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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 177 218 it is the complementary color RGB 113 78 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 177 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 177 218: RGB 147 177 213, RGB 164 195 232, RGB 181 213 251, RGB 198 231 255 and RGB 215 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 177 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 177 218: RGB 142 177 218, RGB 125 159 199, RGB 108 141 180, RGB 91 123 161 and RGB 74 105 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

Complementary color

CMYK 0 / 31 / 67 / 56

HEX #714E25

RGB 113 78 37

HSL 32.37, 0.51%, 0.29%

LAB 36.16, 10.16, 29.63

 

CMYK 31 / 17 / 0 / 16

HEX #93B1D5

RGB 147 177 213

HSL 212.73, 0.44%, 0.71%

LAB 71.18, -1.82, -21.52

 

CMYK 29 / 16 / 0 / 9

HEX #A4C3E8

RGB 164 195 232

HSL 212.65, 0.6%, 0.78%

LAB 77.73, -2.01, -21.78

 

CMYK 28 / 15 / 0 / 2

HEX #B5D5FB

RGB 181 213 251

HSL 212.57, 0.9%, 0.85%

LAB 84.16, -2.19, -22.05

 

CMYK 22 / 9 / 0 / 0

HEX #C6E7FF

RGB 198 231 255

HSL 205.26, 1%, 0.89%

LAB 90.03, -5.69, -15.19

 

CMYK 16 / 2 / 0 / 0

HEX #D7F9FF

RGB 215 249 255

HSL 189, 1%, 0.92%

LAB 95.76, -9.72, -6.56

 

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

CMYK 37 / 20 / 0 / 22

HEX #7D9FC7

RGB 125 159 199

HSL 212.43, 0.4%, 0.64%

LAB 64.39, -1.71, -24.28

 

CMYK 40 / 22 / 0 / 29

HEX #6C8DB4

RGB 108 141 180

HSL 212.5, 0.32%, 0.56%

LAB 57.59, -1.41, -24.1

 

CMYK 43 / 24 / 0 / 37

HEX #5B7BA1

RGB 91 123 161

HSL 212.57, 0.28%, 0.49%

LAB 50.64, -1.03, -23.95

 

CMYK 48 / 26 / 0 / 44

HEX #4A698E

RGB 74 105 142

HSL 212.65, 0.31%, 0.42%

LAB 43.52, -0.56, -23.83

 

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

CMYK 34 / 24 / 0 / 15

HEX #8FA5DA

RGB 143 165 218

HSL 222.4, 0.5%, 0.71%

LAB 67.88, 4.96, -29.34

 

CMYK 34 / 30 / 0 / 15

HEX #8F99DA

RGB 143 153 218

HSL 232, 0.5%, 0.71%

LAB 64.71, 11.76, -34.25

 

CMYK 33 / 34 / 0 / 15

HEX #918FDA

RGB 145 143 218

HSL 241.6, 0.5%, 0.71%

LAB 62.28, 18.08, -38.03

 

CMYK 28 / 34 / 0 / 15

HEX #9E8FDA

RGB 158 143 218

HSL 252, 0.5%, 0.71%

LAB 63.32, 21.78, -36.32

 

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

CMYK 36 / 21 / 0 / 95

HEX #090B0E

RGB 9 11 14

HSL 216, 0.22%, 0.05%

LAB 2.97, -0.05, -1.49

 

CMYK 35 / 18 / 0 / 75

HEX #2A3541

RGB 42 53 65

HSL 211.3, 0.21%, 0.21%

LAB 21.65, -1.15, -8.98

 

CMYK 34 / 19 / 0 / 55

HEX #4C5E74

RGB 76 94 116

HSL 213, 0.21%, 0.38%

LAB 39.25, -1.03, -14.66

 

CMYK 35 / 19 / 0 / 35

HEX #6D88A7

RGB 109 136 167

HSL 212.07, 0.25%, 0.54%

LAB 55.74, -1.81, -19.51

 

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

CMYK 9 / 34 / 0 / 15

HEX #C68FDA

RGB 198 143 218

HSL 284, 0.5%, 0.71%

LAB 67.06, 33.88, -30.23

 

CMYK 5 / 0 / 34 / 15

HEX #D0DA8F

RGB 208 218 143

HSL 68, 0.5%, 0.71%

LAB 84.76, -15.04, 35.83

 

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

CMYK 0 / 34 / 18 / 15

HEX #DA8FB2

RGB 218 143 178

HSL 332, 0.5%, 0.71%

LAB 67.85, 33.34, -6.53

 

CMYK 18 / 0 / 34 / 15

HEX #B2DA8F

RGB 178 218 143

HSL 92, 0.5%, 0.71%

LAB 82.7, -26.17, 32.74

 

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

CMYK 9 / 34 / 0 / 15

HEX #C68FDA

RGB 198 143 218

HSL 284, 0.5%, 0.71%

LAB 67.06, 33.88, -30.23

 

CMYK 0 / 16 / 34 / 15

HEX #DAB78F

RGB 218 183 143

HSL 32, 0.5%, 0.71%

LAB 76.53, 6.94, 25.05

 

CMYK 25 / 0 / 34 / 15

HEX #A3DA8F

RGB 163 218 143

HSL 104, 0.5%, 0.71%

LAB 81.79, -31.43, 31.38

 

CMYK 35 / 19 / 0 / 15

HEX #8EB1DA

RGB 142 177 218

HSL 212.37, 0.51%, 0.71%

LAB 71.05, -1.98, -24.48

 

CMYK 0 / 34 / 1 / 15

HEX #DA8FD8

RGB 218 143 216

HSL 301.6, 0.5%, 0.71%

LAB 69.12, 39.76, -25.77

 

CMYK 0 / 16 / 34 / 15

HEX #DAB78F

RGB 218 183 143

HSL 32, 0.5%, 0.71%

LAB 76.53, 6.94, 25.05

 

CMYK 34 / 0 / 33 / 15

HEX #8FDA91

RGB 143 218 145

HSL 121.6, 0.5%, 0.71%

LAB 80.75, -37.69, 28.78

 

Description

Color code: RGB 142 177 218 | qconv.com Color code: RGB 142 177 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 177 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 177 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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