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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 100 164 it is the complementary color RGB 112 155 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 100 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 100 164: RGB 148 100 159, RGB 165 118 178, RGB 182 136 197, RGB 199 154 216 and RGB 216 172 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 100 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 100 164: RGB 143 100 164, RGB 126 82 145, RGB 109 64 126, RGB 92 46 107 and RGB 75 28 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

Complementary color

CMYK 28 / 0 / 41 / 39

HEX #709B5B

RGB 112 155 91

HSL 100.31, 0.26%, 0.48%

LAB 59.56, -26.88, 28.95

 

CMYK 7 / 37 / 0 / 38

HEX #94649F

RGB 148 100 159

HSL 288.81, 0.24%, 0.51%

LAB 49.39, 29.85, -24.32

 

CMYK 7 / 34 / 0 / 30

HEX #A576B2

RGB 165 118 178

HSL 287, 0.28%, 0.58%

LAB 56.26, 29.09, -24.61

 

CMYK 8 / 31 / 0 / 23

HEX #B688C5

RGB 182 136 197

HSL 285.25, 0.34%, 0.65%

LAB 63, 28.39, -24.9

 

CMYK 8 / 29 / 0 / 15

HEX #C79AD8

RGB 199 154 216

HSL 283.55, 0.44%, 0.73%

LAB 69.62, 27.74, -25.18

 

CMYK 8 / 27 / 0 / 8

HEX #D8ACEB

RGB 216 172 235

HSL 281.9, 0.61%, 0.8%

LAB 76.13, 27.14, -25.46

 

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

CMYK 13 / 43 / 0 / 43

HEX #7E5291

RGB 126 82 145

HSL 281.9, 0.28%, 0.45%

LAB 42.02, 30.13, -27.63

 

CMYK 13 / 49 / 0 / 51

HEX #6D407E

RGB 109 64 126

HSL 283.55, 0.33%, 0.37%

LAB 34.85, 30.99, -27.39

 

CMYK 14 / 57 / 0 / 58

HEX #5C2E6B

RGB 92 46 107

HSL 285.25, 0.4%, 0.3%

LAB 27.55, 31.82, -27.07

 

CMYK 15 / 68 / 0 / 65

HEX #4B1C58

RGB 75 28 88

HSL 287, 0.52%, 0.23%

LAB 20.17, 32.43, -26.5

 

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

CMYK 7 / 39 / 0 / 36

HEX #9964A4

RGB 153 100 164

HSL 289.69, 0.26%, 0.52%

LAB 50.18, 32.51, -25.99

 

CMYK 0 / 39 / 0 / 36

HEX #A464A4

RGB 164 100 164

HSL 300, 0.26%, 0.52%

LAB 51.48, 36.05, -23.87

 

CMYK 0 / 39 / 7 / 36

HEX #A46499

RGB 164 100 153

HSL 310.31, 0.26%, 0.52%

LAB 51.04, 33.99, -18.09

 

CMYK 0 / 39 / 13 / 36

HEX #A4648F

RGB 164 100 143

HSL 319.69, 0.26%, 0.52%

LAB 50.68, 32.22, -12.74

 

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

CMYK 13 / 39 / 0 / 16

HEX #BB83D7

RGB 187 131 215

HSL 280, 0.51%, 0.68%

LAB 63.1, 36.47, -34.79

 

CMYK 9 / 36 / 0 / 96

HEX #0A070B

RGB 10 7 11

HSL 285, 0.22%, 0.04%

LAB 2.17, 1.34, -1.25

 

CMYK 13 / 39 / 0 / 76

HEX #36263E

RGB 54 38 62

HSL 280, 0.24%, 0.2%

LAB 18, 12.92, -12.42

 

CMYK 12 / 39 / 0 / 56

HEX #634571

RGB 99 69 113

HSL 280.91, 0.24%, 0.36%

LAB 34.19, 21.68, -20.4

 

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

CMYK 0 / 39 / 34 / 36

HEX #A4646D

RGB 164 100 109

HSL 351.56, 0.26%, 0.52%

LAB 49.63, 27, 5.95

 

CMYK 39 / 0 / 29 / 36

HEX #64A475

RGB 100 164 117

HSL 135.94, 0.26%, 0.52%

LAB 62.12, -30.94, 18.09

 

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

CMYK 0 / 13 / 39 / 36

HEX #A48F64

RGB 164 143 100

HSL 40.31, 0.26%, 0.52%

LAB 60.3, 1.55, 25.78

 

CMYK 39 / 0 / 13 / 36

HEX #64A48F

RGB 100 164 143

HSL 160.31, 0.26%, 0.52%

LAB 62.71, -25.51, 4.45

 

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

CMYK 0 / 39 / 34 / 36

HEX #A4646D

RGB 164 100 109

HSL 351.56, 0.26%, 0.52%

LAB 49.63, 27, 5.95

 

CMYK 26 / 0 / 39 / 36

HEX #79A464

RGB 121 164 100

HSL 100.31, 0.26%, 0.52%

LAB 62.96, -26.69, 28.64

 

CMYK 39 / 0 / 5 / 36

HEX #64A49B

RGB 100 164 155

HSL 171.56, 0.26%, 0.52%

LAB 63.03, -22.68, -1.81

 

CMYK 13 / 39 / 0 / 36

HEX #8F64A4

RGB 143 100 164

HSL 280.31, 0.26%, 0.52%

LAB 49.05, 29.31, -27.83

 

CMYK 0 / 32 / 39 / 36

HEX #A46F64

RGB 164 111 100

HSL 10.31, 0.26%, 0.52%

LAB 52.04, 19.62, 14.66

 

CMYK 26 / 0 / 39 / 36

HEX #79A464

RGB 121 164 100

HSL 100.31, 0.26%, 0.52%

LAB 62.96, -26.69, 28.64

 

CMYK 39 / 7 / 0 / 36

HEX #6499A4

RGB 100 153 164

HSL 190.31, 0.26%, 0.52%

LAB 60.04, -14.64, -11.32

 

Description

Color code: RGB 143 100 164 | qconv.com Color code: RGB 143 100 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 100 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 100 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 39 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 39% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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