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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 192 77 it is the complementary color RGB 112 63 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 192 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 192 77: RGB 148 192 72, RGB 165 210 91, RGB 182 228 110, RGB 199 246 129 and RGB 216 255 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 192 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 192 77: RGB 143 192 77, RGB 126 174 58, RGB 109 156 39, RGB 92 138 20 and RGB 75 120 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

Complementary color

CMYK 37 / 65 / 0 / 30

HEX #703FB2

RGB 112 63 178

HSL 265.57, 0.48%, 0.47%

LAB 38.22, 45.17, -53.5

 

CMYK 23 / 0 / 63 / 25

HEX #94C048

RGB 148 192 72

HSL 82, 0.49%, 0.52%

LAB 72.54, -32.95, 54.13

 

CMYK 21 / 0 / 57 / 18

HEX #A5D25B

RGB 165 210 91

HSL 82.69, 0.57%, 0.59%

LAB 78.95, -33.18, 53.24

 

CMYK 20 / 0 / 52 / 11

HEX #B6E46E

RGB 182 228 110

HSL 83.39, 0.69%, 0.66%

LAB 85.28, -33.33, 52.2

 

CMYK 19 / 0 / 48 / 4

HEX #C7F681

RGB 199 246 129

HSL 84.1, 0.87%, 0.74%

LAB 91.52, -33.42, 51.1

 

CMYK 15 / 0 / 42 / 0

HEX #D8FF94

RGB 216 255 148

HSL 81.87, 1%, 0.79%

LAB 95.27, -29.32, 46.96

 

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

CMYK 28 / 0 / 67 / 32

HEX #7EAE3A

RGB 126 174 58

HSL 84.83, 0.5%, 0.45%

LAB 65.76, -34.18, 52.35

 

CMYK 30 / 0 / 75 / 39

HEX #6D9C27

RGB 109 156 39

HSL 84.1, 0.6%, 0.38%

LAB 59.14, -33.77, 52.66

 

CMYK 33 / 0 / 86 / 46

HEX #5C8A14

RGB 92 138 20

HSL 83.39, 0.75%, 0.31%

LAB 52.4, -33.13, 52

 

CMYK 38 / 0 / 99 / 53

HEX #4B7801

RGB 75 120 1

HSL 82.69, 0.98%, 0.24%

LAB 45.54, -32.21, 50

 

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

CMYK 35 / 0 / 60 / 25

HEX #7DC04D

RGB 125 192 77

HSL 94.96, 0.48%, 0.53%

LAB 71.28, -40.97, 50.18

 

CMYK 45 / 0 / 60 / 25

HEX #6AC04D

RGB 106 192 77

HSL 104.87, 0.48%, 0.53%

LAB 70.39, -47.22, 48.93

 

CMYK 55 / 0 / 60 / 25

HEX #57C04D

RGB 87 192 77

HSL 114.78, 0.48%, 0.53%

LAB 69.66, -52.65, 47.9

 

CMYK 60 / 0 / 55 / 25

HEX #4DC057

RGB 77 192 87

HSL 125.22, 0.48%, 0.53%

LAB 69.44, -53.9, 42.92

 

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

CMYK 26 / 0 / 60 / 5

HEX #B5F361

RGB 181 243 97

HSL 85.48, 0.86%, 0.67%

LAB 89.29, -41.63, 62.54

 

CMYK 26 / 0 / 59 / 85

HEX #1D2710

RGB 29 39 16

HSL 86.09, 0.42%, 0.11%

LAB 14.11, -9.45, 13.49

 

CMYK 26 / 0 / 60 / 65

HEX #435A24

RGB 67 90 36

HSL 85.56, 0.43%, 0.25%

LAB 35.27, -18.75, 27.96

 

CMYK 26 / 0 / 60 / 45

HEX #698D39

RGB 105 141 57

HSL 85.71, 0.42%, 0.39%

LAB 54.39, -26.84, 39.99

 

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

CMYK 60 / 0 / 23 / 25

HEX #4DC094

RGB 77 192 148

HSL 157.04, 0.48%, 0.53%

LAB 70.47, -42.98, 12.63

 

CMYK 0 / 60 / 1 / 25

HEX #C04DBE

RGB 192 77 190

HSL 301.04, 0.48%, 0.53%

LAB 52.1, 60.31, -37.75

 

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

CMYK 60 / 25 / 0 / 25

HEX #4D90C0

RGB 77 144 192

HSL 205.04, 0.48%, 0.53%

LAB 57.4, -6.84, -31.34

 

CMYK 0 / 60 / 25 / 25

HEX #C04D90

RGB 192 77 144

HSL 325.04, 0.48%, 0.53%

LAB 50.13, 53.2, -13.78

 

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

CMYK 60 / 0 / 23 / 25

HEX #4DC094

RGB 77 192 148

HSL 157.04, 0.48%, 0.53%

LAB 70.47, -42.98, 12.63

 

CMYK 35 / 60 / 0 / 25

HEX #7D4DC0

RGB 125 77 192

HSL 265.04, 0.48%, 0.53%

LAB 43.47, 44.14, -53.18

 

CMYK 0 / 60 / 37 / 25

HEX #C04D79

RGB 192 77 121

HSL 337.04, 0.48%, 0.53%

LAB 49.37, 50.31, -1.13

 

CMYK 26 / 0 / 60 / 25

HEX #8FC04D

RGB 143 192 77

HSL 85.57, 0.48%, 0.53%

LAB 72.28, -34.43, 51.58

 

CMYK 60 / 0 / 5 / 25

HEX #4DC0B7

RGB 77 192 183

HSL 175.3, 0.48%, 0.53%

LAB 71.35, -34.35, -5.16

 

CMYK 35 / 60 / 0 / 25

HEX #7D4DC0

RGB 125 77 192

HSL 265.04, 0.48%, 0.53%

LAB 43.47, 44.14, -53.18

 

CMYK 0 / 60 / 55 / 25

HEX #C04D57

RGB 192 77 87

HSL 354.78, 0.48%, 0.53%

LAB 48.51, 46.96, 18.19

 

Description

Color code: RGB 143 192 77 | qconv.com Color code: RGB 143 192 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 192 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 192 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 60 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 60% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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