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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 113 169 it is the complementary color RGB 110 142 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 113 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 145 113 169: RGB 150 113 164, RGB 167 131 183, RGB 184 149 202, RGB 201 167 221 and RGB 218 185 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 113 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 145 113 169: RGB 145 113 169, RGB 128 95 150, RGB 111 77 131, RGB 94 59 112 and RGB 77 41 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

Complementary color

CMYK 23 / 0 / 39 / 44

HEX #6E8E56

RGB 110 142 86

HSL 94.29, 0.25%, 0.45%

LAB 55.41, -21.84, 26.26

 

CMYK 9 / 31 / 0 / 36

HEX #9671A4

RGB 150 113 164

HSL 283.53, 0.22%, 0.54%

LAB 52.92, 24.07, -21.79

 

CMYK 9 / 28 / 0 / 28

HEX #A783B7

RGB 167 131 183

HSL 281.54, 0.27%, 0.62%

LAB 59.77, 23.41, -22.06

 

CMYK 9 / 26 / 0 / 21

HEX #B895CA

RGB 184 149 202

HSL 279.62, 0.33%, 0.69%

LAB 66.48, 22.81, -22.35

 

CMYK 9 / 24 / 0 / 13

HEX #C9A7DD

RGB 201 167 221

HSL 277.78, 0.44%, 0.76%

LAB 73.07, 22.25, -22.63

 

CMYK 9 / 23 / 0 / 6

HEX #DAB9F0

RGB 218 185 240

HSL 276, 0.65%, 0.83%

LAB 79.55, 21.74, -22.92

 

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

CMYK 15 / 37 / 0 / 41

HEX #805F96

RGB 128 95 150

HSL 276, 0.22%, 0.48%

LAB 45.6, 24.24, -25.04

 

CMYK 15 / 41 / 0 / 49

HEX #6F4D83

RGB 111 77 131

HSL 277.78, 0.26%, 0.41%

LAB 38.42, 25.05, -24.87

 

CMYK 16 / 47 / 0 / 56

HEX #5E3B70

RGB 94 59 112

HSL 279.62, 0.31%, 0.34%

LAB 31.06, 25.93, -24.7

 

CMYK 17 / 56 / 0 / 64

HEX #4D295D

RGB 77 41 93

HSL 281.54, 0.39%, 0.26%

LAB 23.52, 26.84, -24.48

 

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

CMYK 9 / 34 / 0 / 34

HEX #996FA8

RGB 153 111 168

HSL 284.21, 0.25%, 0.55%

LAB 52.91, 27.07, -24.1

 

CMYK 3 / 34 / 0 / 34

HEX #A36FA8

RGB 163 111 168

HSL 294.74, 0.25%, 0.55%

LAB 54.01, 30.36, -22.32

 

CMYK 0 / 34 / 2 / 34

HEX #A86FA5

RGB 168 111 165

HSL 303.16, 0.25%, 0.55%

LAB 54.46, 31.44, -19.84

 

CMYK 0 / 34 / 8 / 34

HEX #A86F9B

RGB 168 111 155

HSL 313.68, 0.25%, 0.55%

LAB 54.09, 29.58, -14.58

 

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

CMYK 14 / 33 / 0 / 14

HEX #BD93DC

RGB 189 147 220

HSL 274.52, 0.51%, 0.72%

LAB 67.17, 29.3, -31.24

 

CMYK 13 / 31 / 0 / 94

HEX #0E0B10

RGB 14 11 16

HSL 276, 0.19%, 0.05%

LAB 3.34, 1.74, -1.97

 

CMYK 15 / 33 / 0 / 74

HEX #392D43

RGB 57 45 67

HSL 272.73, 0.2%, 0.22%

LAB 20.64, 10.58, -11.76

 

CMYK 14 / 33 / 0 / 54

HEX #654F76

RGB 101 79 118

HSL 273.85, 0.2%, 0.39%

LAB 37.24, 17.35, -18.79

 

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

CMYK 0 / 34 / 26 / 34

HEX #A86F7C

RGB 168 111 124

HSL 346.32, 0.25%, 0.55%

LAB 53.11, 24.46, 2.14

 

CMYK 34 / 0 / 28 / 34

HEX #6FA879

RGB 111 168 121

HSL 130.53, 0.25%, 0.55%

LAB 63.97, -28.63, 18.51

 

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

CMYK 0 / 14 / 34 / 34

HEX #A8906F

RGB 168 144 111

HSL 34.74, 0.25%, 0.55%

LAB 61.15, 4.03, 20.88

 

CMYK 34 / 0 / 14 / 34

HEX #6FA890

RGB 111 168 144

HSL 154.74, 0.25%, 0.55%

LAB 64.48, -24.04, 6.51

 

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

CMYK 0 / 34 / 26 / 34

HEX #A86F7C

RGB 168 111 124

HSL 346.32, 0.25%, 0.55%

LAB 53.11, 24.46, 2.14

 

CMYK 19 / 0 / 34 / 34

HEX #88A86F

RGB 136 168 111

HSL 93.68, 0.25%, 0.55%

LAB 65.27, -21.51, 25.95

 

CMYK 34 / 0 / 8 / 34

HEX #6FA89B

RGB 111 168 155

HSL 166.32, 0.25%, 0.55%

LAB 64.76, -21.59, 0.79

 

CMYK 14 / 33 / 0 / 34

HEX #9171A9

RGB 145 113 169

HSL 274.29, 0.25%, 0.55%

LAB 52.61, 23.51, -25.21

 

CMYK 0 / 32 / 34 / 34

HEX #A8736F

RGB 168 115 111

HSL 4.21, 0.25%, 0.55%

LAB 53.74, 20.37, 10.67

 

CMYK 19 / 0 / 34 / 34

HEX #88A86F

RGB 136 168 111

HSL 93.68, 0.25%, 0.55%

LAB 65.27, -21.51, 25.95

 

CMYK 34 / 2 / 0 / 34

HEX #6FA5A8

RGB 111 165 168

HSL 183.16, 0.25%, 0.55%

LAB 64.26, -16.93, -7.23

 

Description

Color code: RGB 145 113 169 | qconv.com Color code: RGB 145 113 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 113 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 113 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 33 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 33% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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