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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 183 238 it is the complementary color RGB 111 72 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 183 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 144 183 238: RGB 149 183 233, RGB 166 201 252, RGB 183 219 255, RGB 200 237 255 and RGB 217 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 183 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 144 183 238: RGB 144 183 238, RGB 127 165 219, RGB 110 147 200, RGB 93 129 181 and RGB 76 111 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

Complementary color

CMYK 0 / 35 / 85 / 56

HEX #6F4811

RGB 111 72 17

HSL 35.11, 0.73%, 0.25%

LAB 34.1, 11.74, 37.26

 

CMYK 36 / 21 / 0 / 9

HEX #95B7E9

RGB 149 183 233

HSL 215.71, 0.66%, 0.75%

LAB 73.64, 0.53, -28.65

 

CMYK 34 / 20 / 0 / 1

HEX #A6C9FC

RGB 166 201 252

HSL 215.58, 0.93%, 0.82%

LAB 80.13, 0.24, -28.81

 

CMYK 28 / 14 / 0 / 0

HEX #B7DBFF

RGB 183 219 255

HSL 210, 1%, 0.86%

LAB 85.98, -3.83, -21.39

 

CMYK 22 / 7 / 0 / 0

HEX #C8EDFF

RGB 200 237 255

HSL 199.64, 1%, 0.89%

LAB 91.72, -8.17, -12.66

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

CMYK 42 / 25 / 0 / 14

HEX #7FA5DB

RGB 127 165 219

HSL 215.22, 0.56%, 0.68%

LAB 66.93, 0.91, -31.45

 

CMYK 45 / 27 / 0 / 22

HEX #6E93C8

RGB 110 147 200

HSL 215.33, 0.45%, 0.61%

LAB 60.21, 1.38, -31.37

 

CMYK 49 / 29 / 0 / 29

HEX #5D81B5

RGB 93 129 181

HSL 215.45, 0.37%, 0.54%

LAB 53.35, 1.95, -31.32

 

CMYK 53 / 31 / 0 / 36

HEX #4C6FA2

RGB 76 111 162

HSL 215.58, 0.36%, 0.47%

LAB 46.33, 2.65, -31.31

 

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

CMYK 39 / 30 / 0 / 7

HEX #90A7ED

RGB 144 167 237

HSL 225.16, 0.72%, 0.75%

LAB 69.24, 9.16, -37.65

 

CMYK 39 / 36 / 0 / 7

HEX #9098ED

RGB 144 152 237

HSL 234.84, 0.72%, 0.75%

LAB 65.36, 17.71, -43.72

 

CMYK 36 / 39 / 0 / 7

HEX #9890ED

RGB 152 144 237

HSL 245.16, 0.72%, 0.75%

LAB 63.95, 24.42, -45.9

 

CMYK 30 / 39 / 0 / 7

HEX #A790ED

RGB 167 144 237

HSL 254.84, 0.72%, 0.75%

LAB 65.18, 28.47, -43.87

 

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

CMYK 38 / 24 / 0 / 87

HEX #151A22

RGB 21 26 34

HSL 216.92, 0.24%, 0.11%

LAB 9.11, 0.15, -6.29

 

CMYK 40 / 24 / 0 / 67

HEX #334155

RGB 51 65 85

HSL 215.29, 0.25%, 0.27%

LAB 27.13, 0.12, -13.81

 

CMYK 40 / 23 / 0 / 47

HEX #526988

RGB 82 105 136

HSL 214.44, 0.25%, 0.43%

LAB 43.76, -0.15, -19.83

 

CMYK 40 / 23 / 0 / 27

HEX #7190BB

RGB 113 144 187

HSL 214.86, 0.35%, 0.59%

LAB 59.02, 0.2, -25.86

 

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

CMYK 8 / 39 / 0 / 7

HEX #D990ED

RGB 217 144 237

HSL 287.1, 0.72%, 0.75%

LAB 70.04, 42.91, -35.92

 

CMYK 7 / 0 / 39 / 7

HEX #DCED90

RGB 220 237 144

HSL 70.97, 0.72%, 0.75%

LAB 90.69, -19.72, 43.15

 

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

CMYK 0 / 39 / 23 / 7

HEX #ED90B7

RGB 237 144 183

HSL 334.84, 0.72%, 0.75%

LAB 70.43, 40.13, -5.24

 

CMYK 23 / 0 / 39 / 7

HEX #B7ED90

RGB 183 237 144

HSL 94.84, 0.72%, 0.75%

LAB 88.28, -33.21, 39.58

 

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

CMYK 8 / 39 / 0 / 7

HEX #D990ED

RGB 217 144 237

HSL 287.1, 0.72%, 0.75%

LAB 70.04, 42.91, -35.92

 

CMYK 0 / 16 / 39 / 7

HEX #EDC790

RGB 237 199 144

HSL 35.48, 0.72%, 0.75%

LAB 82.31, 6.09, 32.55

 

CMYK 31 / 0 / 39 / 7

HEX #A4ED90

RGB 164 237 144

HSL 107.1, 0.72%, 0.75%

LAB 87.23, -39.64, 38.01

 

CMYK 39 / 23 / 0 / 7

HEX #90B7EE

RGB 144 183 238

HSL 215.11, 0.73%, 0.75%

LAB 73.53, 0.52, -31.55

 

CMYK 0 / 39 / 3 / 7

HEX #ED90E6

RGB 237 144 230

HSL 304.52, 0.72%, 0.75%

LAB 72, 47.63, -28.87

 

CMYK 0 / 16 / 39 / 7

HEX #EDC790

RGB 237 199 144

HSL 35.48, 0.72%, 0.75%

LAB 82.31, 6.09, 32.55

 

CMYK 39 / 0 / 36 / 7

HEX #90ED98

RGB 144 237 152

HSL 125.16, 0.72%, 0.75%

LAB 86.39, -44.67, 32.72

 

Description

Color code: RGB 144 183 238 | qconv.com Color code: RGB 144 183 238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 183 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 183 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 23 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 23% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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