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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 134 162 it is the complementary color RGB 112 121 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 134 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 134 162 shade: RGB 148 134 157, RGB 165 152 176, RGB 182 170 195, RGB 199 188 214 and RGB 216 206 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 134 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 126 116 143, RGB 109 98 124, RGB 92 80 105 and RGB 75 62 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 150 134 162, RGB 158 134 162, RGB 162 134 158 and RGB 162 134 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 135 134 162 and RGB 134 134 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 134 162 shade matches the following richer shades: RGB 143 134 162, RGB 137 117 179, RGB 131 99 196, RGB 124 82 214 and RGB 118 65 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 149 151 144, RGB 155 169 127, RGB 161 186 110 and RGB 168 203 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 134 162 shade: RGB 134 140 162, RGB 135 134 162, RGB 143 134 162, RGB 150 134 162 and RGB 158 134 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 134 162 shade: RGB 102 93 121, RGB 121 111 144, RGB 143 134 162, RGB 165 157 180 and RGB 186 181 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 162 134 147 and RGB 136 162 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 162 143 134 and RGB 134 162 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 162 134 147, RGB 153 162 134 and RGB 134 162 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 134 162 shade: RGB 143 134 162, RGB 162 134 139, RGB 153 162 134 and RGB 134 162 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

Complementary color

CMYK 7 / 0 / 23 / 53

HEX #70795D

RGB 112 121 93

HSL 79.29, 0.13%, 0.42%

LAB 49.39, -8.7, 14.26

 

CMYK 6 / 15 / 0 / 38

HEX #94869D

RGB 148 134 157

HSL 276.52, 0.11%, 0.57%

LAB 57.83, 9.74, -10.31

 

CMYK 6 / 14 / 0 / 31

HEX #A598B0

RGB 165 152 176

HSL 272.5, 0.13%, 0.64%

LAB 64.64, 9.38, -10.75

 

CMYK 7 / 13 / 0 / 24

HEX #B6AAC3

RGB 182 170 195

HSL 268.8, 0.17%, 0.72%

LAB 71.31, 9.05, -11.19

 

CMYK 7 / 12 / 0 / 16

HEX #C7BCD6

RGB 199 188 214

HSL 265.38, 0.24%, 0.79%

LAB 77.85, 8.74, -11.63

 

CMYK 7 / 12 / 0 / 9

HEX #D8CEE9

RGB 216 206 233

HSL 262.22, 0.38%, 0.86%

LAB 84.29, 8.45, -12.06

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 12 / 19 / 0 / 44

HEX #7E748F

RGB 126 116 143

HSL 262.22, 0.11%, 0.51%

LAB 50.58, 9.45, -13.28

 

CMYK 12 / 21 / 0 / 51

HEX #6D627C

RGB 109 98 124

HSL 265.38, 0.12%, 0.44%

LAB 43.42, 9.88, -12.94

 

CMYK 12 / 24 / 0 / 59

HEX #5C5069

RGB 92 80 105

HSL 268.8, 0.14%, 0.36%

LAB 36.05, 10.37, -12.61

 

CMYK 13 / 28 / 0 / 66

HEX #4B3E56

RGB 75 62 86

HSL 272.5, 0.16%, 0.29%

LAB 28.41, 10.95, -12.3

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 7 / 17 / 0 / 36

HEX #9686A2

RGB 150 134 162

HSL 274.29, 0.13%, 0.58%

LAB 58.17, 11.49, -12.65

 

CMYK 2 / 17 / 0 / 36

HEX #9E86A2

RGB 158 134 162

HSL 291.43, 0.13%, 0.58%

LAB 58.91, 14.3, -11.47

 

CMYK 0 / 17 / 2 / 36

HEX #A2869E

RGB 162 134 158

HSL 308.57, 0.13%, 0.58%

LAB 59.16, 14.94, -8.76

 

CMYK 0 / 17 / 7 / 36

HEX #A28697

RGB 162 134 151

HSL 323.57, 0.13%, 0.58%

LAB 58.94, 13.62, -5.07

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 17 / 17 / 0 / 36

HEX #8786A2

RGB 135 134 162

HSL 242.14, 0.13%, 0.58%

LAB 56.89, 6.34, -14.71

 

CMYK 17 / 17 / 0 / 36

HEX #8686A2

RGB 134 134 162

HSL 240, 0.13%, 0.58%

LAB 56.81, 6.01, -14.84

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 23 / 35 / 0 / 30

HEX #8975B3

RGB 137 117 179

HSL 259.35, 0.29%, 0.58%

LAB 53.27, 20.98, -30.04

 

CMYK 33 / 49 / 0 / 23

HEX #8363C4

RGB 131 99 196

HSL 259.79, 0.45%, 0.58%

LAB 49.17, 34.17, -46.33

 

CMYK 42 / 62 / 0 / 16

HEX #7C52D6

RGB 124 82 214

HSL 259.09, 0.62%, 0.58%

LAB 45.87, 46.98, -61.99

 

CMYK 49 / 72 / 0 / 9

HEX #7641E7

RGB 118 65 231

HSL 259.16, 0.78%, 0.58%

LAB 43.36, 59.21, -75.79

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 1 / 0 / 5 / 41

HEX #959790

RGB 149 151 144

HSL 77.14, 0.03%, 0.58%

LAB 62.11, -2.06, 3.42

 

CMYK 8 / 0 / 25 / 34

HEX #9BA97F

RGB 155 169 127

HSL 80, 0.2%, 0.58%

LAB 67.18, -12.41, 20.09

 

CMYK 13 / 0 / 41 / 27

HEX #A1BA6E

RGB 161 186 110

HSL 79.74, 0.36%, 0.58%

LAB 72.11, -21.15, 35.7

 

CMYK 17 / 0 / 54 / 20

HEX #A8CB5D

RGB 168 203 93

HSL 79.09, 0.51%, 0.58%

LAB 77.18, -28.56, 50.32

 

CMYK 17 / 14 / 0 / 36

HEX #868CA2

RGB 134 140 162

HSL 227.14, 0.13%, 0.58%

LAB 58.45, 2.56, -12.37

 

CMYK 17 / 17 / 0 / 36

HEX #8786A2

RGB 135 134 162

HSL 242.14, 0.13%, 0.58%

LAB 56.89, 6.34, -14.71

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 7 / 17 / 0 / 36

HEX #9686A2

RGB 150 134 162

HSL 274.29, 0.13%, 0.58%

LAB 58.17, 11.49, -12.65

 

CMYK 2 / 17 / 0 / 36

HEX #9E86A2

RGB 158 134 162

HSL 291.43, 0.13%, 0.58%

LAB 58.91, 14.3, -11.47

 

CMYK 16 / 23 / 0 / 53

HEX #665D79

RGB 102 93 121

HSL 259.29, 0.13%, 0.42%

LAB 41.27, 9.73, -14.44

 

CMYK 16 / 23 / 0 / 44

HEX #796F90

RGB 121 111 144

HSL 258.18, 0.13%, 0.5%

LAB 48.82, 10.91, -16.59

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 8 / 13 / 0 / 29

HEX #A59DB4

RGB 165 157 180

HSL 260.87, 0.13%, 0.66%

LAB 66.07, 7.4, -10.86

 

CMYK 6 / 9 / 0 / 22

HEX #BAB5C6

RGB 186 181 198

HSL 257.65, 0.13%, 0.74%

LAB 74.55, 5, -7.97

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 0 / 17 / 9 / 36

HEX #A28693

RGB 162 134 147

HSL 332.14, 0.13%, 0.58%

LAB 58.82, 12.89, -2.95

 

CMYK 16 / 0 / 17 / 36

HEX #88A286

RGB 136 162 134

HSL 115.71, 0.13%, 0.58%

LAB 64, -14.6, 11.59

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 0 / 12 / 17 / 36

HEX #A28F86

RGB 162 143 134

HSL 19.29, 0.13%, 0.58%

LAB 60.82, 5.57, 7.38

 

CMYK 17 / 0 / 12 / 36

HEX #86A28F

RGB 134 162 143

HSL 139.29, 0.13%, 0.58%

LAB 64.07, -13.61, 6.66

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 0 / 17 / 9 / 36

HEX #A28693

RGB 162 134 147

HSL 332.14, 0.13%, 0.58%

LAB 58.82, 12.89, -2.95

 

CMYK 6 / 0 / 17 / 36

HEX #99A286

RGB 153 162 134

HSL 79.29, 0.13%, 0.58%

LAB 65.23, -8.33, 13.5

 

CMYK 17 / 0 / 9 / 36

HEX #86A294

RGB 134 162 148

HSL 150, 0.13%, 0.58%

LAB 64.2, -12.61, 4.05

 

CMYK 12 / 17 / 0 / 36

HEX #8F86A2

RGB 143 134 162

HSL 259.29, 0.13%, 0.58%

LAB 57.56, 9.07, -13.63

 

CMYK 0 / 17 / 14 / 36

HEX #A2868B

RGB 162 134 139

HSL 349.29, 0.13%, 0.58%

LAB 58.6, 11.49, 1.31

 

CMYK 6 / 0 / 17 / 36

HEX #99A286

RGB 153 162 134

HSL 79.29, 0.13%, 0.58%

LAB 65.23, -8.33, 13.5

 

CMYK 17 / 0 / 3 / 36

HEX #86A29D

RGB 134 162 157

HSL 169.29, 0.13%, 0.58%

LAB 64.44, -10.74, -0.65

 

Description

Color code: RGB 143 134 162 | qconv.com Color code: RGB 143 134 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 134 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 134 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 17 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 17% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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