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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 51 23 it is the complementary color RGB 112 204 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 51 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 51 23: RGB 148 51 18, RGB 165 69 37, RGB 182 87 56, RGB 199 105 75 and RGB 216 123 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 51 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 51 23: RGB 143 51 23, RGB 126 33 4, RGB 109 15 0, RGB 92 0 0 and RGB 75 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

Complementary color

CMYK 52 / 12 / 0 / 9

HEX #70CCE8

RGB 112 204 232

HSL 194, 0.72%, 0.67%

LAB 77.55, -19.88, -22.28

 

CMYK 0 / 66 / 88 / 42

HEX #943312

RGB 148 51 18

HSL 15.23, 0.78%, 0.33%

LAB 35.41, 39.3, 40.27

 

CMYK 0 / 58 / 78 / 35

HEX #A54525

RGB 165 69 37

HSL 15, 0.63%, 0.4%

LAB 41.83, 37.76, 38.02

 

CMYK 0 / 52 / 69 / 29

HEX #B65738

RGB 182 87 56

HSL 14.76, 0.53%, 0.47%

LAB 48.32, 36.2, 35.65

 

CMYK 0 / 47 / 62 / 22

HEX #C7694B

RGB 199 105 75

HSL 14.52, 0.53%, 0.54%

LAB 54.82, 34.71, 33.47

 

CMYK 0 / 43 / 56 / 15

HEX #D87B5E

RGB 216 123 94

HSL 14.26, 0.61%, 0.61%

LAB 61.28, 33.35, 31.53

 

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

CMYK 0 / 74 / 97 / 51

HEX #7E2104

RGB 126 33 4

HSL 14.26, 0.94%, 0.25%

LAB 28.2, 38.81, 38.62

 

CMYK 0 / 86 / 100 / 57

HEX #6D0F00

RGB 109 15 0

HSL 8.26, 1%, 0.21%

LAB 22.28, 39.25, 33.37

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

CMYK 0 / 50 / 84 / 44

HEX #904817

RGB 144 72 23

HSL 24.3, 0.72%, 0.33%

LAB 38.94, 27.07, 40.88

 

CMYK 0 / 36 / 84 / 44

HEX #905C17

RGB 144 92 23

HSL 34.21, 0.72%, 0.33%

LAB 43.72, 15.66, 45.16

 

CMYK 0 / 22 / 84 / 44

HEX #907017

RGB 144 112 23

HSL 44.13, 0.72%, 0.33%

LAB 48.98, 4.08, 49.78

 

CMYK 0 / 8 / 84 / 44

HEX #908417

RGB 144 132 23

HSL 54.05, 0.72%, 0.33%

LAB 54.55, -7.15, 54.58

 

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

CMYK 0 / 64 / 84 / 24

HEX #C2451F

RGB 194 69 31

HSL 13.99, 0.72%, 0.44%

LAB 46.74, 48.3, 47.42

 

CMYK 0 / 64 / 84 / 4

HEX #F55727

RGB 245 87 39

HSL 13.98, 0.91%, 0.56%

LAB 58.39, 58.46, 57.48

 

CMYK 0 / 63 / 83 / 84

HEX #290F07

RGB 41 15 7

HSL 14.12, 0.71%, 0.09%

LAB 7.48, 12.68, 8.59

 

CMYK 0 / 64 / 84 / 64

HEX #5C210F

RGB 92 33 15

HSL 14.03, 0.72%, 0.21%

LAB 21.57, 25.95, 25.15

 

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

CMYK 36 / 0 / 84 / 44

HEX #5C9017

RGB 92 144 23

HSL 85.79, 0.72%, 0.33%

LAB 54.33, -35.71, 52.91

 

CMYK 84 / 70 / 0 / 44

HEX #172B90

RGB 23 43 144

HSL 230.08, 0.72%, 0.33%

LAB 23.42, 31.93, -57.4

 

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

CMYK 84 / 0 / 65 / 44

HEX #179033

RGB 23 144 51

HSL 133.88, 0.72%, 0.33%

LAB 52.25, -51.08, 39.56

 

CMYK 65 / 84 / 0 / 44

HEX #331790

RGB 51 23 144

HSL 253.88, 0.72%, 0.33%

LAB 21.32, 45.74, -60.8

 

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

CMYK 36 / 0 / 84 / 44

HEX #5C9017

RGB 92 144 23

HSL 85.79, 0.72%, 0.33%

LAB 54.33, -35.71, 52.91

 

CMYK 84 / 19 / 0 / 44

HEX #177490

RGB 23 116 144

HSL 193.88, 0.72%, 0.33%

LAB 45.2, -15.55, -22.58

 

CMYK 47 / 84 / 0 / 44

HEX #4C1790

RGB 76 23 144

HSL 266.28, 0.72%, 0.33%

LAB 24.2, 48.73, -55.95

 

CMYK 0 / 64 / 84 / 44

HEX #8F3317

RGB 143 51 23

HSL 14, 0.72%, 0.33%

LAB 34.54, 37.56, 36.77

 

CMYK 62 / 0 / 84 / 44

HEX #379017

RGB 55 144 23

HSL 104.13, 0.72%, 0.33%

LAB 52.75, -47.6, 50.9

 

CMYK 84 / 19 / 0 / 44

HEX #177490

RGB 23 116 144

HSL 193.88, 0.72%, 0.33%

LAB 45.2, -15.55, -22.58

 

CMYK 22 / 84 / 0 / 44

HEX #701790

RGB 112 23 144

HSL 284.13, 0.72%, 0.33%

LAB 29.59, 54.48, -46.93

 

Description

Color code: RGB 143 51 23 | qconv.com Color code: RGB 143 51 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 51 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 51 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 84 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 84% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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