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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 199 98 it is the complementary color RGB 112 56 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 199 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 199 98: RGB 148 199 93, RGB 165 217 112, RGB 182 235 131, RGB 199 253 150 and RGB 216 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 199 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 199 98: RGB 143 199 98, RGB 126 181 79, RGB 109 163 60, RGB 92 145 41 and RGB 75 127 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

Complementary color

CMYK 29 / 64 / 0 / 38

HEX #70389D

RGB 112 56 157

HSL 273.27, 0.47%, 0.42%

LAB 35.41, 43.58, -45.47

 

CMYK 26 / 0 / 53 / 22

HEX #94C75D

RGB 148 199 93

HSL 88.87, 0.49%, 0.57%

LAB 74.78, -34.25, 47.2

 

CMYK 24 / 0 / 48 / 15

HEX #A5D970

RGB 165 217 112

HSL 89.71, 0.58%, 0.65%

LAB 81.18, -34.28, 46.07

 

CMYK 23 / 0 / 44 / 8

HEX #B6EB83

RGB 182 235 131

HSL 90.58, 0.72%, 0.72%

LAB 87.49, -34.26, 44.93

 

CMYK 21 / 0 / 41 / 1

HEX #C7FD96

RGB 199 253 150

HSL 91.46, 0.96%, 0.79%

LAB 93.71, -34.22, 43.8

 

CMYK 15 / 0 / 34 / 0

HEX #D8FFA9

RGB 216 255 169

HSL 87.21, 1%, 0.83%

LAB 95.57, -26.74, 37.09

 

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

CMYK 30 / 0 / 56 / 29

HEX #7EB54F

RGB 126 181 79

HSL 92.35, 0.41%, 0.51%

LAB 68.06, -35.51, 45.58

 

CMYK 33 / 0 / 63 / 36

HEX #6DA33C

RGB 109 163 60

HSL 91.46, 0.46%, 0.44%

LAB 61.46, -35.39, 46.57

 

CMYK 37 / 0 / 72 / 43

HEX #5C9129

RGB 92 145 41

HSL 90.58, 0.56%, 0.36%

LAB 54.75, -35.11, 47.21

 

CMYK 41 / 0 / 83 / 50

HEX #4B7F16

RGB 75 127 22

HSL 89.71, 0.7%, 0.29%

LAB 47.92, -34.58, 47.06

 

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

CMYK 36 / 0 / 51 / 22

HEX #7EC661

RGB 126 198 97

HSL 102.77, 0.47%, 0.58%

LAB 73.34, -41.08, 43.27

 

CMYK 45 / 0 / 51 / 22

HEX #6DC661

RGB 109 198 97

HSL 112.87, 0.47%, 0.58%

LAB 72.56, -46.46, 42.14

 

CMYK 51 / 0 / 48 / 22

HEX #61C666

RGB 97 198 102

HSL 122.97, 0.47%, 0.58%

LAB 72.15, -49.19, 39.08

 

CMYK 51 / 0 / 40 / 22

HEX #61C677

RGB 97 198 119

HSL 133.07, 0.47%, 0.58%

LAB 72.4, -46.57, 30.78

 

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

CMYK 28 / 0 / 51 / 2

HEX #B4FA7B

RGB 180 250 123

HSL 93.07, 0.93%, 0.73%

LAB 91.46, -42.58, 53.56

 

CMYK 28 / 0 / 50 / 82

HEX #212E17

RGB 33 46 23

HSL 93.91, 0.33%, 0.14%

LAB 17.18, -10.74, 13.07

 

CMYK 28 / 0 / 51 / 62

HEX #466130

RGB 70 97 48

HSL 93.06, 0.34%, 0.28%

LAB 37.96, -19.72, 24.65

 

CMYK 28 / 0 / 51 / 42

HEX #6A9449

RGB 106 148 73

HSL 93.6, 0.34%, 0.43%

LAB 56.81, -28.1, 34.87

 

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

CMYK 51 / 0 / 13 / 22

HEX #61C6AD

RGB 97 198 173

HSL 165.15, 0.47%, 0.58%

LAB 73.51, -35.59, 3.52

 

CMYK 0 / 51 / 8 / 22

HEX #C661B7

RGB 198 97 183

HSL 308.91, 0.47%, 0.58%

LAB 56.06, 51.52, -27.47

 

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

CMYK 51 / 28 / 0 / 22

HEX #618EC6

RGB 97 142 198

HSL 213.27, 0.47%, 0.58%

LAB 58, 0.5, -33.72

 

CMYK 0 / 51 / 28 / 22

HEX #C6618E

RGB 198 97 142

HSL 333.27, 0.47%, 0.58%

LAB 54.56, 45.3, -5.87

 

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

CMYK 51 / 0 / 13 / 22

HEX #61C6AD

RGB 97 198 173

HSL 165.15, 0.47%, 0.58%

LAB 73.51, -35.59, 3.52

 

CMYK 23 / 51 / 0 / 22

HEX #9861C6

RGB 152 97 198

HSL 272.67, 0.47%, 0.58%

LAB 51.04, 41.41, -44.38

 

CMYK 0 / 51 / 38 / 22

HEX #C6617A

RGB 198 97 122

HSL 345.15, 0.47%, 0.58%

LAB 53.98, 42.8, 5.09

 

CMYK 28 / 0 / 51 / 22

HEX #8FC762

RGB 143 199 98

HSL 93.27, 0.47%, 0.58%

LAB 74.55, -35.53, 44.47

 

CMYK 51 / 3 / 0 / 22

HEX #61C1C6

RGB 97 193 198

HSL 182.97, 0.47%, 0.58%

LAB 72.73, -26.86, -11.22

 

CMYK 23 / 51 / 0 / 22

HEX #9861C6

RGB 152 97 198

HSL 272.67, 0.47%, 0.58%

LAB 51.04, 41.41, -44.38

 

CMYK 0 / 48 / 51 / 22

HEX #C66661

RGB 198 102 97

HSL 2.97, 0.47%, 0.58%

LAB 54.42, 37.65, 20.38

 

Description

Color code: RGB 143 199 98 | qconv.com Color code: RGB 143 199 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 199 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 199 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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