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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 40 255 it is the complementary color RGB 111 215 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 40 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 144 40 255: RGB 149 40 250, RGB 166 58 255, RGB 183 76 255, RGB 200 94 255 and RGB 217 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 40 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 144 40 255: RGB 144 40 255, RGB 127 22 236, RGB 110 4 217, RGB 93 0 198 and RGB 76 0 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

Complementary color

CMYK 48 / 0 / 100 / 16

HEX #6FD700

RGB 111 215 0

HSL 89.02, 1%, 0.42%

LAB 77.27, -58.38, 75.64

 

CMYK 40 / 84 / 0 / 2

HEX #9528FA

RGB 149 40 250

HSL 271.14, 0.95%, 0.57%

LAB 45.37, 77.44, -83.06

 

CMYK 35 / 77 / 0 / 0

HEX #A63AFF

RGB 166 58 255

HSL 272.89, 1%, 0.61%

LAB 49.92, 75.22, -78.31

 

CMYK 28 / 70 / 0 / 0

HEX #B74CFF

RGB 183 76 255

HSL 275.87, 1%, 0.65%

LAB 54.51, 71.29, -70.76

 

CMYK 22 / 63 / 0 / 0

HEX #C85EFF

RGB 200 94 255

HSL 279.5, 1%, 0.68%

LAB 59.44, 67.03, -62.71

 

CMYK 15 / 56 / 0 / 0

HEX #D970FF

RGB 217 112 255

HSL 284.06, 1%, 0.72%

LAB 64.61, 62.67, -54.33

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 46 / 91 / 0 / 7

HEX #7F16EC

RGB 127 22 236

HSL 269.44, 0.85%, 0.51%

LAB 39.82, 76.22, -84.41

 

CMYK 49 / 98 / 0 / 15

HEX #6E04D9

RGB 110 4 217

HSL 269.86, 0.96%, 0.43%

LAB 34.83, 73.27, -81.86

 

CMYK 53 / 100 / 0 / 22

HEX #5D00C6

RGB 93 0 198

HSL 268.18, 1%, 0.39%

LAB 30.41, 68.39, -78.18

 

CMYK 58 / 100 / 0 / 30

HEX #4C00B3

RGB 76 0 179

HSL 265.47, 1%, 0.35%

LAB 26.13, 62.92, -74.08

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 29 / 84 / 0 / 0

HEX #B428FF

RGB 180 40 255

HSL 279.07, 1%, 0.58%

LAB 50.03, 82.55, -78.06

 

CMYK 16 / 84 / 0 / 0

HEX #D728FF

RGB 215 40 255

HSL 288.84, 1%, 0.58%

LAB 55.26, 87.76, -69.32

 

CMYK 2 / 84 / 0 / 0

HEX #FB28FF

RGB 251 40 255

HSL 298.88, 1%, 0.58%

LAB 61, 93.65, -59.79

 

CMYK 0 / 84 / 13 / 0

HEX #FF28DE

RGB 255 40 222

HSL 309.21, 1%, 0.58%

LAB 59.94, 89.81, -43.01

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 43 / 84 / 0 / 80

HEX #1D0833

RGB 29 8 51

HSL 269.3, 0.73%, 0.12%

LAB 6.09, 20.93, -23.63

 

CMYK 43 / 84 / 0 / 60

HEX #3A1066

RGB 58 16 102

HSL 269.3, 0.73%, 0.23%

LAB 16.65, 37.83, -41.61

 

CMYK 44 / 84 / 0 / 40

HEX #561899

RGB 86 24 153

HSL 268.84, 0.73%, 0.35%

LAB 26.54, 52.01, -57.61

 

CMYK 44 / 84 / 0 / 20

HEX #7320CC

RGB 115 32 204

HSL 268.95, 0.73%, 0.46%

LAB 36.06, 65.31, -72.28

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 0 / 84 / 58 / 0

HEX #FF286C

RGB 255 40 108

HSL 341.02, 1%, 0.58%

LAB 55.95, 78.73, 17.56

 

CMYK 84 / 0 / 77 / 0

HEX #28FF3A

RGB 40 255 58

HSL 125.02, 1%, 0.58%

LAB 88.1, -82.32, 73.98

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 0 / 44 / 84 / 0

HEX #FF9028

RGB 255 144 40

HSL 29.02, 1%, 0.58%

LAB 70.43, 35.35, 67.87

 

CMYK 84 / 0 / 44 / 0

HEX #28FF90

RGB 40 255 144

HSL 149.02, 1%, 0.58%

LAB 88.92, -72.39, 39.5

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 0 / 84 / 58 / 0

HEX #FF286C

RGB 255 40 108

HSL 341.02, 1%, 0.58%

LAB 55.95, 78.73, 17.56

 

CMYK 41 / 0 / 84 / 0

HEX #97FF28

RGB 151 255 40

HSL 89.02, 1%, 0.58%

LAB 90.9, -60.09, 82.09

 

CMYK 84 / 0 / 27 / 0

HEX #28FFBB

RGB 40 255 187

HSL 161.02, 1%, 0.58%

LAB 89.65, -63.97, 18.93

 

CMYK 44 / 84 / 0 / 0

HEX #9028FF

RGB 144 40 255

HSL 269.02, 1%, 0.58%

LAB 45.17, 77.92, -86.2

 

CMYK 0 / 84 / 83 / 0

HEX #FF282C

RGB 255 40 44

HSL 358.88, 1%, 0.58%

LAB 55.03, 76.04, 52.93

 

CMYK 41 / 0 / 84 / 0

HEX #97FF28

RGB 151 255 40

HSL 89.02, 1%, 0.58%

LAB 90.9, -60.09, 82.09

 

CMYK 84 / 0 / 2 / 0

HEX #28FFFB

RGB 40 255 251

HSL 178.88, 1%, 0.58%

LAB 91.21, -47.85, -11.91

 

Description

Color code: RGB 144 40 255 | qconv.com Color code: RGB 144 40 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 40 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 40 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 84 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 84% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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