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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 121 107 it is the complementary color RGB 110 134 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 121 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 145 121 107: RGB 150 121 102, RGB 167 139 121, RGB 184 157 140, RGB 201 175 159 and RGB 218 193 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 121 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 145 121 107: RGB 145 121 107, RGB 128 103 88, RGB 111 85 69, RGB 94 67 50 and RGB 77 49 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

Complementary color

CMYK 26 / 9 / 0 / 42

HEX #6E8694

RGB 110 134 148

HSL 202.11, 0.15%, 0.51%

LAB 54.56, -5.25, -10.33

 

CMYK 0 / 19 / 32 / 41

HEX #967966

RGB 150 121 102

HSL 23.75, 0.19%, 0.49%

LAB 53.08, 8.37, 14.68

 

CMYK 0 / 17 / 28 / 35

HEX #A78B79

RGB 167 139 121

HSL 23.48, 0.21%, 0.56%

LAB 59.94, 7.79, 13.58

 

CMYK 0 / 15 / 24 / 28

HEX #B89D8C

RGB 184 157 140

HSL 23.18, 0.24%, 0.64%

LAB 66.67, 7.28, 12.58

 

CMYK 0 / 13 / 21 / 21

HEX #C9AF9F

RGB 201 175 159

HSL 22.86, 0.28%, 0.71%

LAB 73.27, 6.84, 11.65

 

CMYK 0 / 11 / 18 / 15

HEX #DAC1B2

RGB 218 193 178

HSL 22.5, 0.35%, 0.78%

LAB 79.76, 6.45, 10.78

 

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

CMYK 0 / 20 / 31 / 50

HEX #806758

RGB 128 103 88

HSL 22.5, 0.19%, 0.42%

LAB 45.63, 7.62, 12.24

 

CMYK 0 / 23 / 38 / 56

HEX #6F5545

RGB 111 85 69

HSL 22.86, 0.23%, 0.35%

LAB 38.39, 8.34, 13.47

 

CMYK 0 / 29 / 47 / 63

HEX #5E4332

RGB 94 67 50

HSL 23.18, 0.31%, 0.28%

LAB 30.94, 9.24, 14.9

 

CMYK 0 / 36 / 60 / 70

HEX #4D311F

RGB 77 49 31

HSL 23.48, 0.43%, 0.21%

LAB 23.25, 10.44, 16.61

 

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

CMYK 0 / 12 / 26 / 44

HEX #8F7E6A

RGB 143 126 106

HSL 32.43, 0.15%, 0.49%

LAB 53.82, 3.2, 13.28

 

CMYK 0 / 8 / 26 / 44

HEX #8F846A

RGB 143 132 106

HSL 42.16, 0.15%, 0.49%

LAB 55.46, -0.2, 15.56

 

CMYK 0 / 3 / 26 / 44

HEX #8F8A6A

RGB 143 138 106

HSL 51.89, 0.15%, 0.49%

LAB 57.13, -3.56, 17.85

 

CMYK 1 / 0 / 26 / 44

HEX #8E8F6A

RGB 142 143 106

HSL 61.62, 0.15%, 0.49%

LAB 58.45, -6.73, 19.63

 

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

CMYK 0 / 16 / 26 / 23

HEX #C4A491

RGB 196 164 145

HSL 22.35, 0.3%, 0.67%

LAB 69.7, 8.84, 14.24

 

CMYK 0 / 17 / 26 / 3

HEX #F7CEB6

RGB 247 206 182

HSL 22.15, 0.8%, 0.84%

LAB 85.65, 10.94, 17.33

 

CMYK 0 / 16 / 26 / 83

HEX #2B2420

RGB 43 36 32

HSL 21.82, 0.15%, 0.15%

LAB 14.84, 2.47, 3.89

 

CMYK 0 / 17 / 27 / 63

HEX #5E4E45

RGB 94 78 69

HSL 21.6, 0.15%, 0.32%

LAB 34.51, 5.11, 7.82

 

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

CMYK 15 / 0 / 26 / 44

HEX #7A8F6A

RGB 122 143 106

HSL 94.05, 0.15%, 0.49%

LAB 56.9, -14.63, 17.27

 

CMYK 26 / 25 / 0 / 44

HEX #6A6B8F

RGB 106 107 143

HSL 238.38, 0.15%, 0.49%

LAB 46.4, 8.05, -19.81

 

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

CMYK 26 / 0 / 17 / 44

HEX #6A8F77

RGB 106 143 119

HSL 141.08, 0.15%, 0.49%

LAB 56.13, -18.05, 8.65

 

CMYK 17 / 26 / 0 / 44

HEX #776A8F

RGB 119 106 143

HSL 261.08, 0.15%, 0.49%

LAB 47.25, 12.99, -18.4

 

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

CMYK 15 / 0 / 26 / 44

HEX #7A8F6A

RGB 122 143 106

HSL 94.05, 0.15%, 0.49%

LAB 56.9, -14.63, 17.27

 

CMYK 26 / 10 / 0 / 44

HEX #6A818F

RGB 106 129 143

HSL 202.7, 0.15%, 0.49%

LAB 52.67, -4.93, -10.28

 

CMYK 11 / 26 / 0 / 44

HEX #7F6A8F

RGB 127 106 143

HSL 274.05, 0.15%, 0.49%

LAB 48.01, 15.75, -17.17

 

CMYK 0 / 17 / 26 / 43

HEX #91796B

RGB 145 121 107

HSL 22.11, 0.15%, 0.49%

LAB 52.68, 7.04, 11.14

 

CMYK 22 / 0 / 26 / 44

HEX #6F8F6A

RGB 111 143 106

HSL 111.89, 0.15%, 0.49%

LAB 56.15, -18.76, 16.12

 

CMYK 26 / 10 / 0 / 44

HEX #6A818F

RGB 106 129 143

HSL 202.7, 0.15%, 0.49%

LAB 52.67, -4.93, -10.28

 

CMYK 3 / 26 / 0 / 44

HEX #8A6A8F

RGB 138 106 143

HSL 291.89, 0.15%, 0.49%

LAB 49.12, 19.6, -15.38

 

Description

Color code: RGB 145 121 107 | qconv.com Color code: RGB 145 121 107 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 121 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 121 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 26 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 26% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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