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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 149 97 it is the complementary color RGB 112 106 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 149 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 149 97: RGB 148 149 92, RGB 165 167 111, RGB 182 185 130, RGB 199 203 149 and RGB 216 221 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 149 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 149 97: RGB 143 149 97, RGB 126 131 78, RGB 109 113 59, RGB 92 95 40 and RGB 75 77 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

Complementary color

CMYK 29 / 33 / 0 / 38

HEX #706A9E

RGB 112 106 158

HSL 246.92, 0.21%, 0.52%

LAB 47.26, 14.48, -27.31

 

CMYK 1 / 0 / 38 / 42

HEX #94955C

RGB 148 149 92

HSL 61.05, 0.24%, 0.47%

LAB 60.39, -9.39, 29.99

 

CMYK 1 / 0 / 34 / 35

HEX #A5A76F

RGB 165 167 111

HSL 62.14, 0.24%, 0.55%

LAB 67.12, -9.68, 28.78

 

CMYK 2 / 0 / 30 / 27

HEX #B6B982

RGB 182 185 130

HSL 63.27, 0.28%, 0.62%

LAB 73.71, -9.91, 27.64

 

CMYK 2 / 0 / 27 / 20

HEX #C7CB95

RGB 199 203 149

HSL 64.44, 0.34%, 0.69%

LAB 80.19, -10.1, 26.55

 

CMYK 2 / 0 / 24 / 13

HEX #D8DDA8

RGB 216 221 168

HSL 65.66, 0.44%, 0.76%

LAB 86.57, -10.26, 25.52

 

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

CMYK 4 / 0 / 40 / 49

HEX #7E834E

RGB 126 131 78

HSL 65.66, 0.25%, 0.41%

LAB 53.19, -10.58, 28.01

 

CMYK 4 / 0 / 48 / 56

HEX #6D713B

RGB 109 113 59

HSL 64.44, 0.31%, 0.34%

LAB 46.15, -10.25, 29.3

 

CMYK 3 / 0 / 58 / 63

HEX #5C5F28

RGB 92 95 40

HSL 63.27, 0.41%, 0.26%

LAB 38.92, -9.77, 30.57

 

CMYK 3 / 0 / 73 / 70

HEX #4B4D15

RGB 75 77 21

HSL 62.14, 0.57%, 0.19%

LAB 31.48, -9.05, 31.55

 

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

CMYK 9 / 0 / 35 / 42

HEX #869460

RGB 134 148 96

HSL 76.15, 0.21%, 0.48%

LAB 59.06, -14.08, 25.87

 

CMYK 16 / 0 / 35 / 42

HEX #7D9460

RGB 125 148 96

HSL 86.54, 0.21%, 0.48%

LAB 58.4, -17.66, 24.88

 

CMYK 21 / 0 / 35 / 42

HEX #759460

RGB 117 148 96

HSL 95.77, 0.21%, 0.48%

LAB 57.85, -20.75, 24.06

 

CMYK 27 / 0 / 35 / 42

HEX #6C9460

RGB 108 148 96

HSL 106.15, 0.21%, 0.48%

LAB 57.28, -24.1, 23.2

 

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

CMYK 4 / 0 / 35 / 22

HEX #C0C882

RGB 192 200 130

HSL 66.86, 0.39%, 0.65%

LAB 78.54, -13.72, 34.14

 

CMYK 4 / 0 / 35 / 2

HEX #F1FBA3

RGB 241 251 163

HSL 66.82, 0.92%, 0.81%

LAB 96.14, -16.47, 41.12

 

CMYK 4 / 0 / 34 / 82

HEX #2D2F1F

RGB 45 47 31

HSL 67.5, 0.21%, 0.15%

LAB 18.76, -4.23, 10.02

 

CMYK 4 / 0 / 35 / 62

HEX #5E6240

RGB 94 98 64

HSL 67.06, 0.21%, 0.32%

LAB 40.39, -7.72, 18.87

 

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

CMYK 35 / 0 / 24 / 42

HEX #609470

RGB 96 148 112

HSL 138.46, 0.21%, 0.48%

LAB 56.92, -25.37, 13.65

 

CMYK 11 / 35 / 0 / 42

HEX #846094

RGB 132 96 148

HSL 281.54, 0.21%, 0.48%

LAB 46.19, 24.52, -22.9

 

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

CMYK 35 / 4 / 0 / 42

HEX #608E94

RGB 96 142 148

HSL 186.92, 0.21%, 0.48%

LAB 56.06, -13.99, -8.17

 

CMYK 0 / 35 / 4 / 42

HEX #94608E

RGB 148 96 142

HSL 306.92, 0.21%, 0.48%

LAB 47.77, 28.73, -16.74

 

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

CMYK 35 / 0 / 24 / 42

HEX #609470

RGB 96 148 112

HSL 138.46, 0.21%, 0.48%

LAB 56.92, -25.37, 13.65

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 0 / 35 / 11 / 42

HEX #946084

RGB 148 96 132

HSL 318.46, 0.21%, 0.48%

LAB 47.4, 26.87, -11.33

 

CMYK 4 / 0 / 35 / 42

HEX #8F9561

RGB 143 149 97

HSL 66.92, 0.21%, 0.48%

LAB 60.07, -10.83, 26.78

 

CMYK 35 / 0 / 14 / 42

HEX #60947F

RGB 96 148 127

HSL 155.77, 0.21%, 0.48%

LAB 57.27, -22.21, 5.63

 

CMYK 32 / 35 / 0 / 42

HEX #656094

RGB 101 96 148

HSL 245.77, 0.21%, 0.48%

LAB 43.17, 14.53, -27.83

 

CMYK 0 / 35 / 21 / 42

HEX #946075

RGB 148 96 117

HSL 335.77, 0.21%, 0.48%

LAB 46.9, 24.3, -3.06

 

Description

Color code: RGB 143 149 97 | qconv.com Color code: RGB 143 149 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 149 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 149 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 35 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 35% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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