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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 34 / 0 / 0 / 16 it is the complementary color CMYK 0 / 64 / 64 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 34 / 0 / 0 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 34 / 0 / 0 / 16: CMYK 32 / 0 / 2 / 16, CMYK 30 / 0 / 2 / 9, CMYK 28 / 0 / 1 / 2, CMYK 23 / 0 / 0 / 0 and CMYK 16 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 34 / 0 / 0 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 34 / 0 / 0 / 16: CMYK 34 / 0 / 0 / 16, CMYK 37 / 0 / 1 / 23, CMYK 40 / 0 / 1 / 30, CMYK 44 / 0 / 2 / 37 and CMYK 49 / 0 / 3 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

Complementary color

CMYK 0 / 64 / 64 / 55

HEX #722929

RGB 114 41 41

HSL 0, 0.47%, 0.3%

LAB 27.64, 32.24, 16.94

 

CMYK 32 / 0 / 2 / 16

HEX #92D6D1

RGB 146 214 209

HSL 175.59, 0.45%, 0.71%

LAB 81.19, -22.37, -4.37

 

CMYK 30 / 0 / 2 / 9

HEX #A3E8E4

RGB 163 232 228

HSL 176.52, 0.6%, 0.77%

LAB 87.53, -22.26, -4.97

 

CMYK 28 / 0 / 1 / 2

HEX #B4FAF7

RGB 180 250 247

HSL 177.43, 0.88%, 0.84%

LAB 93.79, -22.15, -5.55

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

CMYK 37 / 0 / 1 / 23

HEX #7CC4C3

RGB 124 196 195

HSL 179.17, 0.38%, 0.63%

LAB 74.64, -22.66, -6.63

 

CMYK 40 / 0 / 1 / 30

HEX #6BB2B0

RGB 107 178 176

HSL 178.31, 0.32%, 0.56%

LAB 68.1, -22.73, -6.01

 

CMYK 44 / 0 / 2 / 37

HEX #5AA09D

RGB 90 160 157

HSL 177.43, 0.28%, 0.49%

LAB 61.44, -22.78, -5.34

 

CMYK 49 / 0 / 3 / 44

HEX #498E8A

RGB 73 142 138

HSL 176.52, 0.32%, 0.42%

LAB 54.66, -22.79, -4.62

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

CMYK 34 / 6 / 0 / 16

HEX #8ECAD6

RGB 142 202 214

HSL 190, 0.47%, 0.7%

LAB 77.78, -16.25, -12.12

 

CMYK 34 / 11 / 0 / 16

HEX #8EBED6

RGB 142 190 214

HSL 200, 0.47%, 0.7%

LAB 74.47, -9.99, -17.11

 

CMYK 34 / 17 / 0 / 16

HEX #8EB2D6

RGB 142 178 214

HSL 210, 0.47%, 0.7%

LAB 71.18, -3.54, -22.1

 

CMYK 34 / 22 / 0 / 16

HEX #8EA6D6

RGB 142 166 214

HSL 220, 0.47%, 0.7%

LAB 67.93, 3.08, -27.07

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

CMYK 30 / 0 / 0 / 96

HEX #070A0A

RGB 7 10 10

HSL 180, 0.18%, 0.03%

LAB 2.57, -0.78, -0.28

 

CMYK 34 / 0 / 0 / 76

HEX #283D3D

RGB 40 61 61

HSL 180, 0.21%, 0.2%

LAB 24.08, -8.25, -2.67

 

CMYK 34 / 0 / 0 / 56

HEX #4A7070

RGB 74 112 112

HSL 180, 0.2%, 0.36%

LAB 44.54, -13.33, -4.29

 

CMYK 34 / 0 / 0 / 36

HEX #6BA3A3

RGB 107 163 163

HSL 180, 0.23%, 0.53%

LAB 63.31, -18.25, -5.85

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

CMYK 27 / 34 / 0 / 16

HEX #9C8ED6

RGB 156 142 214

HSL 251.67, 0.47%, 0.7%

LAB 62.73, 20.78, -35.02

 

CMYK 0 / 14 / 34 / 16

HEX #D6B98E

RGB 214 185 142

HSL 35.83, 0.47%, 0.7%

LAB 76.65, 4.19, 25.68

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

CMYK 0 / 34 / 0 / 16

HEX #D68ED6

RGB 214 142 214

HSL 300, 0.47%, 0.7%

LAB 68.39, 38.66, -25.83

 

CMYK 0 / 0 / 34 / 16

HEX #D6D68E

RGB 214 214 142

HSL 60, 0.47%, 0.7%

LAB 84.14, -10.85, 35.63

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

CMYK 27 / 34 / 0 / 16

HEX #9C8ED6

RGB 156 142 214

HSL 251.67, 0.47%, 0.7%

LAB 62.73, 20.78, -35.02

 

CMYK 0 / 34 / 34 / 16

HEX #D68E8E

RGB 214 142 142

HSL 0, 0.47%, 0.7%

LAB 66.21, 27.35, 11.26

 

CMYK 7 / 0 / 34 / 16

HEX #C8D68E

RGB 200 214 142

HSL 71.67, 0.47%, 0.7%

LAB 83.09, -16.2, 34.04

 

CMYK 34 / 0 / 0 / 16

HEX #8DD6D6

RGB 141 214 214

HSL 180, 0.47%, 0.7%

LAB 81.08, -22.58, -7.23

 

CMYK 17 / 34 / 0 / 16

HEX #B28ED6

RGB 178 142 214

HSL 270, 0.47%, 0.7%

LAB 64.7, 27.4, -31.82

 

CMYK 0 / 34 / 34 / 16

HEX #D68E8E

RGB 214 142 142

HSL 0, 0.47%, 0.7%

LAB 66.21, 27.35, 11.26

 

CMYK 17 / 0 / 34 / 16

HEX #B2D68E

RGB 178 214 142

HSL 90, 0.47%, 0.7%

LAB 81.57, -24.37, 31.77

 

Description

Color code: CMYK 34 / 0 / 0 / 16 | qconv.com Color code: CMYK 34 / 0 / 0 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 214 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 214 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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