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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 95 58 it is the complementary color RGB 113 160 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 95 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 95 58: RGB 147 95 53, RGB 164 113 72, RGB 181 131 91, RGB 198 149 110 and RGB 215 167 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 95 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 95 58: RGB 142 95 58, RGB 125 77 39, RGB 108 59 20, RGB 91 41 1 and RGB 74 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

Complementary color

CMYK 43 / 19 / 0 / 23

HEX #71A0C5

RGB 113 160 197

HSL 206.43, 0.42%, 0.61%

LAB 63.9, -6.04, -23.97

 

CMYK 0 / 35 / 64 / 42

HEX #935F35

RGB 147 95 53

HSL 26.81, 0.47%, 0.39%

LAB 45.14, 16.87, 32.34

 

CMYK 0 / 31 / 56 / 36

HEX #A47148

RGB 164 113 72

HSL 26.74, 0.39%, 0.46%

LAB 52.03, 15.54, 30.68

 

CMYK 0 / 28 / 50 / 29

HEX #B5835B

RGB 181 131 91

HSL 26.67, 0.38%, 0.53%

LAB 58.8, 14.43, 29.13

 

CMYK 0 / 25 / 44 / 22

HEX #C6956E

RGB 198 149 110

HSL 26.59, 0.44%, 0.6%

LAB 65.46, 13.48, 27.72

 

CMYK 0 / 22 / 40 / 16

HEX #D7A781

RGB 215 167 129

HSL 26.51, 0.52%, 0.67%

LAB 72.01, 12.67, 26.42

 

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

CMYK 0 / 38 / 69 / 51

HEX #7D4D27

RGB 125 77 39

HSL 26.51, 0.52%, 0.32%

LAB 37.51, 16.51, 30.48

 

CMYK 0 / 45 / 81 / 58

HEX #6C3B14

RGB 108 59 20

HSL 26.59, 0.69%, 0.25%

LAB 30.32, 18.32, 32.18

 

CMYK 0 / 55 / 99 / 64

HEX #5B2901

RGB 91 41 1

HSL 26.67, 0.98%, 0.18%

LAB 23.04, 20.47, 32.64

 

CMYK 0 / 69 / 100 / 71

HEX #4A1700

RGB 74 23 0

HSL 18.65, 1%, 0.15%

LAB 15.84, 23.02, 23.96

 

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

CMYK 0 / 24 / 60 / 45

HEX #8D6B39

RGB 141 107 57

HSL 35.71, 0.42%, 0.39%

LAB 47.59, 7.51, 32.88

 

CMYK 0 / 14 / 60 / 45

HEX #8D7939

RGB 141 121 57

HSL 45.71, 0.42%, 0.39%

LAB 51.42, -0.52, 37.35

 

CMYK 0 / 4 / 60 / 45

HEX #8D8739

RGB 141 135 57

HSL 55.71, 0.42%, 0.39%

LAB 55.37, -8.31, 41.83

 

CMYK 6 / 0 / 60 / 45

HEX #848D39

RGB 132 141 57

HSL 66.43, 0.42%, 0.39%

LAB 56.34, -15.51, 42.7

 

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

CMYK 0 / 33 / 59 / 24

HEX #C1814F

RGB 193 129 79

HSL 26.32, 0.48%, 0.53%

LAB 59.53, 19.56, 36.85

 

CMYK 0 / 33 / 59 / 4

HEX #F4A364

RGB 244 163 100

HSL 26.25, 0.87%, 0.67%

LAB 73.77, 23.84, 44.56

 

CMYK 0 / 33 / 60 / 84

HEX #281B10

RGB 40 27 16

HSL 27.5, 0.43%, 0.11%

LAB 11.08, 4.67, 9.61

 

CMYK 0 / 33 / 59 / 64

HEX #5B3D25

RGB 91 61 37

HSL 26.67, 0.42%, 0.25%

LAB 28.63, 10.16, 19.98

 

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

CMYK 38 / 0 / 60 / 45

HEX #588D39

RGB 88 141 57

HSL 97.86, 0.42%, 0.39%

LAB 53.41, -33.31, 38.59

 

CMYK 57 / 60 / 0 / 45

HEX #3C398D

RGB 60 57 141

HSL 242.14, 0.42%, 0.39%

LAB 28.93, 26.69, -46.45

 

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

CMYK 60 / 0 / 34 / 45

HEX #398D5D

RGB 57 141 93

HSL 145.71, 0.42%, 0.39%

LAB 52.63, -36.97, 18.21

 

CMYK 34 / 60 / 0 / 45

HEX #5D398D

RGB 93 57 141

HSL 265.71, 0.42%, 0.39%

LAB 32.21, 34.28, -40.99

 

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

CMYK 38 / 0 / 60 / 45

HEX #588D39

RGB 88 141 57

HSL 97.86, 0.42%, 0.39%

LAB 53.41, -33.31, 38.59

 

CMYK 60 / 26 / 0 / 45

HEX #39698D

RGB 57 105 141

HSL 205.71, 0.42%, 0.39%

LAB 42.61, -4.98, -24.73

 

CMYK 22 / 60 / 0 / 45

HEX #6E398D

RGB 110 57 141

HSL 277.86, 0.42%, 0.39%

LAB 34.32, 38.72, -37.48

 

CMYK 0 / 33 / 59 / 44

HEX #8E5F3A

RGB 142 95 58

HSL 26.43, 0.42%, 0.39%

LAB 44.58, 15.04, 28.73

 

CMYK 55 / 0 / 60 / 45

HEX #3F8D39

RGB 63 141 57

HSL 115.71, 0.42%, 0.39%

LAB 52.29, -41.35, 37.01

 

CMYK 60 / 26 / 0 / 45

HEX #39698D

RGB 57 105 141

HSL 205.71, 0.42%, 0.39%

LAB 42.61, -4.98, -24.73

 

CMYK 4 / 60 / 0 / 45

HEX #87398D

RGB 135 57 141

HSL 295.71, 0.42%, 0.39%

LAB 37.84, 45.5, -31.68

 

Description

Color code: RGB 142 95 58 | qconv.com Color code: RGB 142 95 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 95 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 95 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 59 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 59% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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