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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 101 86 it is the complementary color RGB 112 154 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 101 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 101 86: RGB 148 101 81, RGB 165 119 100, RGB 182 137 119, RGB 199 155 138 and RGB 216 173 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 101 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 101 86: RGB 143 101 86, RGB 126 83 67, RGB 109 65 48, RGB 92 47 29 and RGB 75 29 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

Complementary color

CMYK 34 / 9 / 0 / 34

HEX #709AA9

RGB 112 154 169

HSL 195.79, 0.25%, 0.55%

LAB 61.15, -10.49, -12.43

 

CMYK 0 / 32 / 45 / 42

HEX #946551

RGB 148 101 81

HSL 17.91, 0.29%, 0.45%

LAB 47.23, 16.44, 18.96

 

CMYK 0 / 28 / 39 / 35

HEX #A57764

RGB 165 119 100

HSL 17.54, 0.27%, 0.52%

LAB 54.15, 15.48, 17.56

 

CMYK 0 / 25 / 35 / 29

HEX #B68977

RGB 182 137 119

HSL 17.14, 0.3%, 0.59%

LAB 60.93, 14.66, 16.32

 

CMYK 0 / 22 / 31 / 22

HEX #C79B8A

RGB 199 155 138

HSL 16.72, 0.35%, 0.66%

LAB 67.59, 13.96, 15.2

 

CMYK 0 / 20 / 27 / 15

HEX #D8AD9D

RGB 216 173 157

HSL 16.27, 0.43%, 0.73%

LAB 74.14, 13.34, 14.16

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 0 / 34 / 47 / 51

HEX #7E5343

RGB 126 83 67

HSL 16.27, 0.31%, 0.38%

LAB 39.63, 15.92, 16.68

 

CMYK 0 / 40 / 56 / 57

HEX #6D4130

RGB 109 65 48

HSL 16.72, 0.39%, 0.31%

LAB 32.36, 17.16, 18.4

 

CMYK 0 / 49 / 68 / 64

HEX #5C2F1D

RGB 92 47 29

HSL 17.14, 0.52%, 0.24%

LAB 24.94, 18.68, 20.47

 

CMYK 0 / 61 / 87 / 71

HEX #4B1D0A

RGB 75 29 10

HSL 17.54, 0.76%, 0.17%

LAB 17.44, 20.52, 21.91

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 0 / 24 / 40 / 44

HEX #8F6D56

RGB 143 109 86

HSL 24.21, 0.25%, 0.45%

LAB 48.82, 10.24, 18.06

 

CMYK 0 / 17 / 40 / 44

HEX #8F7756

RGB 143 119 86

HSL 34.74, 0.25%, 0.45%

LAB 51.5, 4.46, 21.64

 

CMYK 0 / 10 / 40 / 44

HEX #8F8156

RGB 143 129 86

HSL 45.26, 0.25%, 0.45%

LAB 54.25, -1.22, 25.25

 

CMYK 0 / 3 / 40 / 44

HEX #8F8A56

RGB 143 138 86

HSL 54.74, 0.25%, 0.45%

LAB 56.77, -6.23, 28.51

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 0 / 29 / 40 / 24

HEX #C28975

RGB 194 137 117

HSL 15.58, 0.39%, 0.61%

LAB 62.21, 19.24, 19.41

 

CMYK 0 / 29 / 40 / 4

HEX #F5AD93

RGB 245 173 147

HSL 15.92, 0.83%, 0.77%

LAB 76.92, 23.24, 23.9

 

CMYK 0 / 29 / 39 / 84

HEX #291D19

RGB 41 29 25

HSL 15, 0.24%, 0.13%

LAB 12.09, 5.14, 5.03

 

CMYK 0 / 29 / 40 / 64

HEX #5C4137

RGB 92 65 55

HSL 16.22, 0.25%, 0.29%

LAB 30.23, 10.23, 10.73

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 18 / 0 / 40 / 44

HEX #758F56

RGB 117 143 86

HSL 87.37, 0.25%, 0.45%

LAB 56.19, -19.63, 27.35

 

CMYK 40 / 34 / 0 / 44

HEX #565E8F

RGB 86 94 143

HSL 231.58, 0.25%, 0.45%

LAB 41.16, 9.88, -28.05

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 40 / 0 / 30 / 44

HEX #568F64

RGB 86 143 100

HSL 134.74, 0.25%, 0.45%

LAB 54.6, -28.46, 17.14

 

CMYK 30 / 40 / 0 / 44

HEX #64568F

RGB 100 86 143

HSL 254.74, 0.25%, 0.45%

LAB 40.16, 19.07, -29.54

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 18 / 0 / 40 / 44

HEX #758F56

RGB 117 143 86

HSL 87.37, 0.25%, 0.45%

LAB 56.19, -19.63, 27.35

 

CMYK 40 / 10 / 0 / 44

HEX #56818F

RGB 86 129 143

HSL 194.74, 0.25%, 0.45%

LAB 51.45, -11, -12.24

 

CMYK 22 / 40 / 0 / 44

HEX #6F568F

RGB 111 86 143

HSL 266.32, 0.25%, 0.45%

LAB 41.25, 22.5, -27.76

 

CMYK 0 / 29 / 40 / 44

HEX #8F6556

RGB 143 101 86

HSL 15.79, 0.25%, 0.45%

LAB 46.74, 14.9, 15.22

 

CMYK 30 / 0 / 40 / 44

HEX #648F56

RGB 100 143 86

HSL 105.26, 0.25%, 0.45%

LAB 55.1, -26.09, 25.73

 

CMYK 40 / 10 / 0 / 44

HEX #56818F

RGB 86 129 143

HSL 194.74, 0.25%, 0.45%

LAB 51.45, -11, -12.24

 

CMYK 10 / 40 / 0 / 44

HEX #81568F

RGB 129 86 143

HSL 285.26, 0.25%, 0.45%

LAB 43.22, 28.31, -24.53

 

Description

Color code: RGB 143 101 86 | qconv.com Color code: RGB 143 101 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 101 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 101 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 40 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 40% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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