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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 126 163 it is the complementary color RGB 111 129 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 126 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 144 126 163: RGB 149 126 158, RGB 166 144 177, RGB 183 162 196, RGB 200 180 215 and RGB 217 198 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 126 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 144 126 163: RGB 144 126 163, RGB 127 108 144, RGB 110 90 125, RGB 93 72 106 and RGB 76 54 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

Complementary color

CMYK 14 / 0 / 29 / 49

HEX #6F815C

RGB 111 129 92

HSL 89.19, 0.17%, 0.43%

LAB 51.67, -13.68, 17.95

 

CMYK 6 / 20 / 0 / 38

HEX #957E9E

RGB 149 126 158

HSL 283.13, 0.14%, 0.56%

LAB 55.87, 14.92, -13.83

 

CMYK 6 / 19 / 0 / 31

HEX #A690B1

RGB 166 144 177

HSL 280, 0.17%, 0.63%

LAB 62.7, 14.44, -14.22

 

CMYK 7 / 17 / 0 / 23

HEX #B7A2C4

RGB 183 162 196

HSL 277.06, 0.22%, 0.7%

LAB 69.39, 14.01, -14.61

 

CMYK 7 / 16 / 0 / 16

HEX #C8B4D7

RGB 200 180 215

HSL 274.29, 0.3%, 0.77%

LAB 75.96, 13.61, -14.99

 

CMYK 7 / 15 / 0 / 8

HEX #D9C6EA

RGB 217 198 234

HSL 271.67, 0.46%, 0.85%

LAB 82.42, 13.24, -15.38

 

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

CMYK 12 / 25 / 0 / 44

HEX #7F6C90

RGB 127 108 144

HSL 271.67, 0.14%, 0.49%

LAB 48.57, 14.78, -16.91

 

CMYK 12 / 28 / 0 / 51

HEX #6E5A7D

RGB 110 90 125

HSL 274.29, 0.16%, 0.42%

LAB 41.39, 15.36, -16.63

 

CMYK 12 / 32 / 0 / 58

HEX #5D486A

RGB 93 72 106

HSL 277.06, 0.19%, 0.35%

LAB 33.99, 16.03, -16.37

 

CMYK 13 / 38 / 0 / 66

HEX #4C3657

RGB 76 54 87

HSL 280, 0.23%, 0.28%

LAB 26.34, 16.8, -16.13

 

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

CMYK 8 / 23 / 0 / 36

HEX #967EA3

RGB 150 126 163

HSL 278.92, 0.17%, 0.57%

LAB 56.14, 16.32, -16.3

 

CMYK 4 / 23 / 0 / 36

HEX #9D7EA3

RGB 157 126 163

HSL 290.27, 0.17%, 0.57%

LAB 56.82, 18.74, -15.21

 

CMYK 0 / 23 / 0 / 36

HEX #A37EA3

RGB 163 126 163

HSL 300, 0.17%, 0.57%

LAB 57.42, 20.83, -14.24

 

CMYK 0 / 23 / 3 / 36

HEX #A37E9E

RGB 163 126 158

HSL 308.11, 0.17%, 0.57%

LAB 57.25, 19.86, -11.61

 

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

CMYK 12 / 23 / 0 / 16

HEX #BDA5D6

RGB 189 165 214

HSL 269.39, 0.37%, 0.74%

LAB 71.27, 18.03, -21.64

 

CMYK 10 / 20 / 0 / 96

HEX #09080A

RGB 9 8 10

HSL 270, 0.11%, 0.04%

LAB 2.29, 0.54, -0.67

 

CMYK 11 / 23 / 0 / 76

HEX #362F3D

RGB 54 47 61

HSL 270, 0.13%, 0.21%

LAB 20.65, 6.45, -7.68

 

CMYK 12 / 22 / 0 / 56

HEX #635770

RGB 99 87 112

HSL 268.8, 0.13%, 0.39%

LAB 38.97, 10.22, -12.45

 

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

CMYK 0 / 23 / 15 / 36

HEX #A37E8A

RGB 163 126 138

HSL 340.54, 0.17%, 0.57%

LAB 56.63, 16.25, -0.97

 

CMYK 23 / 0 / 21 / 36

HEX #7EA381

RGB 126 163 129

HSL 124.86, 0.17%, 0.57%

LAB 63.52, -19.59, 13.61

 

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

CMYK 0 / 12 / 23 / 36

HEX #A3907E

RGB 163 144 126

HSL 29.19, 0.17%, 0.57%

LAB 60.99, 4.14, 12.16

 

CMYK 23 / 0 / 12 / 36

HEX #7EA390

RGB 126 163 144

HSL 149.19, 0.17%, 0.57%

LAB 63.87, -16.67, 5.75

 

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

CMYK 0 / 23 / 15 / 36

HEX #A37E8A

RGB 163 126 138

HSL 340.54, 0.17%, 0.57%

LAB 56.63, 16.25, -0.97

 

CMYK 11 / 0 / 23 / 36

HEX #91A37E

RGB 145 163 126

HSL 89.19, 0.17%, 0.57%

LAB 64.74, -13.2, 17.16

 

CMYK 23 / 0 / 7 / 36

HEX #7EA398

RGB 126 163 152

HSL 162.16, 0.17%, 0.57%

LAB 64.08, -14.99, 1.57

 

CMYK 12 / 23 / 0 / 36

HEX #907EA3

RGB 144 126 163

HSL 269.19, 0.17%, 0.57%

LAB 55.58, 14.26, -17.2

 

CMYK 0 / 23 / 22 / 36

HEX #A37E7F

RGB 163 126 127

HSL 358.38, 0.17%, 0.57%

LAB 56.33, 14.46, 4.96

 

CMYK 11 / 0 / 23 / 36

HEX #91A37E

RGB 145 163 126

HSL 89.19, 0.17%, 0.57%

LAB 64.74, -13.2, 17.16

 

CMYK 23 / 0 / 0 / 36

HEX #7EA3A3

RGB 126 163 163

HSL 180, 0.17%, 0.57%

LAB 64.38, -12.55, -4.15

 

Description

Color code: RGB 144 126 163 | qconv.com Color code: RGB 144 126 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 126 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 126 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 23 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 23% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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