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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 255 210 it is the complementary color RGB 113 0 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 255 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 255 210: RGB 147 255 205, RGB 164 255 224, RGB 181 255 243, RGB 198 255 255 and RGB 215 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 255 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 255 210: RGB 142 255 210, RGB 125 237 191, RGB 108 219 172, RGB 91 201 153 and RGB 74 183 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

Complementary color

CMYK 0 / 100 / 60 / 56

HEX #71002D

RGB 113 0 45

HSL 336.11, 1%, 0.22%

LAB 22.65, 45.76, 7.52

 

CMYK 42 / 0 / 20 / 0

HEX #93FFCD

RGB 147 255 205

HSL 152.22, 1%, 0.79%

LAB 92.63, -42.18, 14.26

 

CMYK 36 / 0 / 12 / 0

HEX #A4FFE0

RGB 164 255 224

HSL 159.56, 1%, 0.82%

LAB 93.79, -33.81, 6.25

 

CMYK 29 / 0 / 5 / 0

HEX #B5FFF3

RGB 181 255 243

HSL 170.27, 1%, 0.85%

LAB 95.08, -25.15, -1.58

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

CMYK 47 / 0 / 19 / 7

HEX #7DEDBF

RGB 125 237 191

HSL 155.36, 0.76%, 0.71%

LAB 86.35, -42.59, 12.49

 

CMYK 51 / 0 / 21 / 14

HEX #6CDBAC

RGB 108 219 172

HSL 154.59, 0.61%, 0.64%

LAB 80.08, -42.73, 13.5

 

CMYK 55 / 0 / 24 / 21

HEX #5BC999

RGB 91 201 153

HSL 153.82, 0.5%, 0.57%

LAB 73.74, -42.81, 14.6

 

CMYK 60 / 0 / 27 / 28

HEX #4AB786

RGB 74 183 134

HSL 153.03, 0.43%, 0.5%

LAB 67.31, -42.8, 15.8

 

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

CMYK 44 / 0 / 11 / 0

HEX #8EFFE4

RGB 142 255 228

HSL 165.66, 1%, 0.78%

LAB 92.96, -38.55, 2.85

 

CMYK 44 / 0 / 3 / 0

HEX #8EFFF7

RGB 142 255 247

HSL 175.75, 1%, 0.78%

LAB 93.44, -34.18, -6.26

 

CMYK 44 / 5 / 0 / 0

HEX #8EF3FF

RGB 142 243 255

HSL 186.37, 1%, 0.78%

LAB 90.35, -26.54, -15.01

 

CMYK 44 / 12 / 0 / 0

HEX #8EE1FF

RGB 142 225 255

HSL 195.93, 1%, 0.78%

LAB 85.41, -17.64, -22.46

 

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

CMYK 45 / 0 / 18 / 80

HEX #1C332A

RGB 28 51 42

HSL 156.52, 0.29%, 0.15%

LAB 19.15, -11.63, 2.88

 

CMYK 44 / 0 / 18 / 60

HEX #396654

RGB 57 102 84

HSL 156, 0.28%, 0.31%

LAB 39.6, -20.19, 5.36

 

CMYK 44 / 0 / 18 / 40

HEX #55997E

RGB 85 153 126

HSL 156.18, 0.29%, 0.47%

LAB 58.25, -28.17, 7.53

 

CMYK 44 / 0 / 18 / 20

HEX #72CCA8

RGB 114 204 168

HSL 156, 0.47%, 0.62%

LAB 75.82, -35.34, 9.62

 

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

CMYK 44 / 35 / 0 / 0

HEX #8EA5FF

RGB 142 165 255

HSL 227.79, 1%, 0.78%

LAB 69.38, 14.79, -47.23

 

CMYK 0 / 35 / 44 / 0

HEX #FFA58E

RGB 255 165 142

HSL 12.21, 1%, 0.78%

LAB 76.14, 30.73, 25.72

 

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

CMYK 18 / 44 / 0 / 0

HEX #D28EFF

RGB 210 142 255

HSL 276.11, 1%, 0.78%

LAB 69.66, 45.66, -46.4

 

CMYK 0 / 18 / 44 / 0

HEX #FFD28E

RGB 255 210 142

HSL 36.11, 1%, 0.78%

LAB 86.66, 7.26, 39.57

 

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

CMYK 44 / 35 / 0 / 0

HEX #8EA5FF

RGB 142 165 255

HSL 227.79, 1%, 0.78%

LAB 69.38, 14.79, -47.23

 

CMYK 0 / 44 / 27 / 0

HEX #FF8EBB

RGB 255 142 187

HSL 336.11, 1%, 0.78%

LAB 72.36, 47.79, -4.38

 

CMYK 0 / 9 / 44 / 0

HEX #FFE88E

RGB 255 232 142

HSL 47.79, 1%, 0.78%

LAB 92.1, -3.95, 46.49

 

CMYK 44 / 0 / 18 / 0

HEX #8EFFD2

RGB 142 255 210

HSL 156.11, 1%, 0.78%

LAB 92.54, -42.42, 11.54

 

CMYK 40 / 44 / 0 / 0

HEX #9A8EFF

RGB 154 142 255

HSL 246.37, 1%, 0.78%

LAB 64.51, 30.91, -54.87

 

CMYK 0 / 44 / 27 / 0

HEX #FF8EBB

RGB 255 142 187

HSL 336.11, 1%, 0.78%

LAB 72.36, 47.79, -4.38

 

CMYK 5 / 0 / 44 / 0

HEX #F3FF8E

RGB 243 255 142

HSL 66.37, 1%, 0.78%

LAB 97.04, -19.9, 52.42

 

Description

Color code: RGB 142 255 210 | qconv.com Color code: RGB 142 255 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 255 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 255 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 18 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 18% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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