK 27 / 0 / 70 / 2

HEX #B6F94A

RGB 182 249 74

HSL 82.97, 0.94%, 0.63%

LAB 90.87, -45.49, 73.08

 

CMYK 27 / 0 / 71 / 82

HEX #212D0D

RGB 33 45 13

HSL 82.5, 0.55%, 0.11%

LAB 16.65, -11.56, 18.34

 

CMYK 27 / 0 / 70 / 62

HEX #46601D

RGB 70 96 29

HSL 83.28, 0.54%, 0.25%

LAB 37.4, -21.29, 33.89

 

CMYK 27 / 0 / 70 / 42

HEX #6C932C

RGB 108 147 44

HSL 82.72, 0.54%, 0.37%

LAB 56.32, -29.63, 47.91

 

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

CMYK 71 / 0 / 31 / 23

HEX #39C588

RGB 57 197 136

HSL 153.86, 0.55%, 0.5%

LAB 71.27, -51.18, 20.13

 

CMYK 3 / 71 / 0 / 23

HEX #C039C5

RGB 192 57 197

HSL 297.86, 0.55%, 0.5%

LAB 49.69, 69.25, -45.6

 

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

CMYK 71 / 26 / 0 / 23

HEX #3992C5

RGB 57 146 197

HSL 201.86, 0.55%, 0.5%

LAB 57.52, -9.69, -34.03

 

CMYK 0 / 71 / 26 / 23

HEX #C53992

RGB 197 57 146

HSL 321.86, 0.55%, 0.5%

LAB 48.1, 62.92, -18

 

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

CMYK 71 / 0 / 31 / 23

HEX #39C588

RGB 57 197 136

HSL 153.86, 0.55%, 0.5%

LAB 71.27, -51.18, 20.13

 

CMYK 45 / 71 / 0 / 23

HEX #6C39C5

RGB 108 57 197

HSL 261.86, 0.55%, 0.5%

LAB 38.1, 52.46, -64.88

 

CMYK 0 / 71 / 40 / 23

HEX #C53976

RGB 197 57 118

HSL 333.86, 0.55%, 0.5%

LAB 47.11, 59.7, -2.53

 

CMYK 27 / 0 / 70 / 22

HEX #91C63B

RGB 145 198 59

HSL 82.88, 0.55%, 0.5%

LAB 74.01, -37.77, 60.83

 

CMYK 71 / 0 / 10 / 23

HEX #39C5B2

RGB 57 197 178

HSL 171.86, 0.55%, 0.5%

LAB 72.24, -41.09, -1.18

 

CMYK 45 / 71 / 0 / 23

HEX #6C39C5

RGB 108 57 197

HSL 261.86, 0.55%, 0.5%

LAB 38.1, 52.46, -64.88

 

CMYK 0 / 71 / 61 / 23

HEX #C5394C

RGB 197 57 76

HSL 351.86, 0.55%, 0.5%

LAB 46.07, 56.18, 21.75

 

Description

Color code: RGB 145 198 59 | qconv.com Color code: RGB 145 198 59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 198 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 198 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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