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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 98 97 it is the complementary color RGB 113 157 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 98 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 98 97: RGB 147 98 92, RGB 164 116 111, RGB 181 134 130, RGB 198 152 149 and RGB 215 170 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 98 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 98 97: RGB 142 98 97, RGB 125 80 78, RGB 108 62 59, RGB 91 44 40 and RGB 74 26 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

Complementary color

CMYK 28 / 1 / 0 / 38

HEX #719D9E

RGB 113 157 158

HSL 181.33, 0.19%, 0.53%

LAB 61.73, -14.54, -5.33

 

CMYK 0 / 33 / 37 / 42

HEX #93625C

RGB 147 98 92

HSL 6.55, 0.23%, 0.47%

LAB 46.59, 19.09, 11.52

 

CMYK 0 / 29 / 32 / 36

HEX #A4746F

RGB 164 116 111

HSL 5.66, 0.23%, 0.54%

LAB 53.53, 18.2, 10.29

 

CMYK 0 / 26 / 28 / 29

HEX #B58682

RGB 181 134 130

HSL 4.71, 0.26%, 0.61%

LAB 60.32, 17.43, 9.21

 

CMYK 0 / 23 / 25 / 22

HEX #C69895

RGB 198 152 149

HSL 3.67, 0.3%, 0.68%

LAB 67, 16.75, 8.22

 

CMYK 0 / 21 / 22 / 16

HEX #D7AAA8

RGB 215 170 168

HSL 2.55, 0.37%, 0.75%

LAB 73.56, 16.15, 7.32

 

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

CMYK 0 / 36 / 38 / 51

HEX #7D504E

RGB 125 80 78

HSL 2.55, 0.23%, 0.4%

LAB 38.98, 18.64, 9

 

CMYK 0 / 43 / 45 / 58

HEX #6C3E3B

RGB 108 62 59

HSL 3.67, 0.29%, 0.33%

LAB 31.69, 19.74, 10.51

 

CMYK 0 / 52 / 56 / 64

HEX #5B2C28

RGB 91 44 40

HSL 4.71, 0.39%, 0.26%

LAB 24.25, 21.03, 12.41

 

CMYK 0 / 65 / 72 / 71

HEX #4A1A15

RGB 74 26 21

HSL 5.66, 0.56%, 0.19%

LAB 16.74, 22.46, 15.02

 

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

CMYK 0 / 26 / 32 / 44

HEX #8E6961

RGB 142 105 97

HSL 10.67, 0.19%, 0.47%

LAB 47.9, 13.62, 10.28

 

CMYK 0 / 20 / 32 / 44

HEX #8E7161

RGB 142 113 97

HSL 21.33, 0.19%, 0.47%

LAB 50.01, 8.96, 13.21

 

CMYK 0 / 15 / 32 / 44

HEX #8E7861

RGB 142 120 97

HSL 30.67, 0.19%, 0.47%

LAB 51.89, 4.91, 15.81

 

CMYK 0 / 10 / 32 / 44

HEX #8E8061

RGB 142 128 97

HSL 41.33, 0.19%, 0.47%

LAB 54.08, 0.35, 18.8

 

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

CMYK 0 / 31 / 32 / 24

HEX #C18584

RGB 193 133 132

HSL 0.98, 0.33%, 0.64%

LAB 61.46, 22.93, 9.86

 

CMYK 0 / 31 / 32 / 4

HEX #F4A8A7

RGB 244 168 167

HSL 0.78, 0.78%, 0.81%

LAB 76.09, 27.87, 11.87

 

CMYK 0 / 30 / 33 / 84

HEX #281C1B

RGB 40 28 27

HSL 4.62, 0.19%, 0.13%

LAB 11.69, 5.71, 2.98

 

CMYK 0 / 31 / 32 / 64

HEX #5B3F3E

RGB 91 63 62

HSL 2.07, 0.19%, 0.3%

LAB 29.73, 12.08, 5.49

 

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

CMYK 7 / 0 / 32 / 44

HEX #848E61

RGB 132 142 97

HSL 73.33, 0.19%, 0.47%

LAB 57.19, -11.54, 22.82

 

CMYK 32 / 20 / 0 / 44

HEX #61728E

RGB 97 114 142

HSL 217.33, 0.19%, 0.47%

LAB 47.66, 0.69, -17.34

 

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

CMYK 32 / 0 / 32 / 44

HEX #618E61

RGB 97 142 97

HSL 120, 0.19%, 0.47%

LAB 54.81, -24.85, 19.22

 

CMYK 32 / 32 / 0 / 44

HEX #61618E

RGB 97 97 142

HSL 240, 0.19%, 0.47%

LAB 42.83, 11.03, -24.79

 

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

CMYK 7 / 0 / 32 / 44

HEX #848E61

RGB 132 142 97

HSL 73.33, 0.19%, 0.47%

LAB 57.19, -11.54, 22.82

 

CMYK 32 / 1 / 0 / 44

HEX #618D8E

RGB 97 141 142

HSL 181.33, 0.19%, 0.47%

LAB 55.63, -14.67, -5.35

 

CMYK 25 / 32 / 0 / 44

HEX #6A618E

RGB 106 97 142

HSL 252, 0.19%, 0.47%

LAB 43.6, 13.89, -23.52

 

CMYK 0 / 31 / 32 / 44

HEX #8E6261

RGB 142 98 97

HSL 1.33, 0.19%, 0.47%

LAB 46.11, 17.71, 7.75

 

CMYK 16 / 0 / 32 / 44

HEX #778E61

RGB 119 142 97

HSL 90.67, 0.19%, 0.47%

LAB 56.22, -16.7, 21.35

 

CMYK 32 / 1 / 0 / 44

HEX #618D8E

RGB 97 141 142

HSL 181.33, 0.19%, 0.47%

LAB 55.63, -14.67, -5.35

 

CMYK 15 / 32 / 0 / 44

HEX #78618E

RGB 120 97 142

HSL 270.67, 0.19%, 0.47%

LAB 44.94, 18.52, -21.36

 

Description

Color code: RGB 142 98 97 | qconv.com Color code: RGB 142 98 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 98 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 98 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 32 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 32% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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