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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 173 131 it is the complementary color RGB 113 82 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 173 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 173 131: RGB 147 173 126, RGB 164 191 145, RGB 181 209 164, RGB 198 227 183 and RGB 215 245 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 173 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 173 131: RGB 142 173 131, RGB 125 155 112, RGB 108 137 93, RGB 91 119 74 and RGB 74 101 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

Complementary color

CMYK 9 / 34 / 0 / 51

HEX #71527C

RGB 113 82 124

HSL 284.29, 0.2%, 0.4%

LAB 39.58, 21.08, -18.77

 

CMYK 15 / 0 / 27 / 32

HEX #93AD7E

RGB 147 173 126

HSL 93.19, 0.22%, 0.59%

LAB 67.72, -17.65, 21.27

 

CMYK 14 / 0 / 24 / 25

HEX #A4BF91

RGB 164 191 145

HSL 95.22, 0.26%, 0.66%

LAB 74.32, -17.59, 20.24

 

CMYK 13 / 0 / 22 / 18

HEX #B5D1A4

RGB 181 209 164

HSL 97.33, 0.33%, 0.73%

LAB 80.8, -17.52, 19.28

 

CMYK 13 / 0 / 19 / 11

HEX #C6E3B7

RGB 198 227 183

HSL 99.55, 0.44%, 0.8%

LAB 87.17, -17.46, 18.36

 

CMYK 12 / 0 / 18 / 4

HEX #D7F5CA

RGB 215 245 202

HSL 101.86, 0.68%, 0.88%

LAB 93.46, -17.41, 17.49

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

CMYK 19 / 0 / 28 / 39

HEX #7D9B70

RGB 125 155 112

HSL 101.86, 0.18%, 0.52%

LAB 60.76, -18.81, 19.21

 

CMYK 21 / 0 / 32 / 46

HEX #6C895D

RGB 108 137 93

HSL 99.55, 0.19%, 0.45%

LAB 53.89, -18.95, 20.34

 

CMYK 24 / 0 / 38 / 53

HEX #5B774A

RGB 91 119 74

HSL 97.33, 0.23%, 0.38%

LAB 46.86, -19.09, 21.55

 

CMYK 27 / 0 / 46 / 60

HEX #4A6537

RGB 74 101 55

HSL 95.22, 0.29%, 0.31%

LAB 39.65, -19.21, 22.85

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

CMYK 21 / 0 / 24 / 32

HEX #88AD84

RGB 136 173 132

HSL 114.15, 0.2%, 0.6%

LAB 67.12, -20.65, 17.06

 

CMYK 24 / 0 / 22 / 32

HEX #84AD87

RGB 132 173 135

HSL 124.39, 0.2%, 0.6%

LAB 66.93, -21.51, 15.12

 

CMYK 24 / 0 / 18 / 32

HEX #84AD8E

RGB 132 173 142

HSL 134.63, 0.2%, 0.6%

LAB 67.09, -20.2, 11.49

 

CMYK 24 / 0 / 14 / 32

HEX #84AD94

RGB 132 173 148

HSL 143.41, 0.2%, 0.6%

LAB 67.23, -19.04, 8.37

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

CMYK 18 / 0 / 24 / 12

HEX #B8E0AA

RGB 184 224 170

HSL 104.44, 0.47%, 0.77%

LAB 85.2, -22.92, 22.25

 

CMYK 20 / 0 / 25 / 92

HEX #10140F

RGB 16 20 15

HSL 108, 0.14%, 0.07%

LAB 5.83, -2.58, 2.21

 

CMYK 18 / 0 / 24 / 72

HEX #3A4736

RGB 58 71 54

HSL 105.88, 0.14%, 0.25%

LAB 28.57, -9.06, 8.53

 

CMYK 18 / 0 / 25 / 52

HEX #647A5C

RGB 100 122 92

HSL 104, 0.14%, 0.42%

LAB 48.76, -14.17, 13.84

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

CMYK 24 / 0 / 2 / 32

HEX #84ADAA

RGB 132 173 170

HSL 175.61, 0.2%, 0.6%

LAB 67.8, -14.39, -2.98

 

CMYK 0 / 24 / 8 / 32

HEX #AD849F

RGB 173 132 159

HSL 320.49, 0.2%, 0.6%

LAB 59.79, 20.22, -8.28

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

CMYK 24 / 17 / 0 / 32

HEX #848FAD

RGB 132 143 173

HSL 223.9, 0.2%, 0.6%

LAB 59.5, 2.79, -17.07

 

CMYK 0 / 24 / 17 / 32

HEX #AD848F

RGB 173 132 143

HSL 343.9, 0.2%, 0.6%

LAB 59.32, 17.46, 0.2

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

CMYK 24 / 0 / 2 / 32

HEX #84ADAA

RGB 132 173 170

HSL 175.61, 0.2%, 0.6%

LAB 67.8, -14.39, -2.98

 

CMYK 6 / 24 / 0 / 32

HEX #A284AD

RGB 162 132 173

HSL 283.9, 0.2%, 0.6%

LAB 59.16, 19.07, -17.34

 

CMYK 0 / 24 / 22 / 32

HEX #AD8487

RGB 173 132 135

HSL 355.61, 0.2%, 0.6%

LAB 59.1, 16.19, 4.48

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD83

RGB 142 173 131

HSL 104.29, 0.2%, 0.6%

LAB 67.48, -18.67, 18.17

 

CMYK 24 / 6 / 0 / 32

HEX #84A3AD

RGB 132 163 173

HSL 194.63, 0.2%, 0.6%

LAB 65.06, -8.36, -8.71

 

CMYK 6 / 24 / 0 / 32

HEX #A284AD

RGB 162 132 173

HSL 283.9, 0.2%, 0.6%

LAB 59.16, 19.07, -17.34

 

CMYK 0 / 18 / 24 / 32

HEX #AD8E84

RGB 173 142 132

HSL 14.63, 0.2%, 0.6%

LAB 61.56, 10.11, 9.71

 

Description

Color code: RGB 142 173 131 | qconv.com Color code: RGB 142 173 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 173 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 173 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 24 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 24% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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