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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 12 / 17 / 36 it is the complementary color CMYK 23 / 8 / 0 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 12 / 17 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 12 / 17 / 36: CMYK 0 / 14 / 23 / 34, CMYK 0 / 12 / 19 / 27, CMYK 0 / 11 / 17 / 21, CMYK 0 / 10 / 15 / 14 and CMYK 0 / 8 / 13 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 12 / 17 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 12 / 17 / 36: CMYK 0 / 12 / 17 / 36, CMYK 0 / 14 / 21 / 43, CMYK 0 / 16 / 25 / 49, CMYK 0 / 20 / 30 / 56 and CMYK 0 / 24 / 38 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

Complementary color

CMYK 23 / 8 / 0 / 53

HEX #5C6F78

RGB 92 111 120

HSL 199.29, 0.13%, 0.42%

LAB 45.63, -4.87, -7.34

 

CMYK 0 / 14 / 23 / 34

HEX #A89082

RGB 168 144 130

HSL 22.11, 0.18%, 0.58%

LAB 61.55, 6.72, 10.76

 

CMYK 0 / 12 / 19 / 27

HEX #B9A295

RGB 185 162 149

HSL 21.67, 0.2%, 0.65%

LAB 68.26, 6.29, 9.84

 

CMYK 0 / 11 / 17 / 21

HEX #CAB4A8

RGB 202 180 168

HSL 21.18, 0.24%, 0.73%

LAB 74.84, 5.91, 8.98

 

CMYK 0 / 10 / 15 / 14

HEX #DBC6BB

RGB 219 198 187

HSL 20.63, 0.31%, 0.8%

LAB 81.31, 5.57, 8.18

 

CMYK 0 / 8 / 13 / 7

HEX #ECD8CE

RGB 236 216 206

HSL 20, 0.44%, 0.87%

LAB 87.68, 5.26, 7.41

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 0 / 14 / 21 / 43

HEX #927E74

RGB 146 126 116

HSL 20, 0.12%, 0.51%

LAB 54.34, 5.98, 8.26

 

CMYK 0 / 16 / 25 / 49

HEX #816C61

RGB 129 108 97

HSL 20.63, 0.14%, 0.44%

LAB 47.31, 6.46, 9.24

 

CMYK 0 / 20 / 30 / 56

HEX #705A4E

RGB 112 90 78

HSL 21.18, 0.18%, 0.37%

LAB 40.09, 7.04, 10.33

 

CMYK 0 / 24 / 38 / 63

HEX #5F483B

RGB 95 72 59

HSL 21.67, 0.23%, 0.3%

LAB 32.66, 7.76, 11.57

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 0 / 9 / 17 / 37

HEX #A19385

RGB 161 147 133

HSL 30, 0.13%, 0.58%

LAB 61.77, 2.79, 9.28

 

CMYK 0 / 6 / 17 / 37

HEX #A19885

RGB 161 152 133

HSL 40.71, 0.13%, 0.58%

LAB 63.12, 0.02, 11.19

 

CMYK 0 / 3 / 17 / 37

HEX #A19C85

RGB 161 156 133

HSL 49.29, 0.13%, 0.58%

LAB 64.2, -2.18, 12.71

 

CMYK 0 / 0 / 17 / 37

HEX #A1A185

RGB 161 161 133

HSL 60, 0.13%, 0.58%

LAB 65.56, -4.9, 14.62

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 0 / 12 / 17 / 16

HEX #D6BDB1

RGB 214 189 177

HSL 19.46, 0.31%, 0.77%

LAB 78.38, 6.95, 9.31

 

CMYK 0 / 10 / 20 / 96

HEX #0A0908

RGB 10 9 8

HSL 30, 0.11%, 0.04%

LAB 2.51, 0.12, 0.47

 

CMYK 0 / 11 / 16 / 76

HEX #3D3633

RGB 61 54 51

HSL 18, 0.09%, 0.22%

LAB 23.24, 2.47, 3

 

CMYK 0 / 12 / 17 / 56

HEX #70635D

RGB 112 99 93

HSL 18.95, 0.09%, 0.4%

LAB 43, 4.09, 5.3

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 9 / 0 / 17 / 37

HEX #93A185

RGB 147 161 133

HSL 90, 0.13%, 0.58%

LAB 64.47, -10.21, 12.93

 

CMYK 17 / 16 / 0 / 37

HEX #8588A1

RGB 133 136 161

HSL 233.57, 0.13%, 0.58%

LAB 57.24, 4.29, -13.62

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 17 / 0 / 12 / 37

HEX #85A18E

RGB 133 161 142

HSL 139.29, 0.13%, 0.58%

LAB 63.7, -13.62, 6.67

 

CMYK 12 / 17 / 0 / 37

HEX #8E85A1

RGB 142 133 161

HSL 259.29, 0.13%, 0.58%

LAB 57.17, 9.08, -13.65

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 9 / 0 / 17 / 37

HEX #93A185

RGB 147 161 133

HSL 90, 0.13%, 0.58%

LAB 64.47, -10.21, 12.93

 

CMYK 17 / 5 / 0 / 37

HEX #8599A1

RGB 133 153 161

HSL 197.14, 0.13%, 0.58%

LAB 61.95, -5.3, -6.57

 

CMYK 8 / 17 / 0 / 37

HEX #9485A1

RGB 148 133 161

HSL 272.14, 0.13%, 0.58%

LAB 57.7, 11.16, -12.81

 

CMYK 0 / 12 / 17 / 36

HEX #A39087

RGB 163 144 135

HSL 19.29, 0.13%, 0.58%

LAB 61.2, 5.56, 7.37

 

CMYK 14 / 0 / 17 / 37

HEX #8BA185

RGB 139 161 133

HSL 107.14, 0.13%, 0.58%

LAB 63.89, -13.17, 12.04

 

CMYK 17 / 5 / 0 / 37

HEX #8599A1

RGB 133 153 161

HSL 197.14, 0.13%, 0.58%

LAB 61.95, -5.3, -6.57

 

CMYK 3 / 17 / 0 / 37

HEX #9C85A1

RGB 156 133 161

HSL 289.29, 0.13%, 0.58%

LAB 58.43, 13.96, -11.63

 

Description

Color code: CMYK 0 / 12 / 17 / 36 | qconv.com Color code: CMYK 0 / 12 / 17 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 144 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 144 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 17 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 17% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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