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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 116 180 it is the complementary color RGB 111 139 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 116 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 144 116 180: RGB 149 116 175, RGB 166 134 194, RGB 183 152 213, RGB 200 170 232 and RGB 217 188 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 116 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 144 116 180: RGB 144 116 180, RGB 127 98 161, RGB 110 80 142, RGB 93 62 123 and RGB 76 44 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

Complementary color

CMYK 20 / 0 / 46 / 45

HEX #6F8B4B

RGB 111 139 75

HSL 86.25, 0.3%, 0.42%

LAB 54.4, -21.41, 30.93

 

CMYK 15 / 34 / 0 / 31

HEX #9574AF

RGB 149 116 175

HSL 273.56, 0.27%, 0.57%

LAB 54, 24.41, -26.51

 

CMYK 14 / 31 / 0 / 24

HEX #A686C2

RGB 166 134 194

HSL 272, 0.33%, 0.64%

LAB 60.83, 23.74, -26.68

 

CMYK 14 / 29 / 0 / 16

HEX #B798D5

RGB 183 152 213

HSL 270.49, 0.42%, 0.72%

LAB 67.52, 23.13, -26.87

 

CMYK 14 / 27 / 0 / 9

HEX #C8AAE8

RGB 200 170 232

HSL 269.03, 0.57%, 0.79%

LAB 74.1, 22.57, -27.07

 

CMYK 14 / 25 / 0 / 2

HEX #D9BCFB

RGB 217 188 251

HSL 267.62, 0.89%, 0.86%

LAB 80.56, 22.05, -27.29

 

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

CMYK 21 / 39 / 0 / 37

HEX #7F62A1

RGB 127 98 161

HSL 267.62, 0.25%, 0.51%

LAB 46.74, 24.74, -29.79

 

CMYK 23 / 44 / 0 / 44

HEX #6E508E

RGB 110 80 142

HSL 269.03, 0.28%, 0.44%

LAB 39.59, 25.59, -29.76

 

CMYK 24 / 50 / 0 / 52

HEX #5D3E7B

RGB 93 62 123

HSL 270.49, 0.33%, 0.36%

LAB 32.26, 26.52, -29.74

 

CMYK 27 / 58 / 0 / 59

HEX #4C2C68

RGB 76 44 104

HSL 272, 0.41%, 0.29%

LAB 24.76, 27.53, -29.7

 

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

CMYK 14 / 36 / 0 / 29

HEX #9A73B4

RGB 154 115 180

HSL 276, 0.3%, 0.58%

LAB 54.48, 27.7, -28.61

 

CMYK 8 / 36 / 0 / 29

HEX #A573B4

RGB 165 115 180

HSL 286.15, 0.3%, 0.58%

LAB 55.64, 31.21, -26.72

 

CMYK 3 / 36 / 0 / 29

HEX #AF73B4

RGB 175 115 180

HSL 295.38, 0.3%, 0.58%

LAB 56.75, 34.42, -24.91

 

CMYK 0 / 36 / 4 / 29

HEX #B473AD

RGB 180 115 173

HSL 306.46, 0.3%, 0.58%

LAB 57.06, 34.72, -20.37

 

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

CMYK 20 / 35 / 0 / 9

HEX #B995E7

RGB 185 149 231

HSL 266.34, 0.63%, 0.75%

LAB 67.71, 29.4, -36.5

 

CMYK 19 / 37 / 0 / 89

HEX #16111B

RGB 22 17 27

HSL 270, 0.23%, 0.09%

LAB 5.88, 4.54, -5.83

 

CMYK 21 / 36 / 0 / 69

HEX #3E324E

RGB 62 50 78

HSL 265.71, 0.22%, 0.25%

LAB 23.19, 12, -15.19

 

CMYK 20 / 36 / 0 / 49

HEX #675381

RGB 103 83 129

HSL 266.09, 0.22%, 0.42%

LAB 38.99, 18.24, -22.82

 

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

CMYK 0 / 36 / 23 / 29

HEX #B4738B

RGB 180 115 139

HSL 337.85, 0.3%, 0.58%

LAB 55.92, 28.98, -2.37

 

CMYK 36 / 0 / 35 / 29

HEX #73B475

RGB 115 180 117

HSL 121.85, 0.3%, 0.58%

LAB 67.7, -33.73, 25.76

 

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

CMYK 0 / 21 / 36 / 29

HEX #B48F73

RGB 180 143 115

HSL 25.85, 0.3%, 0.58%

LAB 62.16, 10.01, 20.22

 

CMYK 36 / 0 / 21 / 29

HEX #73B48F

RGB 115 180 143

HSL 145.85, 0.3%, 0.58%

LAB 68.22, -28.94, 12.4

 

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

CMYK 0 / 36 / 23 / 29

HEX #B4738B

RGB 180 115 139

HSL 337.85, 0.3%, 0.58%

LAB 55.92, 28.98, -2.37

 

CMYK 16 / 0 / 36 / 29

HEX #98B473

RGB 152 180 115

HSL 85.85, 0.3%, 0.58%

LAB 69.86, -20.95, 30.08

 

CMYK 36 / 0 / 13 / 29

HEX #73B49C

RGB 115 180 156

HSL 157.85, 0.3%, 0.58%

LAB 68.52, -26.21, 5.7

 

CMYK 20 / 36 / 0 / 29

HEX #9074B4

RGB 144 116 180

HSL 266.25, 0.3%, 0.58%

LAB 53.72, 23.98, -29.86

 

CMYK 0 / 36 / 33 / 29

HEX #B47378

RGB 180 115 120

HSL 355.38, 0.3%, 0.58%

LAB 55.4, 26.28, 7.96

 

CMYK 16 / 0 / 36 / 29

HEX #98B473

RGB 152 180 115

HSL 85.85, 0.3%, 0.58%

LAB 69.86, -20.95, 30.08

 

CMYK 36 / 0 / 3 / 29

HEX #73B4AF

RGB 115 180 175

HSL 175.38, 0.3%, 0.58%

LAB 69.03, -21.85, -4.03

 

Description

Color code: RGB 144 116 180 | qconv.com Color code: RGB 144 116 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 116 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 116 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 36 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 36% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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