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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 76 133 it is the complementary color RGB 113 179 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 76 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 76 133: RGB 147 76 128, RGB 164 94 147, RGB 181 112 166, RGB 198 130 185 and RGB 215 148 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 76 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 76 133: RGB 142 76 133, RGB 125 58 114, RGB 108 40 95, RGB 91 22 76 and RGB 74 4 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

Complementary color

CMYK 37 / 0 / 32 / 30

HEX #71B37A

RGB 113 179 122

HSL 128.18, 0.3%, 0.57%

LAB 67.39, -33.05, 22.65

 

CMYK 0 / 48 / 13 / 42

HEX #934C80

RGB 147 76 128

HSL 316.06, 0.32%, 0.44%

LAB 42.66, 37, -16.12

 

CMYK 0 / 43 / 10 / 36

HEX #A45E93

RGB 164 94 147

HSL 314.57, 0.28%, 0.51%

LAB 49.5, 36.22, -16.89

 

CMYK 0 / 38 / 8 / 29

HEX #B570A6

RGB 181 112 166

HSL 313.04, 0.32%, 0.57%

LAB 56.25, 35.43, -17.54

 

CMYK 0 / 34 / 7 / 22

HEX #C682B9

RGB 198 130 185

HSL 311.47, 0.37%, 0.64%

LAB 62.91, 34.67, -18.12

 

CMYK 0 / 31 / 5 / 16

HEX #D794CC

RGB 215 148 204

HSL 309.85, 0.46%, 0.71%

LAB 69.46, 33.95, -18.64

 

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

CMYK 0 / 54 / 9 / 51

HEX #7D3A72

RGB 125 58 114

HSL 309.85, 0.37%, 0.36%

LAB 35.2, 36.96, -19.19

 

CMYK 0 / 63 / 12 / 58

HEX #6C285F

RGB 108 40 95

HSL 311.47, 0.46%, 0.29%

LAB 28.2, 37.45, -18.11

 

CMYK 0 / 76 / 16 / 64

HEX #5B164C

RGB 91 22 76

HSL 313.04, 0.61%, 0.22%

LAB 21.28, 37.34, -16.47

 

CMYK 0 / 95 / 23 / 71

HEX #4A0439

RGB 74 4 57

HSL 314.57, 0.9%, 0.15%

LAB 14.61, 36.05, -13.9

 

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

CMYK 0 / 46 / 14 / 44

HEX #8E4C7A

RGB 142 76 122

HSL 318.18, 0.3%, 0.43%

LAB 41.73, 34.27, -13.93

 

CMYK 0 / 46 / 22 / 44

HEX #8E4C6F

RGB 142 76 111

HSL 328.18, 0.3%, 0.43%

LAB 41.32, 32.45, -7.78

 

CMYK 0 / 46 / 30 / 44

HEX #8E4C64

RGB 142 76 100

HSL 338.18, 0.3%, 0.43%

LAB 40.96, 30.79, -1.51

 

CMYK 0 / 46 / 37 / 44

HEX #8E4C59

RGB 142 76 89

HSL 348.18, 0.3%, 0.43%

LAB 40.64, 29.29, 4.85

 

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

CMYK 0 / 47 / 6 / 24

HEX #C167B5

RGB 193 103 181

HSL 308, 0.42%, 0.58%

LAB 56.46, 46.68, -25.75

 

CMYK 0 / 46 / 6 / 4

HEX #F483E5

RGB 244 131 229

HSL 307.96, 0.84%, 0.74%

LAB 70.26, 56.07, -30.93

 

CMYK 0 / 48 / 7 / 84

HEX #281525

RGB 40 21 37

HSL 309.47, 0.31%, 0.12%

LAB 9.96, 12.87, -7.01

 

CMYK 0 / 46 / 7 / 64

HEX #5B3155

RGB 91 49 85

HSL 308.57, 0.3%, 0.27%

LAB 26.95, 24.97, -13.71

 

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

CMYK 0 / 31 / 46 / 44

HEX #8E624C

RGB 142 98 76

HSL 20, 0.3%, 0.43%

LAB 45.65, 15.05, 19.66

 

CMYK 46 / 0 / 12 / 44

HEX #4C8E7D

RGB 76 142 125

HSL 164.55, 0.3%, 0.43%

LAB 54.41, -25.39, 2.53

 

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

CMYK 6 / 0 / 46 / 44

HEX #858E4C

RGB 133 142 76

HSL 68.18, 0.3%, 0.43%

LAB 56.93, -13.78, 33.9

 

CMYK 46 / 6 / 0 / 44

HEX #4C858E

RGB 76 133 142

HSL 188.18, 0.3%, 0.43%

LAB 52.14, -16.17, -10.68

 

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

CMYK 0 / 31 / 46 / 44

HEX #8E624C

RGB 142 98 76

HSL 20, 0.3%, 0.43%

LAB 45.65, 15.05, 19.66

 

CMYK 46 / 0 / 40 / 44

HEX #4C8E55

RGB 76 142 85

HSL 128.18, 0.3%, 0.43%

LAB 53.53, -33.83, 24

 

CMYK 46 / 15 / 0 / 44

HEX #4C788E

RGB 76 120 142

HSL 200, 0.3%, 0.43%

LAB 48.16, -8.91, -16.69

 

CMYK 0 / 46 / 6 / 44

HEX #8E4C85

RGB 142 76 133

HSL 308.18, 0.3%, 0.43%

LAB 42.17, 36.24, -19.97

 

CMYK 0 / 17 / 46 / 44

HEX #8E764C

RGB 142 118 76

HSL 38.18, 0.3%, 0.43%

LAB 50.95, 3.44, 26.57

 

CMYK 46 / 0 / 40 / 44

HEX #4C8E55

RGB 76 142 85

HSL 128.18, 0.3%, 0.43%

LAB 53.53, -33.83, 24

 

CMYK 46 / 30 / 0 / 44

HEX #4C648E

RGB 76 100 142

HSL 218.18, 0.3%, 0.43%

LAB 42.16, 3.04, -25.94

 

Description

Color code: RGB 142 76 133 | qconv.com Color code: RGB 142 76 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 76 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 76 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 6 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 6% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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