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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 39 23 it is the complementary color RGB 112 216 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 39 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 39 23: RGB 148 39 18, RGB 165 57 37, RGB 182 75 56, RGB 199 93 75 and RGB 216 111 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 39 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 39 23: RGB 143 39 23, RGB 126 21 4, RGB 109 3 0, RGB 92 0 0 and RGB 75 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

Complementary color

CMYK 52 / 7 / 0 / 9

HEX #70D8E8

RGB 112 216 232

HSL 188, 0.72%, 0.67%

LAB 80.95, -25.89, -17.14

 

CMYK 0 / 74 / 88 / 42

HEX #942712

RGB 148 39 18

HSL 9.69, 0.78%, 0.33%

LAB 33.54, 44.38, 38.69

 

CMYK 0 / 65 / 78 / 35

HEX #A53925

RGB 165 57 37

HSL 9.38, 0.63%, 0.4%

LAB 39.68, 43.44, 35.78

 

CMYK 0 / 59 / 69 / 29

HEX #B64B38

RGB 182 75 56

HSL 9.05, 0.53%, 0.47%

LAB 45.99, 42.19, 32.95

 

CMYK 0 / 53 / 62 / 22

HEX #C75D4B

RGB 199 93 75

HSL 8.71, 0.53%, 0.54%

LAB 52.37, 40.87, 30.46

 

CMYK 0 / 49 / 56 / 15

HEX #D86F5E

RGB 216 111 94

HSL 8.36, 0.61%, 0.61%

LAB 58.77, 39.57, 28.3

 

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

CMYK 0 / 83 / 97 / 51

HEX #7E1504

RGB 126 21 4

HSL 8.36, 0.94%, 0.25%

LAB 26.68, 43.04, 37.31

 

CMYK 0 / 97 / 100 / 57

HEX #6D0300

RGB 109 3 0

HSL 1.65, 1%, 0.21%

LAB 21.27, 42.13, 32.29

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

CMYK 0 / 59 / 84 / 44

HEX #903B17

RGB 144 59 23

HSL 17.85, 0.72%, 0.33%

LAB 36.21, 34.01, 38.38

 

CMYK 0 / 44 / 84 / 44

HEX #905017

RGB 144 80 23

HSL 28.26, 0.72%, 0.33%

LAB 40.78, 22.57, 42.54

 

CMYK 0 / 31 / 84 / 44

HEX #906417

RGB 144 100 23

HSL 38.18, 0.72%, 0.33%

LAB 45.78, 11.01, 46.98

 

CMYK 0 / 17 / 84 / 44

HEX #907817

RGB 144 120 23

HSL 48.1, 0.72%, 0.33%

LAB 51.18, -0.47, 51.69

 

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

CMYK 0 / 73 / 84 / 24

HEX #C2351F

RGB 194 53 31

HSL 8.1, 0.72%, 0.44%

LAB 44.4, 54.68, 45.33

 

CMYK 0 / 73 / 84 / 4

HEX #F54327

RGB 245 67 39

HSL 8.16, 0.91%, 0.56%

LAB 55.66, 65.92, 55.13

 

CMYK 0 / 73 / 83 / 84

HEX #290B07

RGB 41 11 7

HSL 7.06, 0.71%, 0.09%

LAB 6.56, 14.91, 7.24

 

CMYK 0 / 73 / 84 / 64

HEX #5C190F

RGB 92 25 15

HSL 7.79, 0.72%, 0.21%

LAB 20.06, 29.97, 23.49

 

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

CMYK 28 / 0 / 84 / 44

HEX #689017

RGB 104 144 23

HSL 79.83, 0.72%, 0.33%

LAB 55.02, -31, 53.79

 

CMYK 84 / 62 / 0 / 44

HEX #173790

RGB 23 55 144

HSL 224.13, 0.72%, 0.33%

LAB 26.53, 23.78, -52.29

 

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

CMYK 84 / 0 / 73 / 44

HEX #179027

RGB 23 144 39

HSL 127.93, 0.72%, 0.33%

LAB 52.15, -52.36, 44.61

 

CMYK 73 / 84 / 0 / 44

HEX #271790

RGB 39 23 144

HSL 247.93, 0.72%, 0.33%

LAB 20.27, 44.67, -62.56

 

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

CMYK 28 / 0 / 84 / 44

HEX #689017

RGB 104 144 23

HSL 79.83, 0.72%, 0.33%

LAB 55.02, -31, 53.79

 

CMYK 84 / 11 / 0 / 44

HEX #178090

RGB 23 128 144

HSL 187.93, 0.72%, 0.33%

LAB 49.05, -22.07, -16.67

 

CMYK 56 / 84 / 0 / 44

HEX #3F1790

RGB 63 23 144

HSL 259.83, 0.72%, 0.33%

LAB 22.6, 47.05, -58.65

 

CMYK 0 / 73 / 84 / 44

HEX #8F2717

RGB 143 39 23

HSL 8, 0.72%, 0.33%

LAB 32.6, 42.81, 34.94

 

CMYK 53 / 0 / 84 / 44

HEX #439017

RGB 67 144 23

HSL 98.18, 0.72%, 0.33%

LAB 53.17, -44.26, 51.43

 

CMYK 84 / 11 / 0 / 44

HEX #178090

RGB 23 128 144

HSL 187.93, 0.72%, 0.33%

LAB 49.05, -22.07, -16.67

 

CMYK 31 / 84 / 0 / 44

HEX #641790

RGB 100 23 144

HSL 278.18, 0.72%, 0.33%

LAB 27.67, 52.41, -50.13

 

Description

Color code: RGB 143 39 23 | qconv.com Color code: RGB 143 39 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 39 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 39 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 84 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 84% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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