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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 214 195 it is the complementary color RGB 113 41 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 214 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 214 195 shade: RGB 147 214 190, RGB 164 232 209, RGB 181 250 228, RGB 198 255 247 and RGB 215 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 214 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 125 196 176, RGB 108 178 157, RGB 91 160 138 and RGB 74 142 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 142 214 176, RGB 142 214 156, RGB 147 214 142 and RGB 167 214 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 142 214 214, RGB 142 194 214, RGB 142 175 214 and RGB 142 155 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 214 195 shade matches the following richer shades: RGB 142 214 195, RGB 130 226 201, RGB 117 239 207 and RGB 105 251 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 154 202 189, RGB 167 189 183, RGB 179 177 177 and RGB 192 164 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 214 195 shade: RGB 142 214 156, RGB 142 214 176, RGB 142 214 195, RGB 142 214 214 and RGB 142 195 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 214 195 shade: RGB 81 192 163, RGB 112 203 179, RGB 142 214 195, RGB 172 225 211 and RGB 203 236 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 142 147 214 and RGB 214 166 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 195 142 214 and RGB 214 195 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 142 147 214, RGB 214 142 161 and RGB 214 209 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 214 195 shade: RGB 142 214 195, RGB 159 142 214, RGB 214 142 161 and RGB 197 214 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

Complementary color

CMYK 0 / 64 / 47 / 56

HEX #71293C

RGB 113 41 60

HSL 344.17, 0.47%, 0.3%

LAB 27.91, 33.63, 4.67

 

CMYK 31 / 0 / 11 / 16

HEX #93D6BE

RGB 147 214 190

HSL 158.51, 0.45%, 0.71%

LAB 80.75, -26.24, 5.13

 

CMYK 29 / 0 / 10 / 9

HEX #A4E8D1

RGB 164 232 209

HSL 159.71, 0.6%, 0.78%

LAB 87.1, -26.04, 4.38

 

CMYK 28 / 0 / 9 / 2

HEX #B5FAE4

RGB 181 250 228

HSL 160.87, 0.87%, 0.85%

LAB 93.36, -25.86, 3.66

 

CMYK 22 / 0 / 3 / 0

HEX #C6FFF7

RGB 198 255 247

HSL 171.58, 1%, 0.89%

LAB 96.1, -19.42, -2.05

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 36 / 0 / 10 / 23

HEX #7DC4B0

RGB 125 196 176

HSL 163.1, 0.38%, 0.63%

LAB 74.17, -26.8, 3

 

CMYK 39 / 0 / 12 / 30

HEX #6CB29D

RGB 108 178 157

HSL 162, 0.31%, 0.56%

LAB 67.62, -27, 3.81

 

CMYK 43 / 0 / 14 / 37

HEX #5BA08A

RGB 91 160 138

HSL 160.87, 0.27%, 0.49%

LAB 60.96, -27.19, 4.68

 

CMYK 48 / 0 / 16 / 44

HEX #4A8E77

RGB 74 142 119

HSL 159.71, 0.31%, 0.42%

LAB 54.17, -27.37, 5.63

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 34 / 0 / 18 / 16

HEX #8ED6B0

RGB 142 214 176

HSL 148.33, 0.47%, 0.7%

LAB 80.17, -30.56, 11.71

 

CMYK 34 / 0 / 27 / 16

HEX #8ED69C

RGB 142 214 156

HSL 131.67, 0.47%, 0.7%

LAB 79.75, -34.31, 21.69

 

CMYK 31 / 0 / 34 / 16

HEX #93D68E

RGB 147 214 142

HSL 115.83, 0.47%, 0.7%

LAB 79.76, -35.07, 29.03

 

CMYK 22 / 0 / 34 / 16

HEX #A7D68E

RGB 167 214 142

HSL 99.17, 0.47%, 0.7%

LAB 80.88, -28.29, 30.73

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 34 / 0 / 0 / 16

HEX #8ED6D6

RGB 142 214 214

HSL 180, 0.47%, 0.7%

LAB 81.13, -22.31, -7.15

 

CMYK 34 / 9 / 0 / 16

HEX #8EC2D6

RGB 142 194 214

HSL 196.67, 0.47%, 0.7%

LAB 75.57, -12.1, -15.45

 

CMYK 34 / 18 / 0 / 16

HEX #8EAFD6

RGB 142 175 214

HSL 212.5, 0.47%, 0.7%

LAB 70.36, -1.9, -23.34

 

CMYK 34 / 28 / 0 / 16

HEX #8E9BD6

RGB 142 155 214

HSL 229.17, 0.47%, 0.7%

LAB 65, 9.29, -31.59

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 42 / 0 / 11 / 11

HEX #82E2C9

RGB 130 226 201

HSL 164.38, 0.62%, 0.7%

LAB 83.63, -34.2, 3.36

 

CMYK 51 / 0 / 13 / 6

HEX #75EFCF

RGB 117 239 207

HSL 164.26, 0.79%, 0.7%

LAB 87.01, -41.81, 5.03

 

CMYK 58 / 0 / 15 / 2

HEX #69FBD5

RGB 105 251 213

HSL 164.38, 0.95%, 0.7%

LAB 90.23, -48.08, 6.51

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 24 / 0 / 6 / 21

HEX #9ACABD

RGB 154 202 189

HSL 163.75, 0.31%, 0.7%

LAB 77.75, -18.38, 1.36

 

CMYK 12 / 0 / 3 / 26

HEX #A7BDB7

RGB 167 189 183

HSL 163.64, 0.14%, 0.7%

LAB 74.84, -8.68, 0.48

 

CMYK 0 / 1 / 1 / 30

HEX #B3B1B1

RGB 179 177 177

HSL 0, 0.01%, 0.7%

LAB 72.36, 0.71, 0.24

 

CMYK 0 / 15 / 10 / 25

HEX #C0A4AC

RGB 192 164 172

HSL 342.86, 0.18%, 0.7%

LAB 69.99, 11.57, -0.33

 

CMYK 34 / 0 / 27 / 16

HEX #8ED69C

RGB 142 214 156

HSL 131.67, 0.47%, 0.7%

LAB 79.75, -34.31, 21.69

 

CMYK 34 / 0 / 18 / 16

HEX #8ED6B0

RGB 142 214 176

HSL 148.33, 0.47%, 0.7%

LAB 80.17, -30.56, 11.71

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 34 / 0 / 0 / 16

HEX #8ED6D6

RGB 142 214 214

HSL 180, 0.47%, 0.7%

LAB 81.13, -22.31, -7.15

 

CMYK 34 / 9 / 0 / 16

HEX #8EC3D6

RGB 142 195 214

HSL 195.83, 0.47%, 0.7%

LAB 75.85, -12.62, -15.03

 

CMYK 58 / 0 / 15 / 25

HEX #51C0A3

RGB 81 192 163

HSL 164.32, 0.47%, 0.54%

LAB 70.93, -38.68, 5.17

 

CMYK 45 / 0 / 12 / 20

HEX #70CBB3

RGB 112 203 179

HSL 164.18, 0.47%, 0.62%

LAB 75.71, -32.94, 3.53

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 24 / 0 / 6 / 12

HEX #ACE1D3

RGB 172 225 211

HSL 164.15, 0.47%, 0.78%

LAB 85.67, -19.81, 1.3

 

CMYK 14 / 0 / 4 / 7

HEX #CBECE3

RGB 203 236 227

HSL 163.64, 0.46%, 0.86%

LAB 90.89, -12.46, 0.74

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 34 / 31 / 0 / 16

HEX #8E93D6

RGB 142 147 214

HSL 235.83, 0.47%, 0.7%

LAB 62.91, 13.87, -34.84

 

CMYK 0 / 22 / 34 / 16

HEX #D6A68E

RGB 214 166 142

HSL 20, 0.47%, 0.7%

LAB 71.91, 14.36, 19.21

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 9 / 34 / 0 / 16

HEX #C38ED6

RGB 195 142 214

HSL 284.17, 0.47%, 0.7%

LAB 66.37, 32.67, -29.1

 

CMYK 0 / 9 / 34 / 16

HEX #D6C38E

RGB 214 195 142

HSL 44.17, 0.47%, 0.7%

LAB 79.2, -1.08, 29.1

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 34 / 31 / 0 / 16

HEX #8E93D6

RGB 142 147 214

HSL 235.83, 0.47%, 0.7%

LAB 62.91, 13.87, -34.84

 

CMYK 0 / 34 / 25 / 16

HEX #D68EA1

RGB 214 142 161

HSL 344.17, 0.47%, 0.7%

LAB 66.68, 29.92, 1.26

 

CMYK 0 / 2 / 34 / 16

HEX #D6D18E

RGB 214 209 142

HSL 55.83, 0.47%, 0.7%

LAB 82.83, -8.31, 33.91

 

CMYK 34 / 0 / 9 / 16

HEX #8ED6C3

RGB 142 214 195

HSL 164.17, 0.47%, 0.7%

LAB 80.62, -26.61, 2.24

 

CMYK 26 / 34 / 0 / 16

HEX #9F8ED6

RGB 159 142 214

HSL 254.17, 0.47%, 0.7%

LAB 62.99, 21.66, -34.61

 

CMYK 0 / 34 / 25 / 16

HEX #D68EA1

RGB 214 142 161

HSL 344.17, 0.47%, 0.7%

LAB 66.68, 29.92, 1.26

 

CMYK 8 / 0 / 34 / 16

HEX #C5D68E

RGB 197 214 142

HSL 74.17, 0.47%, 0.7%

LAB 82.87, -17.34, 33.72

 

Description

Color code: RGB 142 214 195 | qconv.com Color code: RGB 142 214 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 214 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 214 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 9 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 9% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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